Maybe he's just not too happy hearing the cut and paste method of providing a bass or drum line in a tune, etc. The concept of using the sequencer to loop the nicer parts throughout the song. There's a sort of musical 'perfection' in that method, but it can sound a bit artificial. One doesn't suspect Ole Blue Eyes of using a harmonizer or pitch adjuster, either. Ditto for The Count's music. I believe there's an organic feel to a tune that is recorded live, with the musician's playing off each other instead of a lot of overdubbing taking place.

Of course, I've been accused of being old fashioned in that respect, and indeed I am. But that kind of recording has a certain soul and charm for me, as opposed to using Pro Tools to do so much cleansing.

Fire, the wheel, and the I IV V -- foundations of civilization.