Originally Posted By: Pat Marr
Hi Will,

I liked this! You're right, it has a BOSTON feel to it.. I'm curious to know what production techniques you used from MORE THAN A FEELING...

The song sounds like it has a piano, but I didn't see a piano real track listed. It also sounded like there were more guitar parts than you had listed, and I'm wondering if you played some of the tracks? Especially since throughout the song one of the guitars mimics what the singer is doing, and it seems unlikely that any realtracks would have generated a part that close to your melody.

anyway, good stuff! Thanks for posting!


Pat, I often go back to BB for additional tracks, and they don't show up in the memo. The piano is 1007, Pop Flowing. Yes, I played many of the guitars, the lead solo is from RB but the other solo parts are me on my Strat. Here are some of the tricks I borrowed from Tom Scholz:
*Electric guitars heavily EQ'ed at 800Hz, then run through compressor, amp, and various other effects
*Multiple guitars are slightly out of tune with each other
*Harmonics used as an accent
*Feedback used at breaks
*solo guitar parts played in harmony, I think the interval is a fifth
*Dynamics within the song accentuate the soft and loud parts, beginning and ending with acoustic 12 string, building to multiple guitars playing power chords.
Not only is there a piano, but in the quiet middle section there is a string quartet, courtesy BB, with a solo violin on top from my new Yamaha XE. I enjoy studying other people's production and trying to incorporate elements, I learn a lot and improve my own arranging abilities.

ProTools 12, Faderport 8, Melodyne, JBL monitors, Novation UltraNova, Yamaha MX49, Stratocaster, Telecaster, Rickenbacker 12, Ovation 12, Vox VT20X amp