yeah good point, I guess i lived in the Mick Goodrick world of harmony too long, he uses lots of chords with just 4th and not the 7th and 9th, but yes this is not standard usage, so not a big deal for most people

but if you trying to do very good voice leading it is major problem

and yes hexatonic harmony (triad over triad) would be awesome
i would think this would be simple

but again U would need to change interface (to pick base note)
and also i think the restriction to only allow triad/triad with no over lapping notes would be in order

Also one more point, lets say biab supported triad/triad you type in am/bm

This is ambiguous, it could imply key of Gmaj or key of C melodic minor
So this why I support the idea of allowing the assignment of parent scale
How will the soloist know what to play?

Last edited by sonicBling; 01/27/16 06:53 PM.