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Originally Posted By: robsmusic
Another in your string of hits!

-rob

Thanks, rob...


Originally Posted By: Janice & Bud
All we are going to add to the accolades is
immediately upon our first listen each of us
almost simultaneously said "Dean Dillon and
George Strait!" Dean Dillon wrote some of
Strait's biggest and best crafted songs in
our opinion.

We're not typically ones to drop other artists'
names when commenting on a song but Dillion
is a fine writer and we felt Mr jane
would enjoy the comparo. We recently watched
Strait's final Dallas concert "The Cowboy
rides Away" and this song would have fit
perfectly in the show. 'nuff said!

J&B

Well...heck... those are 2 names I don't mind being in the same sentence with... (humbling)... and STILL, George doesn't write, he doesn't call.... smile

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This song must have hit the forum while I was away... my first take is that it sounds like today's country!

No pedal steel, chicken-pickin' or other trademarks of classic country. Instead you use mandolin, which pays homage in a way to the current popularity of the bluegrass sound in country.

Also the guitar decorations have a pop feel to them, and the chord progression is closer to the current 4 chords than it is to the classic country chord progression.

I like the way you sculpted the drums to match the sound of other current country hits.

I also like that you seem to have isolated a signature guitar passage to use throughout the song to establish symmetry and recognizability.

Great lyrics as always, and everything works together to build the mood and message of a hit song!

edit:
Dang, Floyd.. you really need to be famous! We don't understand.. WHAT'S THE HOLDUP??? You're doing everything right!

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Floyd,

This track is just unbelievable in every way and it shows just how deep your understanding is of all the facets of a hit song. You get the well known truth that "Less is More" when it comes to laying music tracks for a song as well as when to do something or not to do something.

Being a guitarist, I always dig a great guitar solo but also know if you want to do what's right for a song, you have to give it what it needs. This track is perfect like it is. It doesn't need a solo of any kind and you absolutely nailed this one to the wall! Bravo!!!

BR,
David

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Quote:
I am also in the "I like everything about this song" crowd.

Not only are you an outstanding lyricist you are also an outstanding producer, singer, guitarist, mix engineer etc!.

This was perfect!

Mario said it all for me.

Why aren't you famous with songs/productions like this????

I shall read your technical post later for ideas!!

pure floyd jane genius

Alyn

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Originally Posted By: Pat Marr
This song must have hit the forum while I was away... my first take is that it sounds like today's country!

No pedal steel, chicken-pickin' or other trademarks of classic country. Instead you use mandolin, which pays homage in a way to the current popularity of the bluegrass sound in country.

Also the guitar decorations have a pop feel to them, and the chord progression is closer to the current 4 chords than it is to the classic country chord progression.

I like the way you sculpted the drums to match the sound of other current country hits.

I also like that you seem to have isolated a signature guitar passage to use throughout the song to establish symmetry and recognizability.

Great lyrics as always, and everything works together to build the mood and message of a hit song!

edit:
Dang, Floyd.. you really need to be famous! We don't understand.. WHAT'S THE HOLDUP??? You're doing everything right!


Wasn't expecting this one to pop back up... and I would normally just let it slide back down, but y'all are simply being too nice to not say a quick "Thank You"...
Pat - I appreciate the mention of the signature guitar passage. There was some discussion some time back (there have been many, actually) where people state that the only way to have "signature guitar licks" is to play them yourself... and that that is a limitation with BIAB... I don't believe that for a second... so wanted to "drive that point home" - it is simple to find licks within the BIAB tracks to pull out and repeat to give a production a musical hook... a little imagination goes a long way...

Thanks, also for noticing the fact that this is "not your granmpa's Country". I think it's good to recognize that BIAB has plenty of stuff for current sounds - you just have to start using them...

Famous? I am famous - right here in the PG forum - with the 8-10 people who contribute to the conversation - you being one of those... a great group of people!!!



Originally Posted By: davidgitar
Floyd,

This track is just unbelievable in every way and it shows just how deep your understanding is of all the facets of a hit song. You get the well known truth that "Less is More" when it comes to laying music tracks for a song as well as when to do something or not to do something.

Being a guitarist, I always dig a great guitar solo but also know if you want to do what's right for a song, you have to give it what it needs. This track is perfect like it is. It doesn't need a solo of any kind and you absolutely nailed this one to the wall! Bravo!!!

BR, David

David - I really do appreciate you saying such nice things! BIAB provides the tools required to get that sound - I think it is important that we show that off if we can... and it is done nicely by so many here - in so many different ways...


Originally Posted By: gibson
Quote:
I am also in the "I like everything about this song" crowd.

Not only are you an outstanding lyricist you are also an outstanding producer, singer, guitarist, mix engineer etc!.

This was perfect!

Mario said it all for me.

Why aren't you famous with songs/productions like this????

I shall read your technical post later for ideas!!

pure floyd jane genius

Alyn

Ah...gee...Alyn... you're gonna make it hard to wear my hat!!!

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Floyd,

This is a song I like VERY much. I am so glad you took the time to explain how you developed the drums as you "composed" drum track is one of the things that make the sound of the song. Nobody mentioned the left channel guitar in the first verse or two that complements the right channel mandolin so I will; they sound as close together as peanut butter and jelly.


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PG Music News
New RealTracks Released with Band-in-a-Box 2025!

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New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!

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We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!

We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!

If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!

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Learn more and listen to demos of XPro Styles PAKs.

Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!

XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support

Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.

Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support

Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins

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