This is an exciter effect which, when used sparingly, adds some nice finishing touches to your track. Excite a bit of the low/mid/high and it will sound good, just don't overdo it.
The second device I added is a compressor (ReaComp - it comes with Reaper) that allows for parallel compression. You can use any compressor of your choice as long as it allows you to independently set the Wet/Dry signal amounts. It's important that the Wet/Dry amounts are independent of each other. The key here is to heavily compress the master track at a high ratio and threshold so it pumps and breathes, and then mix that in with the dry signal of the master track. When you find the right level balance the track will become thicker and fuller with the heavily compressed track mixed in. This is called parallel compression and you can look it up yourself for further details. You don't necessarily need a compressor that has independent Wet/Dry signal balancing, but it makes it easier.
The third device is a multiband compressor. I use the standard one that comes with Reaper (ReaXComp) and it works great. The key is to use 3 to 5 bands and compress each band. You will have to research a bit of multiband compression as it is an advanced subject and takes a bit of learning to get the best results. I recommend reading "The Dance Music Manual" by Rick Snoman which even includes some beginning preset settings for multiband compression that come in very handy for beginners.
Reverb #2 - Nebula3 Free (http://www.acustica-audio.com/index.p...) - You have to order this one and go through the shopping cart procedure but it's still 100% free and well worth the effort
Use either of these 'verbs and put just a small touch of reverb on your master to make everything gel together. A little goes a long way so don't overdo it.
The final chain I have decided to go with in this exact order is:
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