Originally Posted By: joesarahh
Hard to thank you enough for the comments, you have seen right through to the heart of song. I use loops in conjunction with BIAB as I find they do wonders for removing the BIAB distinct audio signature. I have increasingly found using them in tandem yields a vastly superior sound. I had one A&R man comment that a piece, (not one of mine) sounded a bit "Band in a Boxy". As I was the next poor sod in line handing out recordings I sort of quietly turned around and tiptoed out unnoticed to return another day with a better sound. Loops is one of the tricks I have found to "mask" the BIAB sound without loosing the powerful songwriting and recording tool the software really is.


Instead of using the phrase "A BETTER SOUND" (pretty tough to sound better than the pro studio musicians who made all the real tracks) Maybe another way to describe what you are doing would be to say "A MORE DISTINCTIVE SOUND" ... because we all want to differentiate our compositions from everyone else's. Industry people EXPECT the quality to be good. What they're looking for is a distinctive sound... something that says you and only you.

That's probably the main question I ask myself when listening to songs posted to the forum: "what makes this song unique?"

https://www.dropbox.com/sh/ey71h8ep047758h/AAC12jNM0Hz9Q8zsh5iDeqNHa?dl=0