Log in to post
|
Print Thread |
|
|
|
|
User Showcase
|
Joined: Jan 2012
Posts: 3,615
Veteran
|
Veteran
Joined: Jan 2012
Posts: 3,615 |
Outstanding guys. Very professional. Rob.
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2011
Posts: 1,040
Expert
|
Expert
Joined: Apr 2011
Posts: 1,040 |
Floyd and Janice, This is outstanding. Wow! Every aspect of this is top notch. Loved it! SD
Last edited by SpaceDog; 03/21/15 04:28 AM.
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2010
Posts: 8,125
Veteran
|
Veteran
Joined: Aug 2010
Posts: 8,125 |
Floyd / Janice,
I like this a lot - excellent big sound. Love the arrangement as well - great vocals too.
Bob
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,469
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 12,469 |
Hi Floyd Hi Janice. Fabulous vocals on here. Greatly enjoyed the melody also. Tasteful guitar work. Backing nicely restrained. Like it. Cheers. Thanks Richard... you hit the high points there... Very interesting concept for a country song! Sort of an odd couple song. Might be a new trend, I've heard several country songs in the past year with similar themes, but usually zeroing in on the girl being comfortable in two worlds... ("Looks like California, Feels like Carolina") But this study in contrast between the members of a couple really opens up some interesting possibilities, and I found myself wishing the song were longer so you could keep exploring them. I liked this line the best: I've got shoes for every occasion he's of the one-pair-of-boots persuasion I also like this line: we might not always see eye-to-eye but we're heart-to-heart 'til the day we die Greg mentioned that the vocals sounded hot to him. I'm not sure I'd describe what I heard quite that way, but there was a stark clarity to them on this end. They definitely aren't obscured by the mix. You both sing so well individually, and together you really shine. The obvious pop-culture parallel that comes to mind is Green Acres, and when Janice sang he calls me a "society girl" I like living in my champagne world her Georgia accent didn't conjure up an Eva Gabor image.  ... so I had to ditch that comparison and let the song be itself. I like the song that it is, and all that you both put into it. Pat - appreciate all that... This is actually a very common theme in Country Duets (as Charlie alludes to further down)... For instance, here is one of the classic ones - You're The Reason God Made Oklahoma https://www.youtube.com/watch?v=LWVdKv4-CEgor how about Donnie and Marie (this was a VERY bad era for Country) https://www.youtube.com/watch?v=QMZCWGyk388(skip to 2:00) Janice and I are working on the Arm Swing... That boots line is my favorite, too...
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,469
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 12,469 |
Donnie & Marie? Yeah surely that's it! Haha. This is a wonderful write for sure. The old "cowboy fancy lady" theme. Fantastic vocals and melody. The mix is spot on per usual. My one very small nit is the dry sounding acoustic in the beginning seems strange against the reverbed vocal. Maybe a little reverb on Brent would be in order.
"somedays it seems we can't agree at all i'm a honky tonk guy, she gets invited to the annual govenors ball
i've got shoes for every occassion he's of the one-pair-of-boots persuasion but when it comes to love, it's a mutual fall "
Expertly crafted verse. As usual I end up scratching my head and thinking "How in the world are floyd jane and Janice Merritt not household names?" They most certainly are in this household. What a great way to kick off the weekend! Tom Yeah... the brother/sister love song duets were a little creepy... it was one of those times when everyone was saying "what's happened to Country music?" The old "cowboy fancy lady" theme. - exactly! you could probably come up with a long list of them... everyone needs at least one... btw - added some reverb to Brent's fp guitar - thanks for the note.. We could start touring, you know... Bud would have to unpack his bass, though.... and YOU would be hauling more equipment than anyone else! 3 or 4 guitars, amps, steel, dobro.... 
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2013
Posts: 8,681
Veteran
|
Veteran
Joined: Apr 2013
Posts: 8,681 |
" Folks refer to your songs as "well crafted"? But, I don't know exactly what that means. Perhaps some day you can educate us on your secret."
"well crafted" is a term I use. If fact, it was included in my comment on this thread.
My explanation to 'well-crafted' is akin to 'mastery'. Any trade or skill is composed of different elements. Well-crafted means the tradesman has the skill, experience and knowledge to expertly control all of the elements of the trade to consistently mold and craft a product to such a degree it is of the highest quality obtainable. Elements of mastery are not just lyrics and rhyme, but song structure, selection of instruments, mix, levels, effects, dynamics, vocalists, backgrounds, adherence to the structure of song genre, musical and vocal proficiency, originality and so much more.
In a word (albeit hyphenated), that is what I mean when I use 'well-crafted'.
Floyd's work consistently hits this mark and he therefore qualifies as a 'master'. That does not mean he should quit experimenting, learning or he has peaked. With what is out there today for home recording artist's, he simply performs at the 'master' level.
An amateur such as myself can create a work that is 'well-crafted' but just can't repeat the process with reliable consistency as the likes of Floyd, Tom Adams, Sundance, JosieC, MarioD, rsdean, 90db, Sergio, R&AM, Janice and Bud, gibson, Rog, Alek Rand, guitarhacker, Joesarahh,gruverider or boehm and so many others. There are many others I could and should list, but my point is you see posts by certain names and regardless if you are a fan of their genre of music, you know the production of all the elements encompassing the creation and production of the song are of such quality as if done by a 'master' of their trade.
Last edited by c_fogle; 03/22/15 04:51 AM.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 15,431
Veteran
|
Veteran
Joined: Dec 2011
Posts: 15,431 |
Gotta love a duet. Most excellent.
Regards,
Bob Thanks Bob. I'm glad fj has given me an opportunity to sing some. Janice Hi, this is the kind of country music (very melodic and sentimental) that I like best. Great melody, voices, and guitar.
Hello
I'm glad you liked it Sergio. Janice Floyd,
Very nice! You both sound great (as usual). The backing tracks sound good as well... If I had one critique it's that the vocals seem a little hot overall, Janice especially on the first verse (to me) when she comes in it's noticeably hotter than your vocal. Just my .02
Another fine job!
Greg Thanks Greg -- I think fj has cooled me down in the mix  Janice Beautiful song. You guys sound great together.
fj is a pleasure to sing with. Thank you! Janice Hi Floyd.
I always like your songs and as everyone knows by now, I'm Janice's biggest fan, so this was always going to be a treat for me.
Everything beautifully put together and working as it should. Stellar performances from both of you and the band's not half bad too!
Mix? Well, it goes without saying..
ROG.
Thank you ROG! He makes it mighty easy to just step in and sing a part. Janice www.janiceandbud.com
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,469
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 12,469 |
FJ, you seem to have identified some magic crafting of lyrics and music which is on par with what many professionals do. I can't put my finger on exactly what it is since I just don't know enough about song writing to explain what I am hearing in your songs. But I do hear it.
Maybe it in the vocal phrasing? A changing in tempo of the vocal versus the tempo of the backing? Or is it that you are singing more against the chord than with it (I mean that in a positive way)? You now - the chord raise and you descend. It has to be more than just the cleaver lyric, which is certainly a part of it. Folks refer to your songs as "well crafted"? But, I don't know exactly what that means. Perhaps some day you can educate us on your secret. Since Charlie jumped in to define his mention of "well-crafted" (and did a nice job of covering that - and, Charlie, I appreciate the nice compliments....) I thought I'd try to give some kind of answer before continuing on... though I'm sure it will be inadequate..... There is a "craft" to songwriting - at least the kind that I do... mostly it is "learned" and it takes a lot of practice to become proficient - much like learning to play an instrument. There are those who have some kind of innate talent, but for the majority it is a "skill" (not a "gift"). Generally, what is being referred to in "well-crafted" comments is mostly about a lyric. How words go together, how they fit with the music, how they conjure images and feeling - the main intent of a song... As Charlie said, there are a number of aspects to that (too many to cover in a short reply).. The "clever" is part of it - though that is best if it isn't "too clever". Finding interesting way to say the same thing that has been said a million times. The rhymes you use, the way you use them, the structure in which they fit.... Noel is very good at detailing these type things in a lyric... There are so many aspects. Most are quite simple. But you have to realize them. Many songwriters never work the craft enough (meaning write enough) to find them all... for instance - a very simple one... how a song/story develops and leads back to the "hook" (or chorus)... How that happens in your 2nd verse should be on a new level compared to the first verse. The inexperienced writer will simple write verse 2 to say the same thing that verse 1 said - a rehash - and that will cause your listener to lose interest... just one example... You have to find all of those things somewhere - lessons, realizations - and you have to practice. A lot. And you have to have real legitimate feedback to learn what works and what doesn't. To progress you have to be doing it ALL the time. Not write a couple of songs a year. You have dedicated yourself to becoming a better guitar player. The same thing applies to writing. It ain't a sometimes thing. OK... but... the things that you have noticed are another aspect... when you talk about the vocal phrasing and tempo and singing against the chord, you are delving into melody - and "how a song SINGS". A whole 'nother thing... and one that some writers never consider. It's the part that makes a song "commercial" (for lack of a better word). A large majority of "writers" don't seem to ever think about it - or certainly do not develop it. It (melody) is almost an afterthought. Play some chords and fit the lyric to them the best you can - the lyric pretty much just follows the chords as they are played... it pretty much defines "folk music". And country music before 1980. And bluegrass. And a lot of blues. (not to say there's anything wrong with that) Writing catchy melodies and having the lyric fit them "just right" is a different thing. It is a conscious effort/decision on the writer's part. And only a certain percentage of writers go that direction. The ones who don't will often mock songs (and the people who write and perform them) that are "commercial" - like it's a bad thing. (there are SO many different discussions in all of this). I'm rambling, I know... It's all about how a song "falls on the ear". Prosody. It's got to be natural... conversational... no "bumps". The skill of writing comes from being able to do that all the time - because you've learned how... how to do it right. How to say it "the right way". Nothing awkward. Nothing boring or cliché. Musical. Like a REAL guitar player. Carlos Santana. Jeff Beck. They make a guitar SING. The guy who is just learning the pentatonic scale sounds like he's PLAYING THE PENTATONIC SCALE...you have to get to a point where that is so much a part of you that you don't even think about it - so that your playing is "lyrical" - same thing applies to songwriting. When you have learned the craft inside out, your songs SING. If you haven't your songs fall on the chords because "they are there"... OH! btw... THANKS for dropping by for a listen. I recall when you used to come around these parts on a regular basis. When I first started here (on the forum) you made me feel welcomed... so thanks for that, too...
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2002
Posts: 12,281
Veteran
|
Veteran
Joined: Dec 2002
Posts: 12,281 |
FJ, a big thank you for talking to time to articulate and share the secret to our sound. I have been thinking about it for the past couple days and thought I figured out the secret in the sauce. And now you have confirmed it even more clearly to me. Its the Melody in your songs that comes out in our vocals - your songs SING to me!
"...the things that you have noticed are another aspect... when you talk about the vocal phrasing and tempo and singing against the chord, you are delving into melody - and "how a song SINGS". A whole 'nother thing... and one that some writers never consider.
Your analogy to guitar players is spot on. I fret, toil and sweat to make my guitar SING. But forget me...
If this is not inspirational to your follow song writers then they should not call themselves song writers. I got nothing else I can add.
BIAB – 2025, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud (Tip: No need to create a SC account to hear music - just hit ESC ).
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2002
Posts: 12,281
Veteran
|
Veteran
Joined: Dec 2002
Posts: 12,281 |
hehe  - I just "Notified the Moderators" that this master lesson entry where you have shared the "secrets" of the trade should be placed in a sticky. Oh, Boy - You're in trouble now...
BIAB – 2025, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud (Tip: No need to create a SC account to hear music - just hit ESC ).
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Nov 2014
Posts: 313
Journeyman
|
Journeyman
Joined: Nov 2014
Posts: 313 |
FJ (Floyd & Janice)
There's nothing to add... I liked reading your comment on crafted songwriting and I couldn't agree more.
Making a song sound great on headphones, and on speakers, and on tablet, and on smartphone... That's well crafted to ☺
Enjoyed a lot
Fred
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,469
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 12,469 |
Another fantastic arrangement Floyd, and Janice's vocals add the usual style and polish to the number. Very easy listening, top job. Best Trevor Thanks, Trevor... always appreciate you stopping by A little humor, a lot of craft, and just the right dose of sentiment!! A real treat in every way. Excellent vocals, perfect use of the boys in the box (that solo guitar really nailed it!). Enjoyed it very much!! Take care. Greg Thanks, Greg... Floyd and Janice,
A good song, solid vocals and a professional musical arrangement. As always!
regards, Rob & Anne-Marie R & AM - appreciate that... As usual I end up scratching my head and thinking "How in the world are floyd jane and Janice Merritt not household names?" Tom There's still time. Fame & fortune don't always schedule their visits. Well, geez! it sure would make things a lot easier if they did!.... Hi Floyd and Janice, A little humor, a lot of craft, and just the right dose of sentiment!! A real treat in every way. Excellent vocals, perfect use of the boys in the box (that solo guitar really nailed it!). Enjoyed it very much!! Couldn't say it better. It was a pleasure listening (not only once). Guenter Thanks, Guenter. Always appreciate your support...
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2012
Posts: 2,931
Veteran
|
Veteran
Joined: May 2012
Posts: 2,931 |
Excellent, excellent, excellent. I love duets and would love to try writing one sometime. I guess I need some more school fees before I can even attempt to match something like this.
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,469
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 12,469 |
Good write. Love the way your voices blend so well together.
I especially liked the melodic rhythm phrasing in the chorus which gave that pretty melody such a really nice flow.
Only tiny nit on the mix is Janice comes in a bit noticeably louder in the first verse but that's not much of a nit. Cool arrangement both musical and vocal.
I thoroughly enjoyed it. My new fav of your duets so far.
Josie Thanks, Josie... we appreciate that. As Janice said, we've "cooled her down a bit" in a new mix...  floyd and Janice,
What can be said?!?!
What a vocal combo! Janice and floyd, or floyd and Janice as I don't want to put either first, both are EXCELLENT!
On my speakers Janice is a tad louder that floyd in the mic but as the song progresses that seems to settle down, but it does not detract from a wonderful song.
You lot produce songs that SHOULD be famous.
Thoroughly enjoyed as usual - Alyn Thanks, Alyn... as noted earlier, we're now making Janice stand farther back  Historically speaking, (A duet. In the grand tradition of Country Duets... George and Tammy...Conway and Loretta...Kenny and Dolly...) this is an 'almost cliche' song that works wonderfully well staying just short of being 'cliche' but being a fun song and enjoyable listen without the theme distracting. This is a well-crafted song, performance and production. Great job by the trio.
enjoyed my listen.
Charlie Thanks, Charlie - I figured that those pairings would be quite familiar to you (except maybe Donnie and Marie...  ) Standard duet fair, no doubt. There are only a couple of duet themes that are used over and over - nature of the beast - and it's fun to delve into the area of "classic" once in a while... I've enjoyed your thoughts in this thread...
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 15,431
Veteran
|
Veteran
Joined: Dec 2011
Posts: 15,431 |
Hi Floyd Hi Janice. Fabulous vocals on here. Greatly enjoyed the melody also. Tasteful guitar work. Backing nicely restrained. Like it. Cheers. Very interesting concept for a country song! Sort of an odd couple song. Might be a new trend, I've heard several country songs in the past year with similar themes, but usually zeroing in on the girl being comfortable in two worlds... ("Looks like California, Feels like Carolina") But this study in contrast between the members of a couple really opens up some interesting possibilities, and I found myself wishing the song were longer so you could keep exploring them. I liked this line the best: I've got shoes for every occasion he's of the one-pair-of-boots persuasion I also like this line: we might not always see eye-to-eye but we're heart-to-heart 'til the day we die Greg mentioned that the vocals sounded hot to him. I'm not sure I'd describe what I heard quite that way, but there was a stark clarity to them on this end. They definitely aren't obscured by the mix. You both sing so well individually, and together you really shine. The obvious pop-culture parallel that comes to mind is Green Acres, and when Janice sang he calls me a "society girl" I like living in my champagne world her Georgia accent didn't conjure up an Eva Gabor image.  ... so I had to ditch that comparison and let the song be itself. I like the song that it is, and all that you both put into it. Thanks guys -- I'm standing in for Janice today as she's out and around town. And let us not forget "Country Club" by Travis Tritt....not a duet but a cool take on the theme. Bud
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,469
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 12,469 |
Outstanding guys. Very professional. Rob. Thanks for listening Rob.... Floyd and Janice, This is outstanding. Wow! Every aspect of this is top notch. Loved it! SD Thanks, SD...
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Jul 2012
Posts: 1,831
Expert
|
Expert
Joined: Jul 2012
Posts: 1,831 |
I'm of the "I love this song" persuasion!
You guitar selections are always inspired.
Hats off to the two of you!
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2011
Posts: 4,335
Veteran
|
Veteran
Joined: May 2011
Posts: 4,335 |
FJ, you seem to have identified some magic crafting of lyrics and music which is on par with what many professionals do. I can't put my finger on exactly what it is since I just don't know enough about song writing to explain what I am hearing in your songs. But I do hear it.
Maybe it in the vocal phrasing? A changing in tempo of the vocal versus the tempo of the backing? Or is it that you are singing more against the chord than with it (I mean that in a positive way)? You now - the chord raise and you descend. It has to be more than just the cleaver lyric, which is certainly a part of it. Folks refer to your songs as "well crafted"? But, I don't know exactly what that means. Perhaps some day you can educate us on your secret. Since Charlie jumped in to define his mention of "well-crafted" (and did a nice job of covering that - and, Charlie, I appreciate the nice compliments....) I thought I'd try to give some kind of answer before continuing on... though I'm sure it will be inadequate..... There is a "craft" to songwriting - at least the kind that I do... mostly it is "learned" and it takes a lot of practice to become proficient - much like learning to play an instrument. There are those who have some kind of innate talent, but for the majority it is a "skill" (not a "gift"). Generally, what is being referred to in "well-crafted" comments is mostly about a lyric. How words go together, how they fit with the music, how they conjure images and feeling - the main intent of a song... As Charlie said, there are a number of aspects to that (too many to cover in a short reply).. The "clever" is part of it - though that is best if it isn't "too clever". Finding interesting way to say the same thing that has been said a million times. The rhymes you use, the way you use them, the structure in which they fit.... Noel is very good at detailing these type things in a lyric... There are so many aspects. Most are quite simple. But you have to realize them. Many songwriters never work the craft enough (meaning write enough) to find them all... for instance - a very simple one... how a song/story develops and leads back to the "hook" (or chorus)... How that happens in your 2nd verse should be on a new level compared to the first verse. The inexperienced writer will simple write verse 2 to say the same thing that verse 1 said - a rehash - and that will cause your listener to lose interest... just one example... You have to find all of those things somewhere - lessons, realizations - and you have to practice. A lot. And you have to have real legitimate feedback to learn what works and what doesn't. To progress you have to be doing it ALL the time. Not write a couple of songs a year. You have dedicated yourself to becoming a better guitar player. The same thing applies to writing. It ain't a sometimes thing. OK... but... the things that you have noticed are another aspect... when you talk about the vocal phrasing and tempo and singing against the chord, you are delving into melody - and "how a song SINGS". A whole 'nother thing... and one that some writers never consider. It's the part that makes a song "commercial" (for lack of a better word). A large majority of "writers" don't seem to ever think about it - or certainly do not develop it. It (melody) is almost an afterthought. Play some chords and fit the lyric to them the best you can - the lyric pretty much just follows the chords as they are played... it pretty much defines "folk music". And country music before 1980. And bluegrass. And a lot of blues. (not to say there's anything wrong with that) Writing catchy melodies and having the lyric fit them "just right" is a different thing. It is a conscious effort/decision on the writer's part. And only a certain percentage of writers go that direction. The ones who don't will often mock songs (and the people who write and perform them) that are "commercial" - like it's a bad thing. (there are SO many different discussions in all of this). I'm rambling, I know... It's all about how a song "falls on the ear". Prosody. It's got to be natural... conversational... no "bumps". The skill of writing comes from being able to do that all the time - because you've learned how... how to do it right. How to say it "the right way". Nothing awkward. Nothing boring or cliché. Musical. Like a REAL guitar player. Carlos Santana. Jeff Beck. They make a guitar SING. The guy who is just learning the pentatonic scale sounds like he's PLAYING THE PENTATONIC SCALE...you have to get to a point where that is so much a part of you that you don't even think about it - so that your playing is "lyrical" - same thing applies to songwriting. When you have learned the craft inside out, your songs SING. If you haven't your songs fall on the chords because "they are there"... OH! btw... THANKS for dropping by for a listen. I recall when you used to come around these parts on a regular basis. When I first started here (on the forum) you made me feel welcomed... so thanks for that, too... THIS SHOULD BE REQUIRED READING FOR EVERY SONGWRITER ON THIS FORUM! Thanks for sharing your insights in such a thoughtful and concise manner. Tom
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2007
Posts: 2,279
Veteran
|
Veteran
Joined: Aug 2007
Posts: 2,279 |
Hi Floyd/Jane; great song, Nothing but quality is obtain when two great voices joint together. Very good mix too. Thanks for sharing.
Mike B.
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Sep 2010
Posts: 7,629
Veteran
|
Veteran
Joined: Sep 2010
Posts: 7,629 |
If I wanted an example of how to write a theme for a television show, it's all right here. Tight writing to quickly lay out the scenario, and then hammer in the hook. Gerald McRaney as Floyd, and Loni Anderson as Janice. Friday nights at 7:00... I'll be watching! Great stuff! 
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!
Bonus PAKs for Band-in-a-Box 2025 for Mac!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
- RealDrums Stems Set 7: Jazz with Mike Clark
- SynthMaster Sounds and Styles (with audio demos)
- 128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- Look Ma! More MIDI 14: SynthMaster,
- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
- MIDI SuperTracks Set 45: More SynthMaster
- Artist Performance Set 18: Songs with Vocals 8
- RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
Join the conversation on our forum.
|
|
|
|
|
|
|
|
|
|
|
Forums58
Topics84,410
Posts778,888
Members39,649
|
Most Online25,754 Jan 24th, 2025
|
|
|
|
|
|
|
|
|
|
|
There are no members with birthdays on this day. |
|
|
|
|
|
|
|
|