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Rob,
flipping heck! your vocal gymnastics on delight!
you are one hell of a composer and performer
Alyn Well, that about covers it! You are one multifaceted artist. The write, production and vocals on this production are quite the outlier from a lot of your productions but, man, does it all every work. Excellent. And thanks for introducing that guitar RT solo...lot of possibilities there! J&B Thanks guys! As always appreciated! Yes, this particular soloist offers lots of possibilities for all kinds of styles. I had never tried it before, but will definitely try it again in more songs. Rob
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Extremely creative and well done!! You never fall into generic chord progressions but your music always works very well-not easy to achieve! Vocals are superb-even better than your normal great vocals. Very high quality production in every way!! Take care. Greg
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Rob, this is outstanding! Your vocals always amaze me. I agree that there is a bit of a Neil Diamond vibe in this. You nailed the vocals. So good, and so versatile.
Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Extremely creative and well done!! You never fall into generic chord progressions but your music always works very well-not easy to achieve! Vocals are superb-even better than your normal great vocals. Very high quality production in every way!! Take care. Greg Rob, this expresses my feelings as well, and yet, as a jazz buff who is always looking for that little something extra, I feel that I must add more. I was particularly impressed with the care you took in seeking out and exploring the sub-dominant tonalities lying within the stolen chords borrowed from adjacent key signatures. While I suspected you would throw a cadential subdominant chord followed by a tonic chord in places just to produce a plagal nod to conventional resolution, you did not and I congratulate you for it! Not content to just add a Maj7 and say “Hey that’s Jazz, let’s call it a day” you carefully took the time to construct a melodic chord progression with the serpentine but confident grace of a Thelonius Monk, while still allowing for devilish atonal comparisons to the verbal nuances of the lyric sounds themselves. But you didn’t stop there! Reveling in the cornucopia image to which the song’s key imagery was aligned, you added the extra to the extra by choosing notes that might seem random at times, had they not come from the rich tonal basket of post-modern jazz, thus allowing you to be not only in sync with the art form, but ahead of it at the same time. To me, the jazz was jazzy man, and I totally dig it. My good friend the jazz critic at the Times says to say “hi” and did you receive the bottle of Veuve Cliquot he sent a few weeks ago along with the Monet etchings. We have to jam sometime.
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Hi Rob Meulman, Nice work on this song! - The progression is quite nice, especially with those horns its a good touch! Well done!
Cheers,
Joe
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Thank you Greg!
Such a positive comment, I'm flattered ;-)
Thank you Steve, much appreciated!
I'm doing my best to be versatile, it's actually not very hard with such a beautiful program :-)
David,
Man, what an analysis of my song and what a music knowledge you have! I didn't know I could write like that ;-)
Just kidding, your comment is really appreciated!
My theoretical knowledge of music is next to none. I play guitar and a little bit of keyboard. And I usually try to avoid Jazzy chords ;-)
But in this case I wanted to merge a jazz song into the contest. Actually I created this in just one evening. Came very naturally.
The song's concept itself was based on Leonard Cohen's later work (tried to emulate his 'smokey' voice). Oops, I'm a smoker myself.....
"My good friend the jazz critic at the Times says to say “hi” and did you receive the bottle of Veuve Cliquot he sent a few weeks ago along with the Monet etchings."
No I didn't, but he probably doesn't have my address ;-)
Yes, let's do a duo song sometime.
Rob
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Hi
couldn't make a word out you were saying headphones were popping .
can you repost it .?
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Sure, let's do it man!! I guess the short version of my post is that you were REALLY unconventional with this, and that is what jazz is all about!! So, yeah, let's do something together sometime!! 
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Hm, almost missed this one. Very good Rob. Yep some Neil Diamond sound going on there (although it sounds that you can go higher than him)Great song all around.
Mike B.
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I'm going to wrap this one up, don't want to clutter up the forum.
Thank you Steve, Joe and Mike. Comments are well appreciated!
Colly, I cannot reproduce your problem with the track......
Rob
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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