Vic, here's the problem with modal stuff and specifically the McCoy Tyner stacked 4ths style. There are no Real Tracks recorded that way. Same with the poly chords like the Steely Dan stuff. That leaves midi styles only. There are no midi styles included with the program with those voicings that I've heard.

But, you can write your own and specify exact chord voicings and rhythm in the style. That's great but then what have you got? You have a style that's only good for So What for example and if you use it for another song, it will sound like So What because of the chord rhythm. The song goes ba da ba da ba da ba da then the two chords Daa Daa. Hard to write that with a regular keyboard but you know what I mean. How many other modal tunes have that chord rhythm?

You're better off writing a midi file or finding one on the internet.

To the comment it's hard to blow a solo for whatever the amount of bars is over one modal chord then hit the change. That's what separates the men from the boys on stage. A master creates a killer solo, going off track, coming back, turning things around yet he hits the change perfectly. The wannabe's get completely lost on what seems like at first glance, a simple two chord tune.

Bob

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