Hey floyd,

Thank you for taking time out to have a listen. As always, I appreciate your comments.

When I put the song together, I set out to create a choral sound just like you did when you re-invented "Wait And See" for me. I couldn't get it to work properly for me so, in the end, I settled for minimalistic on the choral front.

The organ is a Realtrack. I forgot to include it in the original list of tracks. I've fixed that up now. As for the bell, that's the VSC/DXi soft-synth playing a tubular bell note "A". Because I have a 32-bit system, I can still run this software.

Interestingly, I played around a good deal with reverb. I find it the most difficult effect to work with. Just before I rendered the song for uploading, I brought the reverb back a bit. You've now got me wondering if I should have left it. I'll pop back to the mix in a few days and see how it sounds.

Believe it or not, the intro 90% happened during one of the regenerations in BIAB. I saved the tracks as soon as I stumbled across it and then massaged it a bit for a better fit.

In relation to the piano fill leading into verse 2, it's actually a midi piano and the fill was devised by the midi soloist function. Because this is not a function that's talked about much these days, I thought I might write up how I used the midi soloist in detail so that others can try it out if they want. That information will soon be in a pdf that will be linked to the "About the song's construction" link in the original post.

Thanks heaps for all your ideas. You always make me smile as well as give me lots of good food for thought.

All the best,
Noel

P.S. You, Paul and Mario all suggested that reverb was too dry on the lead vocal. As a consequence, I've boosted it a smidgeon. I don't know if you'll notice the difference but now that I listen to it, it does sound better.

MY SONGS...
Audiophile BIAB 2025