I thought I had seen a way to slow the attack time on RealTracks. May have been hallucinating? The words 'envelope' and 'attack' do not reveal any info in Help.
All musical instruments generate an attack (initial amplitude change from zero to full volume of any note. Can be near-instantaneous, as with a synthesizer or piano, or slow, as with a string "pad"-like part. "Slow strings" usually just means a slow attack. And a string attack is quite complex, not just a simple volume change.
The strings I use (Celtic Air 085) have a large change in pitch and amplitude for the first tenth of a second or so at slow tempos, this waver is usually caused by playing a sample at too slow a playback speed, strings are especially prone to this issue, it's just the way the rosin grabs the strings.
If I can adjust the attack time (with a gate...) from BiaB, I don't need to take the track to a DAW. And I thought I had seen something like this, but I could easily be hallucinating... :-)
OK, that's what I thought you might mean. In the case of RealTracks strings, there are indeed large differences in the attack time (and I'm glad of it). When I find a string part I like for sound, but it attacks too slowly, I use Play, Slide Tracks with a larger negative number on the strings to start them playing earlier. By the time you are aware of them in the mix, they are sounding with a nice balance.
I suppose you could play around with a hard gate and only let the strings sound when the intensity exceeded the gate, but I think that would sound pretty abrupt. A compressor might be more the trick.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
A gate with variable attack works. Low threshold, 1/3 sec attack and voila. But I have to export to one of my DAWs. Sliding the start time won't help, now it's EARLY (and therefore more noticeable, any masking is offset by the other instruments decay.)
Just thought I had seen this somewhere. S'alright...
ot a switching gate, a gate with variable attack/decay works. Low threshold, 1/3 sec attack, long-ish decay (time based on the sampled instrument) and voila. But I have to export to one of my DAWs. Sliding the start time won't help, now it's EARLY (and therefore even more noticeable, any masking is offset by the other instruments decay.)
Just thought I had seen this somewhere. S'alright. And thanks for the reply...
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