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Joined: Apr 2009
Posts: 10,802
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Joined: Apr 2009
Posts: 10,802 |
My take on demos and the rest....
There are no demos anymore. Well, not demo quality. With home recording advances, and the music coming out of home studios being comparable if not better than some "pro" studios, demo quality is a thing of the past and now days, if you want to be seriously considered and have someone actually listen to the songs, you'd best be producing master quality stuff. Radio ready as it's called or broadcast quality material.
I've said this before, but for the new folks, I was at a songwriter's convention a few years ago in LA. In one of the sessions, they played a #1 song that anyone in country music would have instantly recognized. First they played the "demo" that was submitted and then the actual radio hit by the artist. Seriously.... it was nearly impossible to tell which was which. The demo could easily have been the one on the radio except it was an unknown "demo singer" from 16th Ave. That was simply to show us the quality of the competition and the quality of the demo's going in to the publisher's offices in Nashville. The saying.... Go big or go home.... comes to mind.
That means, good vocals by someone who can sing in key and on pitch and hopefully sounds somewhat like the artist you are pitching to. Instrument parts that don't sound midi, fake, or canned. Production chops that have interesting musical things going on. And a polished, professional sounding mix and finishing. Oh yeah, and the writing and composing better be good too. It all has to be good, no.... it has to be the best of the best.... Super!!! If any part of it is less than stellar.....No matter how much lipstick you put on a pig...it's still a pig.
Can it be done with BiaB? I think so. The musical parts anyway. But you can't usually take the stock tracks straight out of BB and throw it into a mix and call it done. Some work and skill needs to go into making it right. Adding some live tracks and a good singer will set it apart from a straight up BB production. Using tools to make the production pop and sound pro is essential.
I have a number of my straight up (meaning 100% BB tracks with production chops) BB project songs signed to a few of the bigger A list publishers. And a number of the hybrid tracks. So yeah, it's possible. I only had one publisher tell me that an early BB song I sent sounded "too stiff" to use. He suggested I used "live musicians" and resubmit the song.
Watching the pro's work is a thing of beauty. They make it seem so simple but it's not. However, when you learn to look for the things they see (and I heard a number of things in the video that many people miss because they simply don't know) , and then start applying those things to your music and production, there will be a difference for the better in your work.
Details count. It's the details that set the pros apart from the masses.
enjoyed that video.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Band-in-a-Box® 2025 for Mac® users: Build 904 now available!
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