I am interested in knowing how many of those 126 tracks sounded almost exactly the same if not eerily similar. We had a coincidence where Floyd used the same sample and real track as I did and one of his songs started with the exact same riff as one of mine. On one of my current songs I did a multitrack 8 bar solo section, and then did it again, and then again. That made 21 tracks. Of those 21, 14 of them sounded so similar that it was obvious that there were not a lot of sample snippets to choose from in a section of a song that went 1-4-1-1-5-4-1-5..... I ended up cutting and pasting from that pallet and coming up with the intro I needed, but that showed some limitation as far as what is available in Real Band. And you really can't switch real tracks as far as performer, because you'd end up going from Les Paul to Tele to Strat and very different tonal properties, so if you use a Brent Mason real track, you have to use only that Brent Mason real track for the whole thing. for this CD, which is SLOWLY in the works, I am creating sample solos and bringing in players to play live based on those generated segments. The sound generation feature is obviously the bread and butter of PG products, but I now see why people pull the generated tracks out of RB and move it to a better DAW. I just started using Protools and though it takes time to dump tracks to individual wav files and then import to Protools, woking in Protools is MUCH better as far as the DAW side of things. Of course Protools can't create music, but it never claimed to.

Last edited by eddie1261; 08/11/16 08:59 AM.