Originally Posted By: eddie1261
Who was it, Phil Spector who had a car radio speaker in his mixdown room so he could hear what it would sound like in those 1960s cars?

I also believe that in 1982, Quincy Jones wanted to hear tracks he worked on during the production of Michael Jackson's "Thriller" Album on a 6-transistor radio speaker. He said that the mix needed to sound OK on that too, not just what he could listen to in the studio.

BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones