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Very cool! Yes, Janice certainly has the voice for this.
Floyd's guitar is very functional here. I'm especially struck by the clarity of the Jazz Brushes. Sounds very, very clear through my speakers.
Another great one!
Regards,
Rob
Last edited by R & AM; 10/01/14 11:55 AM.
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Now that's the blues....Great stuff!
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Hi, Bud, Janice and Floyd !:))
I also love everything about this
production ! Can´t say it any better
than already said so I just say
congrats to all involved !:))
Cheers
Dani
Thanks Dani -- we appreciate you. What a voice (may I please say sexy), LOVE that the vocal was right up front, so clear. Can you imagine if Brit Spears tried that? Guitar work is outstanding. Thank you, Janice smiled hugely as she read this. Yes you can use the "S" word :-) Thanks for commenting on the mix. I thought the vocal was deserving of being out there in the front. Glad you noted that in a positive way. Love the Brit statement! Thanks again Bud
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Very cool! Yes, Janice certainly has the voice for this.
Floyd's guitar is very functional here. I'm especially struck by the clarity of the Jazz Brushes. Sounds very, very clear through my speakers.
Another great one!
Regards,
Rob
Thanks a Rob. We appreciate your comments very much. I've been using Necter2's reverb module on the drums lately. It's an EMT 140 plate reverb emulation.
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Thanks Joanne, yes, the blues!
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Ah, yes. Dat's da blues. Just the way I like it. Slow swinging easy like a nice stroll down by the river. Another stellar vocal, write and production. And Preacher man floyd has definitely converted me. Who Knew? After I got over the initial shock, I was able to ride along and what a nice ride it was. First class job by all ! Tom
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Great track, smooth as silk vocals, nice groove. Very cool!
Thanks,
Bruce
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Ah, yes. Dat's da blues. Just the way I like it. Slow swinging easy like a nice stroll down by the river. Another stellar vocal, write and production. And Preacher man floyd has definitely converted me. Who Knew? After I got over the initial shock, I was able to ride along and what a nice ride it was. First class job by all ! Tom Thanks Tom! And welcome back. We missed ya. Great track, smooth as silk vocals, nice groove. Very cool!
Thanks,
Bruce We appreciate that Bruce.
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Hi Janice and Bud, "Conversion Blues" is songwriting at its awesomnest! I actually heard this song a long time back (I seem to recall there were lyrics available at that time) and I was struck by just how well written these lyrics and this song were. Tonight, I sat down and typed the words as I listened to Janice's exquisite vocals. Writing lyrics down by listening is an extremely good test for assessing prosody; in this instance, by prosody, I mean the accuracy with which the syllables of speech align and match musical note-strength. When there's a mismatch, and a syllable is placed on a beat or fraction of a beat that doesn't properly reflect the syllabic strength of how it would be spoken in the phrase, words are often difficult to understand. Every syllable in "Conversion Blues" was expertly aligned! What struck me most, when I first heard the song and read the lyrics, was the attention to rhyming detail. Three out of the four verses have the first and third lines rhyming with a weak rhyme-type (again/boatman, hill/girl, preacher/river). This gives those lines a sonic connection that holds the lyric together well but doesn't outshine the more definite rhymes for lines two and four (time/line, light/right, soul/whole). This kind of lyric-writing consistency shows great skill! - Actually, as I'm sitting here thinking about it, the fourth verse (with an American accent) also kind of has the weaker rhyme type for lines one and three with new/you. In Australia, these are perfect rhymes because we say "nyou/you" but in USA-speak, the "noo/you" is not quite perfect.
- That makes four verses out of four verses! Wow! Now THAT'S consistency
Also, the fact that the first line of each of the first three verses (and arguably the fourth verse, too) consists of two short phrases is also the kind of attention to detail that's found amongst the world's top lyricists! You're in great company. Lastly, even though this song is 8-bar blues (which works incredibly amazingly, by the way), the melody is only 7 bars long. This creates an interesting tension between the balanced feeling of 8 bars of harmony and the unbalanced feeling of 7 bars of melody. Very clever! It got me wondering what this song would sound like as a 7-bar blues. (For what it's worth, The Beatles' "Yesterday" consists of 7-bar verses.) All in all, as I said at the outset, this is songwriting at its awesomnest! Definitely inspired on all levels! All the best, Noel P.S. I have to add that floyd's playing is top class; it fits perfectly. He's a man of many talents! P.P.S. The ending really made me sit up and pay attention. I'm not sure how I feel about it, but then I guess that's the point! It is, indeed, a very interesting sound and one that has grown on me.
MY SONGS...Audiophile BIAB 2025
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Hi Janice and Bud, "Conversion Blues" is songwriting at its awesomnest! I actually heard this song a long time back (I seem to recall there were lyrics available at that time) and I was struck by just how well written these lyrics and this song were. Tonight, I sat down and typed the words as I listened to Janice's exquisite vocals. Writing lyrics down by listening is an extremely good test for assessing prosody; in this instance, by prosody, I mean the accuracy with which the syllables of speech align and match musical note-strength. When there's a mismatch, and a syllable is placed on a beat or fraction of a beat that doesn't properly reflect the syllabic strength of how it would be spoken in the phrase, words are often difficult to understand. Every syllable in "Conversion Blues" was expertly aligned! What struck me most, when I first heard the song and read the lyrics, was the attention to rhyming detail. Three out of the four verses have the first and third lines rhyming with a weak rhyme-type (again/boatman, hill/girl, preacher/river). This gives those lines a sonic connection that holds the lyric together well but doesn't outshine the more definite rhymes for lines two and four (time/line, light/right, soul/whole). This kind of lyric-writing consistency shows great skill! - Actually, as I'm sitting here thinking about it, the fourth verse (with an American accent) also kind of has the weaker rhyme type for lines one and three with new/you. In Australia, these are perfect rhymes because we say "nyou/you" but in USA-speak, the "noo/you" is not quite perfect.
- That makes four verses out of four verses! Wow! Now THAT'S consistency
Also, the fact that the first line of each of the first three verses (and arguably the fourth verse, too) consists of two short phrases is also the kind of attention to detail that's found amongst the world's top lyricists! You're in great company. Lastly, even though this song is 8-bar blues (which works incredibly amazingly, by the way), the melody is only 7 bars long. This creates an interesting tension between the balanced feeling of 8 bars of harmony and the unbalanced feeling of 7 bars of melody. Very clever! It got me wondering what this song would sound like as a 7-bar blues. (For what it's worth, The Beatles' "Yesterday" consists of 7-bar verses.) All in all, as I said at the outset, this is songwriting at its awesomnest! Definitely inspired on all levels! All the best, Noel P.S. I have to add that floyd's playing is top class; it fits perfectly. He's a man of many talents! P.P.S. The ending really made me sit up and pay attention. I'm not sure how I feel about it, but then I guess that's the point! It is, indeed, a very interesting sound and one that has grown on me. Noel, thank you for the nice remarks and for taking your time to write up your observations. I particulary appreciate your remarks about the rhyme structure as I have been working hard at that of late. And I must mention that you and floyd have offered me great guidance with that. I think that in a lot 8 bar blues that last bar is not sung over so as to provide space for the typical instrumental Blues turnaround which I'm not good at arranging for the RTs to do. I think with some more creative use of chords I could pull it off. Janice is most appreciative of your comments about the syllables. For a U.S. southern girl to enunciate like that is not easy But above all I realize that her creative melodies and voice make my writes go down easier! Thank you so much. Bud
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
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Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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From overviews of new features and walkthroughs of the 202 new RealTracks, to highlights of XPro Styles PAK 8, Xtra Styles PAKs 18, the 2025 49-PAK, and in-depth tutorials — you’ll find everything you need to explore what’s new in Band-in-a-Box® 2025.
Reference this forum post for One-Stop Shopping of our Band-in-a-Box® 2025 Mac Videos — we’ll be adding more videos as they’re released!
Band-in-a-Box 2025 for Mac is Here!
Band-in-a-Box® 2025 for Mac is here, packed with major new features and an incredible collection of available new content! This includes 202 RealTracks (in Sets 449-467), plus 20 bonus Unreleased RealTracks in the 2025 49-PAK. There are new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 4, two new sets of “RealDrums Stems,” XPro Styles PAK 8, Xtra Styles PAK 19, and more!
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Band-in-a-Box 2025 Italian Version is Here!
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È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box 2025 - Italiano
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Band-in-a-Box 2025 French Version is Here!
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Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
BIAB 2025 - francisation
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Voilà, enjoy!
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