That's a huge project right there. I kept thinking of Tom Jones as I was listening.

Fairly unique chord progressions there too. I liked that aspect of the song. The Minor to major change was interesting. Took a few listens for it to sink in and grow on me.

There's some others above, who referred to this as a train moving along. Yes, there's alot of power and momentum and energy in this once it gets moving. There's one place where it drops for a second and that's the one place where it really needs to be powerful.

You have a break in there at 3:42. The break is absolutely the perfect thing to have there and it's the perfect place for it. However.....On the word "doesn't" the music really needs to hit hard. It doesn't. Right before that... as it leads up to the stop.... the kick is running hard like Bruce Springsteen's Born to Run.... Come back in with that same energy and groove. That's a really tiny nit.... but IMHO I think, an important detail. I hear a snare smack on 4 with the band coming in on 1.... hard and wide open and running hard like they went out on 1. pull the tails down too (quickly) after 1 so the silence behind the vocal track is dramatic. If you're gonna use silence, use it right and make it count.

Great production, and very little else in the song to complain about. Like I said it's just a nit, but I'd do some touch up work on that silence break and make it really big.

just my opinion and 2 cents worth.

GREAT JOB!!!

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