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 Band-in-a-Box for Windows 
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There is a clear distinction between the time sig that music is PLAYED in vs. the time sig that it is NOTATED in. This has been true, literally since the Middle Ages (more on that below).  So if a style is played in 12/8, it can either be notated in 4/4 or 12/8, and this is a standard convention, not something that BiaB thought up.  For example, traditional jazz music is written in 4/4 but played in 12/8. Such music may be annotated "with a swing" or similar, but the swing also may be assumed. The last sentence in bold is a direct quote from Wikipedia, and illustrates my point.    https://en.m.wikipedia.org/wiki/Swing_(jazz_performance_style) Any music that is played in a triplet feel (3 divisions per note), is considered compound time. This is found in all BiaB styles that are jazz swing, shuffle, irish jig, or any style with a triplet (compound, 12/8) feel. There are about 1,300 BiaB styles  like this that are played in 12/8, but notated in 4/4. For any triplet feel 4/4 style, the composer can notate it in 12/8 or 4/4 as a personal choice. For example, jazz swing music would be a candidate to be wriitten in 12/8, since it is a compound (triplet) feel style. Instead, the notation gets a marking at the beginning that (8th notes get played as triplets, with the first one twice as LONG and the second one SHORT). Irish jigs have the same feel as jazz swing, but since the melodies have more triplets, (and it is the melody that gets notated), the tradition is that this gets notated in 12/8 for Irish jigs. But this has nothing to do with how they are played. It is more like a decision to use double spacing vs single spacing for a speech you're writing out (it will sound the same when read out loud). The idea of using a 4/4 time signature to display a triplet feel 4/4 style, instead of using  12/8 has been going on since the Middle Ages. This is called "Notes inégales".  Most of the time it refers to playing two 8th notes in a triplet feel, with the first one LONG and the second one SHORT. And this convention allows the music to be written in 4/4 instead of 12/8, This started with early noation of Gregorian chants, and then baroque music.   and it reappeared as the standard performance practice in the 20th century in jazz.  The last sentence in bold is a direct quote from Wikipedia, and you can read about it    https://en.m.wikipedia.org/wiki/Notes_in%C3%A9gales  Anyway, the point for BiaB is, there is no requirement to notate triplet feels in 12/8, and considering a Irish Jig to be in 4/4 ((instead of 6/8) is no harder than considering a jazz tune like Alexander's Rag Time Band to be in 4/4 (instead of 12/8). So, in repsonse to the original poster. There are 1,320 styles in Band-in-a-Box that are triplet feel eighth note styles, which make then 12/8 playing styles. And there are 93 styles that have guitar and have also been marked by us as 12/8 (see those below) It really depends how "triplet-y" you want, and if you're looking for some really triplet-y ones, you could use the text filter and type in 12/8 guitar . If you do that, here's a list of 93 of the 1,320 Swing 8ths styles that have been flagged to work well with 12/8 and all have guitar. I've included links to the demos, so you can listen for yourself. 93 12/8 guitar styles , that are found using a text filter of 12/8 guitar in stylepicker for BiaB 2016 Name	Long Name	Tempo	Demo URL RealStyles (all RealInstruments, no MIDI) _128P50S	50's 12/8 Pop	85	 http://demos.pgmusic.com/audio/allstyledemos2/_128P50S.m4a_SPOP128	12/8 Soul Pop	85	 http://demos.pgmusic.com/audio/allstyledemos2/_SPOP128.m4a_SPTRIO1	12/8 Soul Pop Trio	85	 http://demos.pgmusic.com/audio/allstyledemos2/_SPTRIO1.m4a_TBLZBSS	Slow 12/8 Bari Sax Solo Blues	60	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLZBSS.m4a_TBLZSEV	Slow 12/8 Blues w/ Vintage Piano	85	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLZSEV.m4a_BLZ12PA	Bluesy Acoustic Piano 12/8 w/ Band	60	 http://demos.pgmusic.com/audio/allstyledemos2/_BLZ12PA.m4a_MANS128	Mandolin Solo 12/8 Country Swing	65	 http://demos.pgmusic.com/audio/allstyledemos2/_MANS128.m4a_BMCS128	Country 12/8 Piano w/ Guitar Solo	65	 http://demos.pgmusic.com/audio/allstyledemos2/_BMCS128.m4a_RESS128	Resonator Solo & Piano 12/8	65	 http://demos.pgmusic.com/audio/allstyledemos2/_RESS128.m4a_PNOC128	Acoustic Piano 12/8 Country	65	 http://demos.pgmusic.com/audio/allstyledemos2/_PNOC128.m4a_GUITBLZ	Country Blues 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_GUITBLZ.m4a_BLZ_MNH	Laid Back Blues 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_BLZ_MNH.m4a_TBLZSLT	Texas Blues 12/8 w/ Trading Solos	60	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLZSLT.m4a_TBLZSLS	Texas Blues 12/8 w/ Guitar Solo	60	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLZSLS.m4a_TBLZSLR	Texas Blues 12/8	60	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLZSLR.m4a_TBLZSLP	Texas Blues 12/8 w/ Piano Solo	60	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLZSLP.m4a_TBLZSLB	Texas Blues 12/8 w/ Brent	60	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLZSLB.m4a_TBLRKSL	Blues Rock 12/8 w/ Alto Solo	60	 http://demos.pgmusic.com/audio/allstyledemos2/_TBLRKSL.m4a_CMPFBHF	Campfire, Hank Fingerpicked	65	 http://demos.pgmusic.com/audio/allstyledemos2/_CMPFBHF.m4a_CMPFBH3	Campfire, Hank w/ Bass	65	 http://demos.pgmusic.com/audio/allstyledemos2/_CMPFBH3.m4a_CMPFBH2	Campfire, Hank	65	 http://demos.pgmusic.com/audio/allstyledemos2/_CMPFBH2.m4a_MONDOR	Slow Swing Blues w/ Organ 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_MONDOR.m4a_CJIGBZK	Celtic Jig w/ Band	110	 http://demos.pgmusic.com/audio/allstyledemos2/_CJIGBZK.m4a_FPBTACS	Acoustic Folk w/ 2 Fingerpicked Guitars	65	 http://demos.pgmusic.com/audio/allstyledemos2/_FPBTACS.m4a_FPBNTSS	Slow Swing Country w/ 2 Fingerpicked Guitars 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_FPBNTSS.m4a_PSSO128	12/8 Country Ballad w/ Pedal Steel Solo	65	 http://demos.pgmusic.com/audio/allstyledemos2/_PSSO128.m4a_P128PNS	Slow Pop 12/8 w/ Piano Solo 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_P128PNS.m4a_C128PNS	Slow Country 12/8 w/ Piano Solo	65	 http://demos.pgmusic.com/audio/allstyledemos2/_C128PNS.m4a_CT128BR	Country 12/8 Brent Electric Guitar Solo	65	 http://demos.pgmusic.com/audio/allstyledemos2/_CT128BR.m4a_POPPNOS	Pop Piano 12/8 Ballad 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_POPPNOS.m4a_MONDAY	Slow Swing 8ths Blues 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_MONDAY.m4a_CRYSTAL	Country 12/8 Ballad w/ Pedal Steel 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_CRYSTAL.m4a_ElBlz1	[RT n/a] Slow Electric Blues 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_ElBlz1.m4a_AcBlz2	[RT n/a] Slow Blues 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_AcBlz2.m4a_AcBlz1	Sparse Blues 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_AcBlz1.m4a_SLOBLZ1	Slow and Gritty Blues 	65	 http://demos.pgmusic.com/audio/allstyledemos2/_SLOBLZ1.m4aStyles with Some MIDI in them M_S128BL	Slow 12/8 Blues MIDI Piano	85	 http://demos.pgmusic.com/audio/allstyledemos2/M_S128BL.m4aM_BLZ128	Slow 12/8 Bluesy Band w/ Piano	60	 http://demos.pgmusic.com/audio/allstyledemos2/M_BLZ128.m4aM_PNC128	12/8 Country w/ MIDI Piano	65	 http://demos.pgmusic.com/audio/allstyledemos2/M_PNC128.m4aM_TBLSLP	Solo Texas Blues Rock 12/8 MIDI	60	 http://demos.pgmusic.com/audio/allstyledemos2/M_TBLSLP.m4aM_C128PN	Slow Country 12/8 w/ Piano Solo	65	 http://demos.pgmusic.com/audio/allstyledemos2/M_C128PN.m4aStyles with Some/All MIDI in them =AG_BESS	Blues Gospel w/ Organ 	62	 http://demos.pgmusic.com/audio/allstyledemos2/=AG_BESS.m4a=PED128B	Slow Country Ballad 	65	 http://demos.pgmusic.com/audio/allstyledemos2/=PED128B.m4a=CR128_B	12/8 Country Ballad 	65	 http://demos.pgmusic.com/audio/allstyledemos2/=CR128_B.m4a=BGPOP_B	Country Swing Ballad 	85	 http://demos.pgmusic.com/audio/allstyledemos2/=BGPOP_B.m4a=SWBA_TB	Soul Ballad w/ Trombone 	85	 http://demos.pgmusic.com/audio/allstyledemos2/=SWBA_TB.m4a=FLK12_T	Blues 12/8 w/ Trumpet 	75	 http://demos.pgmusic.com/audio/allstyledemos2/=FLK12_T.m4a=CAR_BAS	Carey 12/8 w/ Alto Sax 	70	 http://demos.pgmusic.com/audio/allstyledemos2/=CAR_BAS.m4a=LA_PB_B	LA Pop Ballad w/ Acoustic Bass 	90	 http://demos.pgmusic.com/audio/allstyledemos2/=LA_PB_B.m4a=CNT_OTB	Old Country w/ Trombone 	130	 http://demos.pgmusic.com/audio/allstyledemos2/=CNT_OTB.m4aAG_BESS	AG_BESS - Bluesy 12/8 Gospel	62	 http://demos.pgmusic.com/audio/allstyledemos2/AG_BESS.m4aTEXASBL	Texas Blues - 12/8 Slow Blues	55	 http://demos.pgmusic.com/audio/allstyledemos2/TEXASBL.m4a-CS128^4	Country Shuffle 128	62	http://demos.pgmusic.com/audio/allstyledemos2/-CS128^4.m4a -CS128^5	Country Shuffle 128	62	http://demos.pgmusic.com/audio/allstyledemos2/-CS128^5.m4a -CS128^6	Country Shuffle 128	62	http://demos.pgmusic.com/audio/allstyledemos2/-CS128^6.m4a NR_NORJ+	NORJ 12/8 Nashville Rock +	65	 http://demos.pgmusic.com/audio/allstyledemos2/NR_NORJ+.m4aBuddyG	BuddyG - Raucous 12/8 Blues	95	 http://demos.pgmusic.com/audio/allstyledemos2/BuddyG.m4a-CS128^2	Country Shuffle 128	70	http://demos.pgmusic.com/audio/allstyledemos2/-CS128^2.m4a -CS128^1	Country Shuffle 128	70	http://demos.pgmusic.com/audio/allstyledemos2/-CS128^1.m4a -CLTJG^2	Celtic Jig	125	http://demos.pgmusic.com/audio/allstyledemos2/-CLTJG^2.m4a -CLTJG^1	Celtic Jig	125	http://demos.pgmusic.com/audio/allstyledemos2/-CLTJG^1.m4a -CLTJG^4	Celtic Jig	120	http://demos.pgmusic.com/audio/allstyledemos2/-CLTJG^4.m4a -PO128^7	Pop128-7-Brushes Style	80	http://demos.pgmusic.com/audio/allstyledemos2/-PO128^7.m4a -PO128^6	Pop128-6-SideStick, Snare Style	80	http://demos.pgmusic.com/audio/allstyledemos2/-PO128^6.m4a -PO128^5	Pop128-5-Brushes, Snare Style	80	http://demos.pgmusic.com/audio/allstyledemos2/-PO128^5.m4a -PO128^4	Pop128-4-Brushes, SideStick Style	80	http://demos.pgmusic.com/audio/allstyledemos2/-PO128^4.m4a -PO128^3	Pop128-3-Brushes, Ride Style	80	http://demos.pgmusic.com/audio/allstyledemos2/-PO128^3.m4a -PO128^2	Pop128-2-Snare, Ride Style	80	http://demos.pgmusic.com/audio/allstyledemos2/-PO128^2.m4a -PO128^1	Pop128-1-SideStick, Ride Style	80	http://demos.pgmusic.com/audio/allstyledemos2/-PO128^1.m4a BEEBSLO	BeeB Slow - Slow 12/8 Blues	65	 http://demos.pgmusic.com/audio/allstyledemos2/BEEBSLO.m4aIslands	Islands - Slow 12/8 60's Pop	70	 http://demos.pgmusic.com/audio/allstyledemos2/Islands.m4aPsyk128	Psyk 12/8 - Slow 12/8 Pop/Rock	50	 http://demos.pgmusic.com/audio/allstyledemos2/Psyk128.m4a-PERCY~	Percy-Slow 12/8 50s Pop	65	http://demos.pgmusic.com/audio/allstyledemos2/-PERCY~.m4a -MudySlo	Mudy Slow Slow Blues	65	 http://demos.pgmusic.com/audio/allstyledemos2/-MudySlo.m4a-C_CONWY	Conway-Classic 50s 12/8 Country	80	 http://demos.pgmusic.com/audio/allstyledemos2/-C_CONWY.m4aOreg1	Oreg 1 - 12/8 Ambient World Beat	105	 http://demos.pgmusic.com/audio/allstyledemos2/Oreg1.m4aGloria	Gloria - Brit 80s Rock Shuffle	110	 http://demos.pgmusic.com/audio/allstyledemos2/Gloria.m4a12_8Surf	12/8 Surf - Slow 12/8 - 60s Pop	70	 http://demos.pgmusic.com/audio/allstyledemos2/12_8Surf.m4aFOLK12_8	Folk 12/8 - 60s Folk Groups	75	 http://demos.pgmusic.com/audio/allstyledemos2/FOLK12_8.m4aTarentla	Tarentella - World Styles - Italy	140	 http://demos.pgmusic.com/audio/allstyledemos2/Tarentla.m4a128Rok1	12/8 Power Rock Ballad 	70	 http://demos.pgmusic.com/audio/allstyledemos2/128Rok1.m4a128Rok2	12/8 Loud Rock Feel	65	 http://demos.pgmusic.com/audio/allstyledemos2/128Rok2.m4aPADDY	Paddy - Celtic Jig - World Styles	120	 http://demos.pgmusic.com/audio/allstyledemos2/PADDY.m4aCelt_JIG	Celtic Jig Style - World Styles	120	 http://demos.pgmusic.com/audio/allstyledemos2/Celt_JIG.m4aC_CONWAY	Conway - Classic 50s 12/8 Country	80	 http://demos.pgmusic.com/audio/allstyledemos2/C_CONWAY.m4aJ!SATCH	Vintage Jazz - Satch Slow 12/8 Pop	80	http://demos.pgmusic.com/audio/allstyledemos2/J!SATCH.m4a PERCY!~	Percy - Slow 12/8 50s Pop	65	http://demos.pgmusic.com/audio/allstyledemos2/PERCY!~.m4a CAREY128	Carey 12/8 - Top 40 12/8	70	 http://demos.pgmusic.com/audio/allstyledemos2/CAREY128.m4aCELTIC2	Celtic 2 - Contemporary Celtic	125	 http://demos.pgmusic.com/audio/allstyledemos2/CELTIC2.m4aCELTIC1	Celtic 1 - Contemporary Celtic	125	 http://demos.pgmusic.com/audio/allstyledemos2/CELTIC1.m4aKILARNEY	Irish-Shotiche 12/8 Style	110	 http://demos.pgmusic.com/audio/allstyledemos2/KILARNEY.m4aZ4COUN12	Country 12/8 Feel	120	 http://demos.pgmusic.com/audio/allstyledemos2/Z4COUN12.m4aREGGAE_2	Reggae 2	165	 http://demos.pgmusic.com/audio/allstyledemos2/REGGAE_2.m4a																																																																					 
 
  
Have Fun! Peter Gannon PG Music Inc.
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The real issue, however is that for a 6/8 song, you are limited as to where chords can change. I don't have a problem using a swing style for 6/8, but I can only change chords on beats 1 and 4 (of 6/8).  If I use a waltz style, then I can change chords more often, but the arrangement can get too busy.  That's the trade off. 
 
 
John Laptop-HP Omen I7 Win11Pro 32GB 2x2TB, 1x4TB SSD Desktop-ASUS-I7 Win10Pro 32GB 2x1.5TB, 2x2TB, 1x4TB SATA BB2025/UMC404HD/Casios/Cakewalk/Reaper/Studio One/MixBus/Notion/Finale/Dorico/Noteworthy/NI/Halion/IK http://www.sus4chord.com
 
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Thanks John, for clarifying. 
 
  
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones 
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 Adding these 6/8 styles isn't some "simulation" as you've called it. It is intentional because this brings these styles into the world of 4/4 where they belong. 6/8 is just a thing for notation, it is not something that people count 1-2-3-4-5-6 as they play. 
 Well, yes, I absolutely agree with this comment if the PG Music product was only used for  listening. But PG Music has developed the product to be far more than that, it is both sophisticated and complex and includes notation and graphics that visually represent what the user is both playing  and listening to.  And if the user hears 1-2-3-4-5-6 like you state, then the user should visually see 1-2-3-4-5-6, or have I missed something here? I apologize in advance if I've misunderstood the connection between listening to 6 eighth-note beats and seeing notation that only adds up to 4 quarter notes. When I work with a live band, I  Never count a 6/8 song in as 4/4 time (emphasis supplied). Audible and Visual should co-relate, surely. Others mileage may vary, but unfortunately mine doesn't. I'm not trying to be confrontational, just stating my opinion based on my extensive music theory learnings. The chart should accurately reflect what the users  hears as well as what the user  reads, otherwise, why has written music ever bothered to have such as thing as 6/8 notation - when it apparently really belongs in a 4/4 world?  
 
  
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones 
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.................. 93 12/8 guitar styles , that are found using a text filter of 12/8 guitar in stylepicker for BiaB 2016...............
    That's interesting. When I enter 12/8 into the search box I get about three styles. Never did a search actually specifying an instrument. Thanks for the list PG, I'll sort through them and try the same search syntax you used. Although a lot, looking at that list, are 12/8, 6/8 STYLES where the rhythm section for the most part is giving the true feel. The guitars are still essentially 4/4. Now IF I was using full styles...that can be tolerable but I use BIAB to create mostly solo guitar parts (rhythm) which is why I was asking after definitive 6/8 12/8 guitars (preferable acoustic). Still I will try that search and see what's what.  
 
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))) The chart should accurately reflect what the users hears as well as what the user reads,
  The thread o/p is about if any good 6/8 guitar styles exist, and I posted 93 with audio links.
  What the notation shows isn't relevant to whether the styles exist and can be used. Many of our RealTracks show no notation at all, yet they still exist and can be used. None of our drum styles show drum notation, yet they still exist and can be used.
  My overall opinion is that we have - lots of nice RealTracks 6/8 guitar styles (see 93 posted links above), and  - it would be good if we could enter more than one chord per beat so there could be a chord on every triplet. And -  Having an option to toggle  notation display between 4/4 and 12/8 for any track would be good too ( similar toggle for 3/4 and 9/8)  
 
  
Have Fun! Peter Gannon PG Music Inc.
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Well now, the very first one I tried, when listening to just the guitar comping (sans efx)...has got some possibility. For the record its was _SPOP128.STY 12/8 Soul Pop and gtr 2583. Even though the name of the RT states swing - it "feels" 6/8. So thanks to PG you have opened my eyes a bit here. Sometimes one needs to go a bit beyond what is presented, and understand not everything is spelled out. Okay now I think I can get somewhere. It is still a cool theoretical discussion though    
 
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))) ...........The thread o/p is about if any good 6/8 guitar styles exist, and I posted 93 with audio links.
 
  Actually Peter it was 6/8 RT guitars, NOT styles    
 
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Although, I will say one thing.  There are 6/8 songs that you do actually count in 6 (not 2 or 4) (a previous comment was made that this was not the case).  They are generally slower 6/8 songs, but as a church choir director, we have many of them, and I have to think about "down (1), left (2), left (3), right (4), right (5), up (6)" to keep the choir in time.  Faster 6/8 songs do get done in "2", however.  You could direct in 6 for the faster songs, but you'd look like a hummingbird flapping it's wings if you tried.     
 
 
John Laptop-HP Omen I7 Win11Pro 32GB 2x2TB, 1x4TB SSD Desktop-ASUS-I7 Win10Pro 32GB 2x1.5TB, 2x2TB, 1x4TB SATA BB2025/UMC404HD/Casios/Cakewalk/Reaper/Studio One/MixBus/Notion/Finale/Dorico/Noteworthy/NI/Halion/IK http://www.sus4chord.com
 
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Fwiw, I don't think there's any difference between 6/8 and 12/8 ( i.e. 12/8 is just like 2 bars of 6/8). They both apply to slow and fast tempos, and seem to be used interchangeably. 
  If songs had an odd number of bars in 6/8, then it wouldn't convert to 12/8. The same thing happens in 4/4 through, where there can be a 2/4 bar or a 6/4 bar at places. 
 
  
Have Fun! Peter Gannon PG Music Inc.
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 The whole problem revolves around notation (as far as biab is concerned). 6/8 being notated as 4/4 is a royal pain in the butt, musicians will always want to be counted in 6/8 for a 6/8 tune or song & NEVER 4/4. As already stated in this thread, it makes working in a daw with rendered audio or midi difficult & as for making sheet music, well, it makes it a long drawn out thing to do. 6/8 is exactly that & trying to make a case for it being ok to use 4/4 for the notation of it is just downright backwards. I concieve that it may be difficult to now rewrite band in a box to cater for things it was never written to do in its infancy BUT it is no longer in infancy & should absolutely be able to do things the correct way without fudging around to try & fit timings where the should not go (6/8 into 4/4 being the prime example) 
 
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Veteran 
Joined:  Jun 2012 
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Yes, I'm also another user who shares the same concerns as do many others.  When I mentioned that concern in this thread, there was a response from PG Music distancing the subject matter from the separate notation issue. It stated: What the notation shows isn't relevant to whether the styles exist and can be used. Accordingly,    I separately referred to another thread that is directly related to this issue.  I hope you and others would lend your support there also. If so, eventually this long overdue issue might be fixed.  
 
  
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones 
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Apprentice 
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Apprentice 
Joined:  Mar 2009 
Posts: 123  | 
& now you see exactly why I stopped posting in the forums....lack of response from devellopers when its something they don't want to deal with or will be too much work. Rewire questions were dealt with in exactly the same way, trying to fudge or just plain ignoring the question. 6/8, 9/8, 12/8, etc....they are ADVERTISED as real tracks in the irish styles BUT are absolutely not worth working on the notation part of that because....these time signatures can be forced into 4/4 if you have a warped sense of time!!!! 
 
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Veteran 
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Veteran 
Joined:  Jul 2000 
Posts: 27,200  | 
With respect, you can differ with an opinion, but "the developer" has responded as much or more here than on any other subject, with well-thought reasoning.  
 
  
BIAB 2025 Win Audiophile.  Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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Apprentice 
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Apprentice 
Joined:  Mar 2009 
Posts: 123  | 
with respect, explain "well thought". There is none behind the given reasoning whatsoever. 6/8 is 6/8. 12/8 is 12/8...& in no connected to 4/4 in notation sense 
 
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Veteran 
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Veteran 
Joined:  Jul 2000 
Posts: 27,200  | 
I agree with you about notation. The developer just said above that it would be nice to be able to toggle between 4/4 and 12/8. There is a relationship that has been explained in this and other threads.  I do understand if you don't agree with the approach. 
 
  
BIAB 2025 Win Audiophile.  Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
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Joined:  May 2000 
Posts: 15,831  
PG Music Staff 
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PG Music Staff 
Joined:  May 2000 
Posts: 15,831  | 
& now you see exactly why I stopped posting in the forums....lack of response from devellopers when its something they don't want to deal with or will be too much work. Rewire questions were dealt with in exactly the same way, trying to fudge or just plain ignoring the question. 6/8, 9/8, 12/8, etc....they are ADVERTISED as real tracks in the irish styles BUT are absolutely not worth working on the notation part of that because....these time signatures can be forced into 4/4 if you have a warped sense of time!!!!   This thread wasn't about notation. It was about someone looking for strumming guitars with a 6/8 feel to make backing tracks. And I posted 91 links in this thread for Realtracks  guitars with w 6/8 or 12/8 feel. Many of which are Celtic 6/8.  There is no notation for 6/8 and 12/8. They are notated in 4/4. This doesn't stop you or anyone from making and playing great backing tracks. It does stop you making lead sheets with notation that displays in 6/8 or 12/8. It definitely doesn't stop you dragging audio files your DAW because WAV files don't have a tempo or time signature In them (unless you acidize them) As stated above, we plan on a toggle switch to change notation display from 4/4 to 12/8. This won't change how the music is played, or the tempo. Just change how it is notated and printed.  ))) these time signatures can be forced into 4/4 if you have a warped sense of time!!! Well you make call me "warped" for thinking of 12/8 as 4//4 with triplets, but as John Lennon said in Imagine "I'm not the only one". If you want to see and hear an explanation, check this out,  https://youtu.be/0JeIiNf6Zb8 
 
  
Have Fun! Peter Gannon PG Music Inc.
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Apprentice 
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Apprentice 
Joined:  Mar 2009 
Posts: 123  | 
Thank you for answering Peter, I very much look forward to the toggling 
 
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PG Music Staff 
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PG Music Staff 
Joined:  May 2000 
Posts: 15,831  | 
Thank you for answering Peter, I very much look forward to the toggling   Thanks bupper   
 
  
Have Fun! Peter Gannon PG Music Inc.
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    XPro and Xtra Styles PAKs Special Extended Until August 31st! 
    XPro & Xtra Styles PAKs Special Extended Until August 31st! 
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- Look Ma! More MIDI 13: Country & Americana
  
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes 
 
- MIDI SuperTracks Set 44: Jazz Piano
 
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- Instrumental Studies Set 23: More '80s Hard Rock Soloing, 
 
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Learn more and listen to demos of XPro Styles PAKs. 
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now! 
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.  
    
    
     
 
    
    
    
    
    New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows! 
    Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles! 
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!  
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more! 
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)!  Order now! 
Learn more and listen to demos of the Xtra Styles PAK 20. 
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now! 
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.  
                
                    
    
    
     
 
 
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