Bob, that's pretty much what I suspected. The good AND bad news is that the right sound is probably somewhere in BIAB's arsenal; but, just as with actual musicians, it will take time to hunt it down the Style or Track that nails That Sound. Of course, with BIAB, no one is getting impatient, anxious to leave, or any of the other negative operant phenomena of working with live players.

Having acknowledged that, here's a penultimate question: Show of hands here—does anyone sit down purely to audition tracks (taking copious notes, of course) when they are not working on a particular song? It seems to make a kind of sense, except for being enormously time consuming. But how else to know what we have available to us?

"My primary musical instrument is the personal computer."