All, Thanks for listening. Restrung has been a fun experience. It's interesting to me that some of you hear the potential to add a vocal. I would not have thought so but may explore that idea.

Noel,
Navigate to the loops folder (X:\bb\RealTracks\Loops) in the 2015 edition and look at the names of some of the sub folders. In addition to "Acoustic Guitar" or "Nature Sounds" you'll find sub folders named "Chillout", "DubStep", "HipHop" and "House-Techno-Trance". Not at all what some people might expect to be offered by PG Music. The names might throw you off but that's part of the fun.

Bob (rsdean),
I'm glad you appreciate the flow and the mix. I tried to make it sound like there was more material to work with than there really was.

Charlie,
Thought you might appreciate the acoustic 12 string photo for the song photo. Thought of using the electric guitar in the intro but, once a drummer always a drummer so the drum intro was selected.

floyd,
As Noel and Charlie mentioned there are some ideas worth exploring but I enjoyed what I had and am pleased everyone appreciates it as I do.
Five loops came from the Band-in-a-Box "HipHop" loop sub-folder. All five have the term "Old School" in the name. Two have the term "shaka_drum" in the name and three have the term "sweetandsimple" in the name. So you navigate to the loops folder you'd find the HipHop sub-folder. The name of one of the loops I used is: "Old School - simpleandsweet_100_a drums ev16.wav" so you can see why I wanted to give a general idea of what I used but didn't want to post the name of all five. I pulled "Old School - simpleandsweet_100_a drums ev16.wav" into a daw then reversed the waveform so it would give an effect similar to playing tape in reverse. Since the waveform is a drum pattern the pattern stayed the same but the note attack and decay reversed for a different sound.
The other loops are part of a SonyCreativeSoftware collection called "Restrung". A musician named Bradley Fish performed all the parts. ++ Follow this link ++ and click on the "Samples" button to download the same examples I used.

tommyad,
I like doing the builds on the fade-in and fade-out so each instrument has it's moment to shine. I don't know if it's true or not but I've read that if you highlight an instrument in the beginning, it is easier to hear throughout a song. While all the other instruments sound very clear the electric bass loops were recorded with a good amount of distortion. To minimize the sound of the distorted bass I used low (80Hz) and high (14kHz) shelf filters on the drums until the first bass note. By having the drums fill out and the bass begin, you don't really hear the distortion (I think). It must have worked because no one has mentioned the sound of the bass.

Trevor (VideoTrack),
I appreciate the easy to listen to comment. I enjoyed the feel of this while making it.

Guenter (boehm),
Something missing? I'm almost sure there is but I don't have a clear vision of what it might be. From the comments about adding a vocal perhaps melody. In the future I want to explore using the melody and soloist features in BiaB and RealBand.

gruverider,
Thanks for listening and your commenting. Experimenting is a good way for me to learn. More often than not my exercises are not easy to listen to. Sometimes I get lucky.

Greg Johnson,
The groove is what attracted me. Sometimes sounds just tell you what you need to do.

Dan (Big741),
I'm glad you were pleasantly surprised.

Janice & Bud,
Thanks for listening and commenting.

Jim Fogle - 2026 BiaB (Build 1217) RB (Build 4) - Ultra+ PAK
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Music at: https://fogle622.wix.com/fogle622-audio-home