Thanks for all the feedback. At best, sound arduous to use alan's word. Of course, this notion would be best if it functioned for all styles, and it would usually be the case that this would be only needed hear and there - so a C9X5 would be desired in one place in a song, and a C9 would be desired in other places of the same song.

This is sort of similar to the "5" chord which I think plays root and 5th, no third (although in looking at one style, anyway, the third was played as well ???). This would be like CX3 in this context.


kelso

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