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When you upload a track to soundcloud, they automatically convert everything to 128K MP3, regardless of what you upload (even if you upload your own 128K MP3 the file will still go through their conversion engine)
Because of this automatic conversion, they recommend uploading WAV files for best sound quality, which I always do.
In addition to soundcloud I also upload songs to reverbnation. I only have the free account on reverbnation, which limits me to uploading 128K MP3s.
So, you would think they would sound the same, right? soundcloud is playing a 128K MP3 that they generated from a WAV file I sent them, reverbnation is playing the 128K MP3 I sent them.
But they don't, the file over on reverbnation sounds MUCH better! Has anyone else come across this and figured out how to optimize the file sent to soundcloud so that it will sound better?
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A couple of things to consider....
Sometimes the player used by one site is better or worse than the players on other sites.
If the site runs a compression algorithm, which most do that convert to 128kbs, that can really screw with the end result as well. One site, SoundClick, I think does that. I uploaded a 128kbs and the piano was all phasey sounding. I reloaded it with a 320kbs and even though the site changed it back to 128kbs, the result was that the piano was no longer phasey but sounded nice and crisp. So the lesson is to upload the highest quality mp3 that the site will allow.
Some have file size limits which by their nature can force you to reduce the resolution from 320kbs to something more compressed just to get it in under the 10MB limit. At 320kbs, I think the length of the song that will fit is somewhere around 4 minutes.
Use a site like Box and they play exactly what you upload without any file size limit, conversion or compression on their part. You can load wave files if you wish and they will stream.
Last edited by Guitarhacker; 08/05/16 01:27 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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So the lesson is to upload the highest quality mp3 that the site will allow. This is what I do. I gave up long ago trying to mix for a specific site (or radio airplay).
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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So the lesson is to upload the highest quality mp3 that the site will allow. This is what I do. I gave up long ago trying to mix for a specific site (or radio airplay). Well, as I mentioned in the original post I am actually uploading WAV files to soundcloud, which they then convert to 128K mp3. This should in theory give the best possible result. I did some research after I posted, lots of complaints over on the soundcloud forums about the poor playback quality there, going back a few years. Not a big deal, I'll just start using reverbnation more for uploads.
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FWIW - an article addressing this discussion: https://www.justmastering.com/article-mixingformp3.phpAnd here's what Izotope has to say about it: Mastering for SoundCloud SoundCloud transcodes uploaded audio to 128 kbps MP3 to prepare the audio to stream from the site. If an audio file on SoundCloud is made available for download, the downloaded version will be in the original format. Uploading an MP3 is redundant since SoundCloud will transcode it anyway, which could in turn introduce more artifacts to audio that’s already compressed. Therefore, the best practice is to upload an uncompressed, 24-bit .WAV file and allow SoundCloud to process it. Here are some recommended settings when mastering audio for SoundCloud: Use a True Peak limiter, such as Ozone 6, to ensure that the margin is set to –0.3 dBFS. This is an acceptable threshold to mitigate most of the clipping that occurs during the encoding process. However, depending on the source material, you may find a margin of –0.5, –0.7, –1.0, or –1.5 dBFS sounds better, with less distortion. In these cases, you simply have to perform trial and error, perhaps by uploading several versions and deleting all but the best sounding one. SoundCloud does not have a feature like Apple’s SoundCheck, so an audio master destined for SoundCloud has more freedom to raise the overall RMS level for competitive loudness. Consider this a practical and aesthetic choice. Make sure to use volume matching, such as the ‘automatically match effective gain’ feature in Ozone, to evaluate loudness increases objectively. Using a stereo imaging tool, narrow the high end between 5–20%. 128 kbps MP3 is the lowest commonly acceptable audio quality. As such, a lot of information is lost during encoding and an extremely wide mix is more susceptible to noticeable artifacts. Ironically, some pre-emptive narrowing can help avoid perceived loss of energy and width.
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Good article. Thanks! 
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Ask sales and support questions about Band-in-a-Box using natural language.
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
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Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
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Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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