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Joined: Dec 2011
Posts: 16,207
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Joined: Dec 2011
Posts: 16,207 |
I'm late to the party because this hit while I was travelling, and I didn't have ear buds that would do justice to showcase songs. I skipped past all the other comments, so apologies if I say a lot of stuff that has already been said. Anyway, here are my thoughts:
1) The title is good use of Irony, as "Way To Go" is usually used in a positive way, but the theme of the song is anything but positive.
2) I thought the phrasing of the harmonies was innovative. Most people would have harmonized the whole phrase, but the choice to harmonize only parts of each verse gave it a fresh feel. I especially liked the harmony at "If you're hangin' around to see..."
3) I liked the alliteration: "Cracked, Crumbled" "Resisted Repair" "Teetered Tumbled" The fact that the alliteration only occurred in one verse struck me as a missed opportunity. Including it in both verses would have been a binding theme... in fact, the fact that it appeared only in the second verse makes me wonder if there was a collaborative split in the lyric writing, and the verses were not written by the same person. I think that if the same person had written both verses the alliteration would probably have been employed the same way both times.
4) I also like the interesting mutations of the same words in various places: in verse 2 there is PASSED, PASSING and PAST later in the bridge there is HELD, HOLDING and HOLD, all used in different ways. Very interesting attention to verbal detail!
In verse 1 I liked the segue between HEAVEN and HELL. I also liked the rhyme between LEAVIN' and BELIEVE IN
5) I liked the guitar intro, the way it flowed from low to high. I'd be very surprised if you said it just generated that way! I'm thinking you took pains to make that happen.
The fiddle is totally believable as a live embellishment to the song. And the backing guitar is also just perfect for the song! You couldn't have done much better at finding appropriate real tracks for the song!
I also like the sustained cello
6) I noticed that in verse one the written word was:"if you walk out that door, " but the vocals substituted "OUR door" for "THAT door".. a change I like, BTW, but it caught me off guard as I followed along with the printed lyric sheet
Like I said, I skipped past the other comments.. but I'm betting that if I end with "WTG!" it won't be the first time you've heard it! But it's exactly the right summary! Way to go! Awesome song in every way!
update: in rereading my post, I realized I omitted any comments about the most important parts of the song!
Janice, it almost doesn't need to be said any more because your singing is legendary! But I want to say it anyway because you deserve to hear it! You have the perfect voice for delivering mournful lyrics, and this song was a good write for your vocal delivery!
Bud, you should count it as flattery that your mix was so seamless and invisible that I closed without even commenting on it! A mix that gets noticed is probably not a good mix. But yours is so clean and free from anything to comment on that the cleanness speaks for itself! Someday maybe I'll know how to do that! But until then, I'm glad you and a few others here know already!
Pat, just taking the time to write your comments is greatly appreciated. And the icing on the cake is that, as usual, they are incredibly astute. For example your observation that floyd wrote one of the verses is spot on. And that likely accounts for me not using an alliteration as I wrote mine first. You can thanks Mr jane completely for V2 and the bridge. And he came up with them in a few nanoseconds. Or so it seemed to us Glad you like the irony in the title...cause it was intended! Thanks for the comment about the opening guitar -- it is comped from several generations. I got lucky and was able to, hopefully, seamlessly paste in the first few notes also. The fiddle was comped from many generations but the cello was just one generation (got lucky). Your comments about the mix/mastering are hugely appreciated and your remarks about Janice's vocal put a large smile on her. Thanks again so much. J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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