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Go complain about too much reverb, Kevin.  Ha, ha -- I remember that! ... and yes, just because you didn't add the any reverb effect, there was still too much reverb!! It was all room reverb from, I guess, your untreated room. But that is OK, I will be 100% supportive to whatever CD material you put out. The time for critiquing is when you are putting the original takes together, not after all the final decisions have been made.
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Eddie,
"Ya never gonna complete that album" if you keep getting drawn back into the "cover band" conversations man, just saying. Of course with tongue planted firmly in cheek the same time.
Later,
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yeah nuff said, let hear some tunes
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I don't go to listen to the local cover band unless I know the musicians - then I go to hear them. It's not my cup of tea either. That's just a matter of taste.
I am in the minority of sax players who don't like John Coltrane. I can appreciate his genius, but his sax playing just doesn't speak to me. I prefer the Lester Young, Stan Getz lyrical style of playing.
But I listen with my personal musician's ears and I play for people with audience ears. I love my audience, we have fun together.
When I go to a concert, it's a high-class cover band, the last one I went to was the Cleveland Orchestra, before that the Czech Philharmonic, and the one before that was the Prague Symphony Orchestra.
I've never gone to a tribute band concert either, but understand why others do.
You do have the right for your personal tastes, we all do.
But when typing on a forum, it's sometimes difficult to express your personal tastes without unintentionally hurting someone else's feelings. I've done that myself.
Saying a cover band musician is not a complete musician is hurtful. Saying "I don't like to see cover bands" is not.
Personally, when I listen to a musician or a band, I don't care if they are playing cover tunes, original tunes, jazz, or classical. If I like what they are playing and the way they are playing it, that's all that matters to me.
We had 3 New Years parties, Tuesday, Wednesday and Thursday. We had a great time doing it too. We played cover songs, some 'like the record' (or fairly close) some similar to the record, and some our own very different arrangement of the song (I may not be a good songwriter but I'm a very good arranger - that's what formal music education did for me). We played Auld Lang Syne three times, gave Leilani a kiss when it was finished, had well wishes from the audience members, many of them who came up and thanked us for a wonderful evening, and went home with money in my pocket. (BTW the mortgage is all paid - we own it free and clear).
Life is good.
BTW I didn't play "Brown Eyed Girl" but I did have a great time singing and improvising what I think is a nice R&B solo in "Mustang Sally".
Tonight a regular gig, Saturday a pool party (we'll get to play some Calypso, Soca and Reggae music along with the others).
I was also a first call sax player at a local studio (until the owner had a stroke and closed it). They called me one-take-Jake, but that was because I only accepted the gigs that I thought I could handle (country, rock, blues, pop, and 'inside' jazz).
There is room for more than one kind of musician, and I'm glad that you can also write songs and are happy with your music.
There are many different skills to being a musician, including writing, improvising, sight-reading, arranging, expressive playing, phrasing, technical ability, transposition, interacting with the band, pacing the audience, etc., etc. I've known very few people who could do them all at a world class level, but I've known many who have had many of those skills at a world class level.
I have a lot of respect for any musician who is reaching out to an audience, whether he/she is playing covers, originals, or whatever. If the audience is digging it, or if the public is buying the recordings, life is good for him/her too.
But that's only this person's opinion.
Insights and incites by Notes
Bob "Notes" Norton  Norton Music
https://www.nortonmusic.com
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I appreciate your insights and incites, Notes! You're a smart man, and I'm glad you are willing to share your experience here.
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I have a lot of respect for any musician who is reaching out to an audience, whether he/she is playing covers, originals, or whatever. If the audience is digging it, or if the public is buying the recordings, life is good for him/her too.
But that's only this person's opinion.
Insights and incites by Notes
This is not only your opinion it is mine also.
Dad, how will I know when I've become an adult.
When your day is ruined because they rearranged the grocery store.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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Mine as well! Now let's talk about the weather! "The weather is here i wish you were beautiful"
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB/RB 2026, Reaper 7, Harrison Mixbus 11 , Presonus Audiobox USB96
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OK... finally a cover band that even I can't accept: MAC SABBATH now I've seen everything. Eddie.. is there room on the bus for me...?
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Check for a third seat on that one
Last edited by Robh; 01/02/15 04:32 PM.
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rob.. that band is in your neck of the woods.. how about checking them out and reporting back?
;-)
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aaaaaaaaaaaaaaaaaahhhhhhhhhhhhhhhhhhh NO!
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB/RB 2026, Reaper 7, Harrison Mixbus 11 , Presonus Audiobox USB96
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I can't unsee that! Thanks Pat for ruining my vision and hearing.... 
 Steve BIAB/RB 2022, Pro Tools 2020, Korg N5, JBL LSR 4328 Powered Monitors, AKG/Shure Mics.
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At least compared to the general CRAP I heard on the CW station last night (some iHeartRadio thingy) it WAS music.
OK that will start a whole new thread - MUSIC versus rhythmic NOISE.
Larry
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I don't listen to rhythmic noise and any who does, is not a real listener, and is only a hearer!
. ..... Ducks and runs away
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB/RB 2026, Reaper 7, Harrison Mixbus 11 , Presonus Audiobox USB96
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I have a lot of respect for any musician who is reaching out to an audience, whether he/she is playing covers, originals, or whatever. If the audience is digging it, or if the public is buying the recordings, life is good for him/her too.
But that's only this person's opinion.
Insights and incites by Notes
This is not only your opinion it is mine also. We are rowing in the same boat! LATER,
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I have a lot of respect for any musician who is reaching out to an audience, whether he/she is playing covers, originals, or whatever. If the audience is digging it, or if the public is buying the recordings, life is good for him/her too.
But that's only this person's opinion.
Insights and incites by Notes
This is not only your opinion it is mine also. We are rowing in the same boat! LATER, And now the boat gains another passenger.
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One of the many things that I love about acoustic traditional American music, (aka. bluegrass), is that it takes the music from the past, (cover songs), then honors the past by having everyone in the band take their first solo closely based around the original melody, and then it encourages everyone in the band to “stretch out” or improvise on the second solo.
Then they pass that along to those coming up behind them. In the process of passing those updated songs along where they honor the past, they also make room for the present. They write new songs and make them a part of the package with the old songs. Then the “little ones” are taught the whole thing and encouraged to repeat the process.
Other styles of music creep in creating a hybrid of sorts, leading to searching for a better terminology. That’s where the “Newgrass”, “Dawg Grass”, “Space Grass” and “New Acoustic” terms came from. Then most folks just went back to calling it all “bluegrass”.
I’m convinced that’s why bluegrass has such an incredible number of exceptionally talented young musicians in its ranks. The kids are told to learn the old songs, …spice them up, …then write some new songs! Then teach the whole shebang to your kid brother/sister or the kid next door.
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eddie1261
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Danny C and Rob, right now I am at the mercy of my engineer's calendar. We will pick it up again Monday. 4 songs to go. He has the raw tracks and we are tweaking them. And trying to resist overcooking them.
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I have a lot of respect for any musician who is reaching out to an audience, whether he/she is playing covers, originals, or whatever. If the audience is digging it, or if the public is buying the recordings, life is good for him/her too.
But that's only this person's opinion.
Insights and incites by Notes
This is not only your opinion it is mine also. We are rowing in the same boat! LATER, And now the boat gains another passenger. and yet another
Win10Pro,i9,64GB,2TBSSD+20TBHDDs,1080TI,BIAB'24,Scarlett18i8,Montage7,Fusion 8HD,QS8,Integra7,XV5080,QSR,SC-8850,SPLAT,FL21&others,Komp.14,IK suite&others, just a guitar player-AXE FX III &FM9T, FishmanTP, MIDIGuitar2, GK2/3'sw/GI20
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Most of the bands I played in were 99.9% cover bands...... but ...we rarely ever started to learn a cover song like the recording artist played it. Especially the three piece band I played in for a number of years.....obviously we could not replicate a 5 piece band's sound or instrumentation...so we faked it.
In the vernacular of the American Idol judges.... we made it our own.
Later in a 6 piece house band we followed basically the same formula..... learn it so the people recognized it but play it our way and style. One notable exception was a Reba M song.... Whoever's in New England.... I played the piano on that in the original key and we tried to get that one as close to the original as we could given our skill level. The piano player we had tried to learn the piano part and was having trouble so I said "let me show you the riff there". He asked me to play the song from the top and at the end said he would set that one out because he couldn't learn it any time soon like that..... There were nights when the hair would stand up on my neck while playing that and hearing our female singer wail that song out..... chills.... It was the only song I played the piano on in that band.
But yeah, mostly, we did our own arrangements. Call it lazy, or our skill level to copy a cover exactly lacking..... we had fun. Most of the arrangements kinda fell together by accident.
Last edited by Guitarhacker; 01/03/15 04:13 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Ask sales and support questions about Band-in-a-Box using natural language.
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Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
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Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
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If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
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And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
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XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
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XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
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Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
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Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
Band-in-a-Box 2026 for Mac Videos
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
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