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This one features the vocal stylings of Janice Merritt and the Pedal Steel Guitar of Tom Adams. All comments/suggestions encouraged. Thanks, Tom


http://tommyadamsmusic.com/music

http://soundclick.com/share.cfm?id=12983821



Style MIDI Instruments are : Acoustic Bass (33),
RealTracks in song: 2167:Piano, Acoustic, Rhythm Country12-8John Sw 065
RealTracks in song: ~529:Guitar, Acoustic, Strumming Hank Sw 065
RealTracks in song: 1884:Piano, Acoustic, Soloist Country12-8John Sw 065 (Bluesy)
RealTracks in song: 1884:Piano, Acoustic, Soloist Country12-8John Sw 065 (Bluesy)
RealDrums: RealDrums in Song: Nashville128^09-a,b:Snare


A Way To Say Goodbye

Happy, Why can’t I be happy

I wish that we could make up

Cause every time I wake up

I find that you’re no longer by my side


Sunshine how I long to feel the sunshine

Warming up my heart

Never spent much time apart

Now everyone sees sadness in my eyes


The time has come for me to find

a way to live and not cry

You’re no longer mine Guess it’s a sign

I need to find a way to say goodbye


Lovers We always made good lovers

Now I’ve come to know

not so long ago

That was easier to be


Memories all that's left are memories

Frozen there in time

That no one else will find

Only there for you and me


The time has come for me to find
a way to live and not cry
You’re no longer mine Guess it’s a sign
I need to find a way to say goodbye

©2014 Thomas Adams/Janice Merritt

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Hearing this song, it is easy to imagine the likes of legends Patsy Cline, Buddy Emmons and Floyd Cramer jammin this song together. Great traditional country music performed perfectly and authentically with some live instruments included. Stunning vocals by Janice. This song has it all.

"Happy--- This song makes me Happy ---"


Charie


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I agree with Charlie. The performances really stand out on this one. I especially liked the pedal steel throughout. Very nicely done.

-Jeff

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WOW Tom, I guess I never realized you played the pedal steel too! Listening to the track I thought to myself "that pedal steel fits right in-seems totally custom" and IT WAS! Really pretty song, and Janice was her usual brilliant self. Great stuff! And, of course when it ended, I had to give MORE another listen-it's one of my favorite independent tracks that I've ever heard. Keep it up guys! Take care. Greg

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Bartender.........

I'll have another. Make it a double.

All you need now is low lights, some neon and smoke.

Very Nice.


Regards,

Bob

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Originally Posted By: Greg Johnson
WOW Tom, I guess I never realized you played the pedal steel too! Listening to the track I thought to myself "that pedal steel fits right in-seems totally custom" and IT WAS! Really pretty song, and Janice was her usual brilliant self. Great stuff! And, of course when it ended, I had to give MORE another listen-it's one of my favorite independent tracks that I've ever heard. Keep it up guys! Take care. Greg


Well said! I agree 100%

Originally Posted By: 90 dB
Bartender.........I'll have another. Make it a double. All you need now is low lights, some neon and smoke.

Very Nice.

that perfectly sums up the mood this song creates!

man! You two have MAGIC when you tackle a project together! This song makes 100% successful songs in a row!! I bet when y'all look in the mirror your teeth sparkle and everything! And WHATCHEWTALKINBOUT??? Pedal Steel too?? DAYum!! If this was American Idol, you'd be winning in multiple categories at the same time!

And Janice.. do you drink something special to make your voice so smooth?? If so, guard the ingredients with your life!

as always, call me...
"totally blown away"

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Originally Posted By: c_fogle
Hearing this song, it is easy to imagine the likes of legends Patsy Cline, Buddy Emmons and Floyd Cramer jammin this song together. Great traditional country music performed perfectly and authentically with some live instruments included. Stunning vocals by Janice. This song has it all.

"Happy--- This song makes me Happy ---"


Charie

Charlie, Hey thanks for all that. Those three are some of my all time favorites. glad it made you happy. Tom

Originally Posted By: JPeden73
I agree with Charlie. The performances really stand out on this one. I especially liked the pedal steel throughout. Very nicely done.

-Jeff

Jeff, Thanks for your comments. The steel is a work in progress. I have played for 40 years, but I have been having difficulty getting a recorded sound that I can live with. Thanks again, Tom

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Quote:
The steel is a work in progress. I have played for 40 years, but I have been having difficulty getting a recorded sound that I can live with.


Tommy,

have you tried putting a mic in front of your amp when you play? as opposed to making a direct connection between the pedal steel and your audio interface? Speaking for myself, I am NEVER happy with the way my guitar sounds through a direct connection... but with a mic on the amp it loses all the digital rough edges (to my ear anyway)

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Originally Posted By: Greg Johnson
WOW Tom, I guess I never realized you played the pedal steel too! Listening to the track I thought to myself "that pedal steel fits right in-seems totally custom" and IT WAS! Really pretty song, and Janice was her usual brilliant self. Great stuff! And, of course when it ended, I had to give MORE another listen-it's one of my favorite independent tracks that I've ever heard. Keep it up guys! Take care. Greg


Greg, Thanks for giving it a spin and for your kind words. And thank you again for all the great things you said about my last song More. I appreciate it. Tom
Originally Posted By: 90 dB
Bartender.........

I'll have another. Make it a double.

All you need now is low lights, some neon and smoke.

Very Nice.


Regards,

Bob


Bob, That says it all. I'll have another too! Thanks, Tom
Originally Posted By: Pat Marr
Originally Posted By: Greg Johnson
WOW Tom, I guess I never realized you played the pedal steel too! Listening to the track I thought to myself "that pedal steel fits right in-seems totally custom" and IT WAS! Really pretty song, and Janice was her usual brilliant self. Great stuff! And, of course when it ended, I had to give MORE another listen-it's one of my favorite independent tracks that I've ever heard. Keep it up guys! Take care. Greg


Well said! I agree 100%

Originally Posted By: 90 dB
Bartender.........I'll have another. Make it a double. All you need now is low lights, some neon and smoke.

Very Nice.

that perfectly sums up the mood this song creates!

man! You two have MAGIC when you tackle a project together! This song makes 100% successful songs in a row!! I bet when y'all look in the mirror your teeth sparkle and everything! And WHATCHEWTALKINBOUT??? Pedal Steel too?? DAYum!! If this was American Idol, you'd be winning in multiple categories at the same time!

And Janice.. do you drink something special to make your voice so smooth?? If so, guard the ingredients with your life!

as always, call me...
"totally blown away"


Pat, Thanks for all the nice things you have said about our work together. Janice is truly gifted and she and Bud have become great friends. BIAB has given me a lot more than just music. Tom
Originally Posted By: Pat Marr
Quote:
The steel is a work in progress. I have played for 40 years, but I have been having difficulty getting a recorded sound that I can live with.


Tommy,

have you tried putting a mic in front of your amp when you play? as opposed to making a direct connection between the pedal steel and your audio interface? Speaking for myself, I am NEVER happy with the way my guitar sounds through a direct connection... but with a mic on the amp it loses all the digital rough edges (to my ear anyway)



Pat, I have tried it all on this tone quest. Miked, Direct, Clean, Processed, Preamp only, Miked and direct at the same time, etc. I am now approaching it from a different angle - got a new pickup coming. One of these days I'll get it right. I've got to lose the mid range honk and when I tried to EQ it out it was only getting worse. I have several more songs in the pipeline waiting on steel, but they are on hold until I figure this out. Thanks for the suggestion. Tom

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Tom and Janice,
I can see the Patsy Cline vibe....beautiful.
That Janice certainly has a STUNNING voice.

That pedal steel was really nice, you made that instrument talk and cry and it compliments Janice SO well.
Maybe you could try to process it as a vocal, with a "smile curve" on the parametric eq.

Together you make music, in the true sense of the word music.

Alyn

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"Pat, I have tried it all on this tone quest. Miked, Direct, Clean, Processed, Preamp only, Miked and direct at the same time, etc. I am now approaching it from a different angle - got a new pickup coming. One of these days I'll get it right. I've got to lose the mid range honk and when I tried to EQ it out it was only getting worse. I have several more songs in the pipeline waiting on steel, but they are on hold until I figure this out. Thanks for the suggestion. Tom"

Tom, your musicianship, writing, arranging and production skills are at the very top of the heap here on the BiaB forum. That being said, the pedal steel is a very complicated instrument utilizing non-standard tuning that I would imagine sometimes even test the skills of industry mixing experts.

With the consistent quality you and then you along with Janice and Bud bring to the forum, in my opinion, your work is of such value to lead me to suggest you consider finding an engineer you could submit wav files to get "that" right sound for your pedal steel. Maybe more expensive than a new preamp or pickup. Your recordings are some of the cleanest recordings here. Just the thought of more of your work on hold in the pipeline compelled me to speak out. Just the very thought.... just sayin' man.......

Besides, it's an easy way to pick the engineers brain on techniques and tricks.

( I'll go along with your judgement on the pedal steel sound you desire but I can't find fault in what I've already heard from you. )

Charlie


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Originally Posted By: gibson
Tom and Janice,
I can see the Patsy Cline vibe....beautiful.
That Janice certainly has a STUNNING voice.

That pedal steel was really nice, you made that instrument talk and cry and it compliments Janice SO well.
Maybe you could try to process it as a vocal, with a "smile curve" on the parametric eq.

Together you make music, in the true sense of the word music.

Alyn

Alyn, I agree with you regarding Janice. To me she is beyond compare. Along with her great voice , her sense of melody is another important element to these songs. Good idea about the smile. That has always been my go to setting on final mastering. I appreciate the input. Tom

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"Memories all that's left are memories
Frozen there in time
That no one else will find
Only there for you and me"

Nice.

"The time has come for me to find
a way to live and not cry
You’re no longer mine Guess it’s a sign
I need to find a way to say goodbye"

Very nice.

The melody at "not cry" is exceptional.

Everything about this captures that "Patsy thing" perfectly. The arrangement is dead-on. The mix is, of course, perfect.

No one better to sing this type of song! Janice, you nailed this. (But... we all KNEW you would!!!)

Tom the steel sounds great to me. (Cannot imagine how hard that must be to do...)

A great listen....

floyd

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Originally Posted By: c_fogle
Hearing this song, it is easy to imagine the likes of legends Patsy Cline, Buddy Emmons and Floyd Cramer jammin this song together. Great traditional country music performed perfectly and authentically with some live instruments included. Stunning vocals by Janice. This song has it all.

"Happy--- This song makes me Happy ---"


Charie


Charlie, Patsy Cline? Wow, that is high praise. Thank you!

Janice


Originally Posted By: Greg Johnson
WOW Tom, I guess I never realized you played the pedal steel too! Listening to the track I thought to myself "that pedal steel fits right in-seems totally custom" and IT WAS! Really pretty song, and Janice was her usual brilliant self. Great stuff! And, of course when it ended, I had to give MORE another listen-it's one of my favorite independent tracks that I've ever heard. Keep it up guys! Take care. Greg


Hey Greg, yes! Tom's steel was perfect and really set the mood. And thanks a bunch for commenting on my vocal.

Janice



Originally Posted By: 90 dB
Bartender.........

I'll have another. Make it a double.

All you need now is low lights, some neon and smoke.

Very Nice.


Regards,

Bob



Thank you Bob. You set the scene very well!
Janice


Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more.
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This is quality from the first note to the last.

The steel tone sounds good. Quite often we are our own worst critics. I felt the same way about my tone and playing for a very long time.... don't give it a second thought. This is nice tone....and I LOVED how the piano picked up and ended the steel solo... nice production call.

Janet's sultry singing style shines on this....in classic Patsy Cline fashion.

As a guitarist, the only thing I felt this was lacking was a nice hot picker to throw in some real fills and half of the solo...... That would have balanced it a bit and not made it so much of a "steel" song. I love using production chops that alternate two lead instruments ... often one per verse on the fills.

Either way, this is a great song.... well done.


You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.
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Hi Tom,

a great song. Janice's voice brilliant as always.
I like your steel. Can't find anything disturbing
in the sound.
Several enjoyable listens.

Guenter

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I clicked the SoundClick link in hopes that this goes to #1 where it belongs.

A stunning production, I love the mix and the song. Radio ready.

Janice, the emotion and dynamics in your vocal, bending those notes, captivating, smooth, wow!

Tom, you too, wow! The RT's are just right and that steel puts this in the big leagues.

Bravo!!


My stuff:
https://soundcloud.com/scott-h-olson
https://www.youtube.com/@ScottHOlson

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Originally Posted By: c_fogle
"Pat, I have tried it all on this tone quest. Miked, Direct, Clean, Processed, Preamp only, Miked and direct at the same time, etc. I am now approaching it from a different angle - got a new pickup coming. One of these days I'll get it right. I've got to lose the mid range honk and when I tried to EQ it out it was only getting worse. I have several more songs in the pipeline waiting on steel, but they are on hold until I figure this out. Thanks for the suggestion. Tom"

Tom, your musicianship, writing, arranging and production skills are at the very top of the heap here on the BiaB forum. That being said, the pedal steel is a very complicated instrument utilizing non-standard tuning that I would imagine sometimes even test the skills of industry mixing experts.

With the consistent quality you and then you along with Janice and Bud bring to the forum, in my opinion, your work is of such value to lead me to suggest you consider finding an engineer you could submit wav files to get "that" right sound for your pedal steel. Maybe more expensive than a new preamp or pickup. Your recordings are some of the cleanest recordings here. Just the thought of more of your work on hold in the pipeline compelled me to speak out. Just the very thought.... just sayin' man.......

Besides, it's an easy way to pick the engineers brain on techniques and tricks.

( I'll go along with your judgement on the pedal steel sound you desire but I can't find fault in what I've already heard from you. )

Charlie


Charlie, Thanks for all those nice things that you said. I sure do like to hear that. That is a good suggestion about the engineer- I know a couple of guys. I will run it past them. Tom
Originally Posted By: floyd jane
"Memories all that's left are memories
Frozen there in time
That no one else will find
Only there for you and me"

Nice.

"The time has come for me to find
a way to live and not cry
You’re no longer mine Guess it’s a sign
I need to find a way to say goodbye"

Very nice.

The melody at "not cry" is exceptional.

Everything about this captures that "Patsy thing" perfectly. The arrangement is dead-on. The mix is, of course, perfect.

No one better to sing this type of song! Janice, you nailed this. (But... we all KNEW you would!!!)

Tom the steel sounds great to me. (Cannot imagine how hard that must be to do...)

A great listen....

floyd


floyd, Thanks for listening and commenting. You know we appreciate every thing you have to say.




Last edited by tommyad; 12/01/14 01:09 PM.
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Originally Posted By: JPeden73
I agree with Charlie. The performances really stand out on this one. I especially liked the pedal steel throughout. Very nicely done.

-Jeff


Thanks Jeff!

Janice

Originally Posted By: Pat Marr
!

man! You two have MAGIC when you tackle a project together! This song makes 100% successful songs in a row!! I bet when y'all look in the mirror your teeth sparkle and everything! And WHATCHEWTALKINBOUT??? Pedal Steel too?? DAYum!! If this was American Idol, you'd be winning in multiple categories at the same time!

And Janice.. do you drink something special to make your voice so smooth?? If so, guard the ingredients with your life!

as always, call me...
"totally blown away"


Aw Pat, you are so sweet to say that. The ingredients are the support of Bud and people on this forum in making me feel good about my transition from just singing bluegrass. Thanks again!

Janice

Originally Posted By: gibson
Tom and Janice,
I can see the Patsy Cline vibe....beautiful.
That Janice certainly has a STUNNING voice.

That pedal steel was really nice, you made that instrument talk and cry and it compliments Janice SO well.
Maybe you could try to process it as a vocal, with a "smile curve" on the parametric eq.

Together you make music, in the true sense of the word music.

Alyn

I can't describe how much a comment like this means to Janice. You would have to see her face when I read it to her!

Bud


Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more.
If interested search on Janice Merritt. Thanks!
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Originally Posted By: Guitarhacker
This is quality from the first note to the last.

The steel tone sounds good. Quite often we are our own worst critics. I felt the same way about my tone and playing for a very long time.... don't give it a second thought. This is nice tone....and I LOVED how the piano picked up and ended the steel solo... nice production call.

Janet's sultry singing style shines on this....in classic Patsy Cline fashion.

As a guitarist, the only thing I felt this was lacking was a nice hot picker to throw in some real fills and half of the solo...... That would have balanced it a bit and not made it so much of a "steel" song. I love using production chops that alternate two lead instruments ... often one per verse on the fills.

Either way, this is a great song.... well done.


Herb, I'm glad you like this one. I have been of the school of splitting fills and leads with guitar and steel, but this one I wanted only piano and steel. Thanks for commenting. Tom

Originally Posted By: boehm
Hi Tom,

a great song. Janice's voice brilliant as always.
I like your steel. Can't find anything disturbing
in the sound.
Several enjoyable listens.

Guenter


Guenter, Thanks for listening and offering the kind words. Tom

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Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!

Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.

Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.

Check out all the 202 new RealTracks (in sets 468-488)!

And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.

The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!

2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!

With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!

These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!

This Free Bonus PAK includes:

  • The 2026 RealCombos Booster PAK: -For Pro customers, this includes 27 new RealTracks and 23 new RealStyles. -For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles. -For UltraPAK customers, this includes 12 new RealStyles.
  • MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
  • MIDI SuperTracks Set 46: Piano & Organ
  • Instrumental Studies Set 24: Groovin' Blues Soloing
  • Artist Performance Set 19: Songs with Vocals 9
  • Playable RealTracks Set 5
  • RealDrums Stems Set 9: Cool Brushes
  • SynthMaster Sounds Set 1 (with audio demos)
  • iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
  • 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
  • FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
  • MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
  • MIDI SuperTracks Set 47: More SynthMaster
  • Instrumental Studies 25 - Soul Jazz Guitar Soloing
  • Artist Performance Set 20: Songs with Vocals 10
  • RealDrums Stems Set 10: Groovin' Sticks
  • SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)

Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!

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