Very good suggestions on things I didn’t think of. Many thanks. As a follow-up comment on the original post (and especially if anyone from BIAB reads these posts), I’d like to suggest that future style developers pay close attention to the final mix and how the various instruments interact with each other---especially volume levels across variations. I find that playing live with BIAB, it’s often difficult to keep things in balance going from style to style, despite my own efforts at mixing. For example, you can’t put the bass on 90 and expect it to be right for each style and song played. There’s a lot of variation at times, especially between Real and midi tracks. One might think that if BIAB can employ all these great players to create Real Tracks, they might consider employing professional mix/mastering personnel (those with the golden ears) to help put the final polish on new styles. Just an observation. I love BIAB. Been with it since the earliest days.