|
Log in to post
|
Print Thread |
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,936
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 12,936 |
Last stand? or last straw?... The Band: Style is _FSPWLZ4.STY (Uptempo PopWaltz PnoMando[180RS]) RealTracks in style: ~~1178:Bass, Electric, PopWaltz Ev 120 RealTracks in style: ~~1188:Piano, Acoustic, Rhythm PopWaltz Ev 120 RealTracks in style: ~~1182:Guitar, Acoustic, Strumming PopWaltz Ev 120 RealTracks in style: ~~1186:Mandolin, Rhythm PopWaltz Ev 120 RealTracks in song: 1105:Banjo, Rhythm BluegrassWaltz Ev 140 RealDrums in Song: PopRockWaltzBrushesEv: a: Brushes b: PopRockWaltzBrushesEv I played an acoustic guitar track and the leads. SHE'S TRIED EVERYTHING if she had a good reason she could make her last stand a last ditch attempt to keep that ring on her hand but his love's grown cold....she can't understand she's tried everything she promised to honor, trust, and obey but they gave her no rules for when love slips away alone at the crossroads.... not sure of her way she's tried everything she's tried to be more than a friend a lover, a mother, the rock where he stands holding on, holding out, hoping he'll love her again she's tried to bring back the romance and time after time given him one last chance how could they let what they had slip right thru their hands but she's tried everything she leaves her key in the kitchen, and a note on the mirror as she closes the front gate, her conscience is clear she hesitates for a moment, but all doubt's disappeared cause she knows she's tried everything she's tried everything... oh... everything if she had a good reason she could make her last stand but she drives away.... no ring on her hand Thanks for listening. Comments encouraged. floyd
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2012
Posts: 8,647
Veteran
|
|
Veteran
Joined: Dec 2012
Posts: 8,647 |
Hi Floyd
Great song, as usual. I particularly enjoyed this couplet:
she promised to honor, trust, and obey
but they gave her no rules for when love slips away
Your vocals always impress us, as well as your arrangements. No exception here.
What was that high-frequency XF? not something I would have expected in this song, but it works perfectly. Thanks for a real sweet listen! Our ears are always smiling after listening to one of your songs.
Best to you,
Alan & Di
BIAB 2024 Ultra Plus-all StylePaks*Win11*32GB DDR5*Rhyzen 9745x*AT 2035 Mic*Peavey Nashville 112 Amp*Ibanez ART120* Acoustic/Electric/Washburn D200S Acoustic*Stromberg Monterey Jazz Guitar Loops: https://aldavidmusic.wixsite.com/bestmusicloops
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,936
Veteran
|
|
OP
Veteran
Joined: Aug 2012
Posts: 12,936 |
What was that high-frequency XF? not something I would have expected in this song, but it works perfectly.
Thanks, Alan! What you are hearing is guitar (my Strat) with 2 different types of delay really pounding it....
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Oct 2008
Posts: 20,602
Veteran
|
|
Veteran
Joined: Oct 2008
Posts: 20,602 |
Hey floyd! Another mighty fine work to add to the fj songbook. I'm going to pop back a little later to talk about the lyrics. At the moment, though, I wanted to feel the thrill of posting early in a thread  It's such a rare event for me! I love the way you've used waltz RTs and have turned out something that has the rhythmical lilt I associate with 6/8 rather than a waltz. Really enjoyable music! All the best, Noel
MY SONGS...Audiophile BIAB 2026
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2014
Posts: 4,067
Veteran
|
|
Veteran
Joined: May 2014
Posts: 4,067 |
Hi Floyd,
We tried to post this earlier (we would have been the first to react) but couldn't log in.
We like this one very much, both the lyrics and musical arrangement.
That style you are using is quite similar to the one I used in Amanda.
The lead guitar also sounds very nice, particularly those high-pitched notes, they do create a very nice atmosphere in the song.
The lyrics then: quite a complete story we think. The reasons why she's leaving become quite clear throughout the song.
Very well done!
Rob & Anne-Marie
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2013
Posts: 7,052
Veteran
|
|
Veteran
Joined: Dec 2013
Posts: 7,052 |
Beautiful job Floyd!! I tried to comment earlier but the site was down. Great combination of music and lyrics that perfectly delivers the melancholy emotion. One of my favorites of yours (although it is a pretty big list)!! Take care. Greg
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 3,366
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 3,366 |
Hi Floyd.
First thing I thought when I put this track on was "Golden Brown" by the Stranglers. So much so, that when the track finished I put Golden Brown on, but strangely it didn't sound at all like your song. Weird.
But hey, what another masterpiece you've crafted.
I always find it difficult to get a groove going in waltz time, but you seem to have managed it without any trouble. Listened to it twice now and still can't find even the smallest thing to criticize this time.
Going back for another try.
ROG.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 57
Enthusiast
|
|
Enthusiast
Joined: Dec 2009
Posts: 57 |
Nice Song/Vocals, easy feel and well put together
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Mar 2013
Posts: 4,497
Veteran
|
|
Veteran
Joined: Mar 2013
Posts: 4,497 |
Hi, Floyd !:))
One of your best, without doubt !:))
It is so good that I can leave
for Stockholm in a very fine mood !:))
Cheers
Dani
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2010
Posts: 5,139
Veteran
|
|
Veteran
Joined: Apr 2010
Posts: 5,139 |
Another fj goodie. Keep 'em comin'!
Regards,
Bob
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Oct 2008
Posts: 8,109
Veteran
|
|
Veteran
Joined: Oct 2008
Posts: 8,109 |
I thought I already commented on this song, but I don't see it.. so here goes again:
1) for some reason I PARTICULARLY like your lyrics to this song! I mean, I ALWAYS like your lyrics, but the rhyme and meter of these words works very well for me. And the story is very simply stated and masterfully delivered. Also, the alliteration was very effective as used. By that I mean that it ADDED to the mood of the song, it didn't come across as just as a song-writing device you read about and wanted to use in a project.
2) your use of the strat with very wet effects created a haunting and powerful motif in the background. I can see that being the identifying signature sound in the song when radio stations ask their listeners to identify your song from a sound byte.
3) Also by using something of your own as a key element in the composition, you instantly plow a whole new field . It is clearly NOT a combination of the same RTs the rest of us are using. It's new, different and therefore especially exciting.
4) in fact, I think the most original-sounding songs use BIAB for the rhythm parts (which always tend to be generic, even on pro songs... there are only so many ways you can strum a chord) then use your own signature passages for solos and decorations. Surprising how a few played tracks can make the whole song your own.
5) as far as the "sounds like" factor is concerned: the song that kept popping into my mind was Seger's MAIN STREET
6) The whole song developed a situation of futility which introduced tension, and subsequently the urge to "do something, anything, just fix this mess of a life"; but for me, the song progressed faster than my emotions could keep up. The strategic pause at the end provided just enough time for the emotional payload to finish "downloading"... then you provided the resolution. If that was your plan, it worked nicely. (Even if it WASN'T your plan, it worked nicely.)
7) I sincerely hope that the devil never approaches me with a deal in which he gets my soul in exchange for a few months of being able to do what you do.. because I'd probably go for it.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2011
Posts: 4,335
Veteran
|
|
Veteran
Joined: May 2011
Posts: 4,335 |
floyd, by now it is clear to all of us that you take great care in crafting your lyrics. This is another fine example of the high level of craftsmanship in your songwriting. Good choice of real tracks to set the wistful mood. Well sung and OH YEAH- live guitar. That helps to bring things to the next level. I am a big believer in signature licks. I believe it helps to identify a song quickly in the intro and can make an imprint in the listener's mind that makes it familiar and more friendly. Great production and mix as usual. The quality and quantity of your work never fails to astound me. Tom
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 2,699
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 2,699 |
hi Floyd great lyrics this is awesome tune love the guitar work very engaging the mix is clear nice work thanks for sharing eric
AMD (TM) 5950 4.9 GHz 16Core Processor 64 bit 32 bits of ram windows 10 pro 64 bit os. sound card Antelope ZenQ guitars Ibanez 2202a 1968 les Paul Custom and Cavin ae 185 Guitar boss Gt-100,GT1000 pedal Yamaha HS8 studio monitors
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2013
Posts: 8,879
Veteran
|
|
Veteran
Joined: Apr 2013
Posts: 8,879 |
Floyd, great piece! I guess this is the song you mentioned in your comment on my recent post that you were working on incorporating the mandolin and style I used on my song. Even if not, it is a good example for me to study and absorb how you 'see' and incorporate it.
At the risk of going solo out on a limb here, in my opinion, I think this is your most original song you've posted since I have been on the forum. ROG says, "First thing I thought when I put this track on was "Golden Brown" by the Stranglers. So much so, that when the track finished I put Golden Brown on, but strangely it didn't sound at all like your song." One may feel elements of other artists influences in your work but in the end, it is uniquely you.
I really enjoyed the song and production. My thoughts on this particular song is the sum of all the previous posts made before I was able to get back on line. (thought PGMusic put me in time-out for being off key on my last submission)
This is one of my favorites.
Charlie
BIAB 2026:RB 2026, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Jun 2012
Posts: 2,888
Veteran
|
|
Veteran
Joined: Jun 2012
Posts: 2,888 |
Hi Floyd,
great lyrics as always.
Good choice of real tracks as always.
Great vocals as always.
A live guitar which is capturing your attention: that's new.
Great mix as always.
Several enjoyable listens as always.
I've been a fan since September 2012 when I first heard one of your songs.
Guenter
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2008
Posts: 5,086
Veteran
|
|
Veteran
Joined: May 2008
Posts: 5,086 |
Hey Floyd,
Loved the Bob Seger Main Street sound on the guitar and the intimate vocal was right in the pocket. Good write. AABA is such a great form when done well as it is here.
Josie
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Oct 2008
Posts: 8,109
Veteran
|
|
Veteran
Joined: Oct 2008
Posts: 8,109 |
After listening several more times, I have two more observations to make:
1) at the 1:37 marker, you introduce another guitar briefly. It's the only place in the song you use it, and IMO, it isn't necessary. What you're already doing at that part is working very well, and after a few listens the changeup instrument started to become distracting, diverting my attention away from the interesting state of melancholy you had been luring my mind into.
2) at the end of the song, It might be interesting to hear a version in which you simply end the instrumental accompaniment when the final words are spoken (as opposed to coming back in to complete the logical progression.)
I think that would have the effect of leaving the song unresolved, which ending would be consistent with the disconcerting mood of the rest of the song.
(hey, you said comments are welcome... you never said they had to be any good)
;-)
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,936
Veteran
|
|
OP
Veteran
Joined: Aug 2012
Posts: 12,936 |
Hey floyd! Another mighty fine work to add to the fj songbook. I'm going to pop back a little later to talk about the lyrics. At the moment, though, I wanted to feel the thrill of posting early in a thread It's such a rare event for me! I love the way you've used waltz RTs and have turned out something that has the rhythmical lilt I associate with 6/8 rather than a waltz. Really enjoyable music! All the best, Noel Noel - I have to admit... most music terminology escapes me... I have no idea what 6/8 might sounds like... Hi Floyd,
We tried to post this earlier (we would have been the first to react) but couldn't log in.
We like this one very much, both the lyrics and musical arrangement.
That style you are using is quite similar to the one I used in Amanda.
The lead guitar also sounds very nice, particularly those high-pitched notes, they do create a very nice atmosphere in the song.
The lyrics then: quite a complete story we think. The reasons why she's leaving become quite clear throughout the song.
Very well done!
Rob & Anne-Marie
Rob & Anne-Marie - thanks! I do appreciate that. I've started using Styles a bit more lately - I just poked around until I found something that seemed to fit this song as I play it on guitar and this was the result... Beautiful job Floyd!! I tried to comment earlier but the site was down. Great combination of music and lyrics that perfectly delivers the melancholy emotion. One of my favorites of yours (although it is a pretty big list)!! Take care. Greg Greg - Thank you! (time for your next one, too....)
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Nov 2014
Posts: 120
Apprentice
|
|
Apprentice
Joined: Nov 2014
Posts: 120 |
Hi Floyd,
I really like this song....it has a good flow to it and good lyrics....
Sometimes less is better....I heard a very high lead or backing track with tons of reverb that in my humble opinion didn't seem to fit the rest of the song....
This song has a country feel to it and I think you should strip it down a bit and give it a more natural or earthy sound...
Just trying to help...
Horst
Horst Hartung Windows 10 - RealBand 2020:Build(3); Xtra Styles PAKs 1,2,3,4,5,6,7,8; 64 bit Intel Xeon CPU E5-1620 v3 @ 3.50GHz; 4 TB HD; 550 GB SSD PCIe Drive, 16GB Memory. Behringer UFX1604 Digital Mixer. Music: https://soundcloud.com/horst_hartung
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2009
Posts: 10,881
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,881 |
Lots of good comments and observations already so I'll pretty much leave it at that.
I found myself wondering what, exactly, "He" was doing or not doing. I thought you could have put several lines in there describing somewhat of his behavior that lead her to that place and time. Just a thought for the future because I know you're not going to go back and rewrite a verse just for this.
Yes, I especially like the way you craft the meter of the melody in the lines.
The guitar at the beginning is off to a good start.... (talking about your live one) Not what I'd call a signature lick, but certainly a really appropriate intro fill. I tend to use fills a lot. Someone mentioned Bob Segar's Main Street.... Yes, now that's a superb example of a signature lick, it starts the song and shows up throughout the song. Toward the end it starts to variate a bit but keeps the overall feel and tone regardless. Wonderful Tonight is another great classic signature lick that plays throughout the song by Clapton.
On the lead in your song, as the song rolled on, however, I found the lead to be a bit distracting as it played behind the other tracks in a few places. It wasn't in too many places so it's not a big deal. It was more like a meandering series of notes relying on the FX for it's dramatic effect. The easy solution is to mute it in the balance of the song. However, I do think that a proper, nicely crafted signature lick for this song would really set it off nicely. Signature licks tend to be pretty simple melodic riffs that will fit well in numerous places in the song and gives it a musical cohesion apart from the lyrics or anything else.
As always, I'm picking out the really small details because everything else on this song is so well crafted.
Well done my friend.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
Band-in-a-Box 2026 for Mac Videos
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
Check out this forum post for "One Stop Shopping" of our Band-in-a-Box® 2026 Mac Videos!
Band-in-a-Box 2026 for Mac is Here!
Band-in-a-Box® 2026 for Mac is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 100 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Special Offers
Upgrade to Band-in-a-Box® 2026 for Mac and save up to 50% on most upgrade packages during our special offer—available until May 15, 2026. Visit our Band-in-a-Box® packages page to explore all available upgrade options.
2026 Free Bonus PAK & 49-PAK Add-ons
Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Mac packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49.
Holiday Weekend Hours
As we hop into the Easter weekend, here are our holiday hours:
April 3 (Good Friday): 8:00 AM – 4:00 PM PDT
April 4 (Saturday): Closed
April 5 (Easter Sunday): Closed
April 6 (Easter Monday): Open regular hours
Wishing you an egg-cellent weekend!
— Team PG
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics86,296
Posts802,872
Members40,085
| |
Most Online64,515
Apr 8th, 2026
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean