|
Log in to post
|
Print Thread |
|
|
|
|
|
Off-Topic
|
|
eddie1261
Unregistered
|
|
eddie1261
Unregistered
|
And I set the click track again and said "Play just your high hat." Which he did. After 8 measures I sad "Now add snare." And 8 measures was okay. Then I said "Now bring in the kick." and as soon as the kick came in his meter went out the window. And I then said "THIS is what you need to do when you practice. Learn to play DRUMS, not songs.
And that was the end of that band. LOL!!! Great advice for starting drummers, though! Hope he ended up listening  He did not.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
eddie1261
Unregistered
|
|
eddie1261
Unregistered
|
Notes, when you play out, do you play MP3s you have made or actually use BIAB?
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 15,944
PG Music Staff
|
PG Music Staff
Joined: May 2000
Posts: 15,944 |
Have Fun!
Peter Gannon
PG Music Inc.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2003
Posts: 886
Expert
|
|
Expert
Joined: Apr 2003
Posts: 886 |
We made our own 'instuments' such as a salt box partially filled with rice or dried beans for a shaker.
Technology has stolen much of those joyous memories.
Donny Amen! 
i5 3.20GHz, 32gb RAM, 1tb SSD OS, 12tb HDD, 4gb gForce vid card, 32" monitor, Audient id44, Win10 x64, BiaB/RB 2023, Reaper 6,IK Multimedia Total Studio 3.5 MAX, Waves 10
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2003
Posts: 886
Expert
|
|
Expert
Joined: Apr 2003
Posts: 886 |
Notes said, after talking about drummers... "We've never missed rehearsal, never missed a gig, never showed up late, never showed up drunk, never took a long break, never acted unprofessionally, never refused to learn an often requested song, and never treated an audience member rudely." You must have had some pretty suck-e drummers in your world if that is the way you pigeon hole all of them!  And if you are talking about other musicians also, then I apologize & bow to yours & Ed's perfection. I hate to say it, but once again a few folks have to have a pi$$ing match on how great / pro / expert / what they would put up with / in someone else thread....it really brings down the level of the forum to where it is even below us poor, commoner's level of experience.....  But it gets old, and we have all heard it way too many times...so please do us a favor and start your own thread so you folks can go back & forth blowing smoke, and the rest of us poor, amateur, un-educated, no discipline blokes can get back to enjoying the trading of fun & worthwhile info!  Now I will insert the usual no offense meant, and it is not....really & truly. Thank You.
i5 3.20GHz, 32gb RAM, 1tb SSD OS, 12tb HDD, 4gb gForce vid card, 32" monitor, Audient id44, Win10 x64, BiaB/RB 2023, Reaper 6,IK Multimedia Total Studio 3.5 MAX, Waves 10
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,445
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 6,445 |
Notes, when you play out, do you play MP3s you have made or actually use BIAB? I don't use BiaB live on the gig, here's what I do: - If there is an appropriate MIDI style for the song I'm learning I'll start with BiaB and when done, export the MIDI file
- I do most of the work in Master Tracks Pro (discontinued but has the best groove/change filter I've found) - adding song specific and other parts, adjusting the groove, choosing the right sound for each instrument using my array of hardware synths with thousands of sounds, and so on.
- When everything is right and as good as I can get it, I'll record it using Power Tracks Pro Audio to make a WAV file.
- Next I'll use CDex to make a high bitrate, high quality mp3 file.
- I bring the mp3 files to work
Why not BiaB live? I find BiaB's output very good, but since auto-accompaniment parts tend to be generic, I find that with some work in a sequencer I can turn very good into excellent by adding things that BiaB or any other auto-accompaniment device can do. At one time I played my MIDI files directly through the synth modules, but - I got tired for schlepping a 10 space road rack full of nothing but sound modules to the gig (I do one-nighters)
- In the unlikely event a sound module should fail, I can't bring a duplicate of every one of them to every gig
By going with mp3s not only is my setup time quicker and easier, but I bring a spare computer booted up at all times on stage. In case of a problem, I simply move the USB end of the USB/Audio interface to the next computer. I use a USB/Audio interface because it gives me higher fidelity than the headphone jack and there are no pops or crackles if I accidentally jar the cable. Why MIDI and not real tracks? The RTs are great, but the editing capability is almost nil. For example; I have over 24 clean guitar sounds ranging from the generic to specific sounds like Tele Rear Pickup, Tele front pickup and various Les Pauls, 335s, and so on. I'm not restricted to the RT instruments. Plus I can change notes to get the chord inversion I want, change parts/licks to more song specific ones, exaggerate the groove by changing the timing, balance individual drum instruments, and do millions of things not available with audio files. This is not to dis the RTs, I think they are genius, but they aren't my tool of choice. One nice thing about BiaB is that there are different tools for different situations and different ways of working with music - and there is definitely more than one right way to make music. When playing the mp3s, I have a system down where I can make the decision of what to play next in the last few bars of the song I'm playing (if need be) and start the next one immediately. This might be TMI. More complete details on how I make the backing tracks and use them on stage are explained on this page http://www.nortonmusic.com/backing_tracks.htmlInsights and incites by Notes
Bob "Notes" Norton  Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,445
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 6,445 |
I think we have a misunderstanding here. Perhaps I didn't express myself clearly enough.
I didn't mean to pick on drummers, it just so happens that a drummer was the straw that broke the proverbial camel's back that finalized the decision to go duo.
BTW, my first instrument was drums, so I'm a drummer too.
I've been in bands since the 1960s and I've had problems with guitarists, bass players, keyboard players drummers and I have probably been a problem myself.
I've seen band members show up drunk or drugged, miss rehearsals, show up late for the gig, take long breaks, spend more time chasing a member of the opposite sex then doing their job on the gig, not learning their part before rehearsal, antagonizing management or audience members, and so on.
Not everybody in any profession takes their jobs as seriously as others do. Leilani and I take our job very seriously and have very strong work ethics.
I have been in good bands where we all took our jobs seriously, but that seems to be a rarity.
The only problem Leilani and I have is that neither one of us likes to be the 'band salesman'. Fortunately we have mostly repeat business and a few agents that throw work our way from time to time.
Insights and incites by Notes
Bob "Notes" Norton Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2009
Posts: 10,655
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,655 |
A few points or comments.
I don't play live but if I did I would use either high quality MP3 files or waves as Notes does. I'm a firm believer in keeping it easy and simple. I saw a band in Myrtle Beach many decades ago when Cakewalk was a midi sequencer. It was 2 guys...one on bass and one on guitar. They called themselves The Kick Brothers. Everything was midi or midi controlled and everything sounded amazing since they programmed all of the parts by hand. They had drum modules, piano modules, string pad modules, and even used midi for vocal FX and lights. The entire show was running on a 286 computer. They had as much gear as a normal band. Yeah, they sounded good but one module breaking down or crashing would stop the show.
Keep it simple and easy to do.
Drummers, click tracks, church and religion. Where do I start with this one? Church.... years ago I was in the church orchestra as a guitarist.... ( I have tons of stories I could tell about that experience but I will limit it to this short one ) I would come in and tune up using my tuner. I had referenced it to the piano since the piano wasn't easily adjusted. The piano was not on A-440 and I brought that to the attention of the music minister (MM) who eventually got the piano tuned professionally since it was slightly out of tune with itself as well as flat overall. Once that issue was resolved, I would tune up and play and my guitar sounded like it was out of tune but it wasn't. The rest of the orchestra was out of tune because the MM would tune them all by ear.... his ear, before the service. I used to have my tuner on watching the fiasco unfold. The bass player, who also used my tuner and agreed with my assessment, finally bought a nice tuner and donated it to the MM to use. The MM refused to use it during the tuning time before the service. He instead, totally eliminated any tuning during the sound check run through, and told the orchestra members the tuner would be laying on the piano in the choir room and they should tune up before the service. Of course, that never happened and the music continued to sound out of tune.
Here it is many years later, I'm no longer with the church, nor is the bass player, and the current drummer is a friend on Facebook. He just mentioned that the church has recently switched to a click track for precise tempo control rather than trusting someone to start the songs at the wrong tempo which did occur quite often.
Talk about politics and drama in the band.... you should play with a church group.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2003
Posts: 886
Expert
|
|
Expert
Joined: Apr 2003
Posts: 886 |
Talk about politics and drama in the band.... you should play with a church group. Excuse the saying, but Amen to that! I played in 3 over a 4 year span and tho I was paid well (because they could not keep musicians all 3 had to outsource) it was worse than ANY country, rock, or pick-up band I ever played in! In the end it soured me to a lot of things......
i5 3.20GHz, 32gb RAM, 1tb SSD OS, 12tb HDD, 4gb gForce vid card, 32" monitor, Audient id44, Win10 x64, BiaB/RB 2023, Reaper 6,IK Multimedia Total Studio 3.5 MAX, Waves 10
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2009
Posts: 10,655
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,655 |
Talk about politics and drama in the band.... you should play with a church group. Excuse the saying, but Amen to that! ......In the end it soured me to a lot of things...... Maybe this should have been in the other thread about worst gigs, interesting things that happened, and musical catastrophes thread.... but I'll share it here since it is church related. The church shall remain nameless for this account and same thing with the players. I was not playing actively with the band at the time. I don't recall the reasons. However, the bass player was involved in an auto accident and was in very serious condition with shattered bones in his neck. I offered to fill the bass position until he was able to return. It would likely be months because he couldn't stand or speak and had a head brace they screw into your skull to keep your neck from moving. Things went well for the first few weeks. But shortly lead singer girl didn't want me to have a mic. I was singing harmony in the appropriate places with the other singers and dared to ask for a bit of my voice in the monitors. She said it was "too much"....Then she told me not to sing on stage even without a mic because I looked "unprofessional" lip syncing. Ooooooh kay......that's when I first realized this was going to be "fun". I kept singing along to the music. moving along....Let me describe the rig for the bass. The bass was plugged into a DI with a split output for the FOH and to a hot spot monitor with a 4" speaker for the player on stage. I could barely hear that 4" speaker so since the hot spot had an amp in it, I found an unused 10" floor wedge and placed it back by me on the floor so I could maybe hear what I was playing. The stage was not excessively loud but it was in the days before the "quiet stage" phenomenon swept the churches. As a point of reference, I had it just loud enough for me to hear. Well below the level I would normally play it at. After the second week playing with that speaker, lead singer girl confronted me and said "Turn that thing down because it's blowing me away up here. She was 15 feet away at the front of the stage and the speaker was pointing away from her. This was BEFORE the service.... So during the praise & worship part of the service, I did the unthinkable..... I walked up behind her to hear what she was hearing..... and I could NOT hear my bass at all........ not from the monitor speaker I was using, and not from the FOH. She glared at me, I smiled back, and after the service, confronted me about that too.... So... I let it go like water off a duck's back.... and go to the church on Wed nite for the normal P&W band rehearsal. I get there and there's the bass, plugged into the DI, but no hot spot and no floor speaker. I ask.... no one seems to know. Apparently, it just up and vanished on it's own. Glances averted, mumbling about you need to talk to so and so who isn't there.... I talked with the guitarist for a while. He says, "man, I got nothing to do with this crap". his exact words. They start to get ready for the first song, so I get up and go to the spare equipment room and look into the loft.... waaa laaa... there's the gear. I pulled the speaker out and put it on the front of the stage by the girl singer's feet.... after she told me she didn't know where the speaker was or why it was missing....the look on her face was beyond words.... then I turned and walked out without saying a word and never went back.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2009
Posts: 10,655
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,655 |
I might have told this one before but I don't recall..... a different church several years later. This was an orchestra and anyone who could halfway play was welcome. everyone volunteered their time and talents. A new Music Minister (MM) took over and actively attempted to build the orchestra. A drummer joined and a bass player came in and we had a pretty good rhythm section for the orchestra. We laid a solid, tight, groove. And we played some pretty complicated stuff. Lots of songs in Eb and Bb and even Ab now and then. It was a great learning experience and I became quite proficient at playing the chords required in those songs. Heck It was fun.
The MM would come up with various musical projects to present to the church from time to time. Some were good, some were not. At least from a guitar player's POV. In other words, some didn't need a guitar in them at all and this project was one of those.
We were only about a month and a half away from the time this was to be presented and had not yet hit any of the music in our Wed nite rehearsals. So with about 5 to 10 minutes left in the rehearsal, MM says pull out song #3, hits the CD player and plays the first 20 seconds of the song.... then says go to measure 35 and counts it off. Train wreck... says go to measure 65 and counts it off...another train wreck.... says OK... and repeats this with a different song and gets the same results. I didn't play a note... I simply listened since I'm an ear player trying to get a feel for the melody line. Next week, he does the very same thing. And the results were exactly the same.... at this point in time the event was a mere 2 or 3 weeks away. I'm thinking, he really needs to practice on THIS if it's going to sound halfway decent.
So the following week, same thing.... last 10 minutes of rehearsal, he says pull out the special music. Hits the CD player.... so I very quietly put my guitar in it's case, shut off the amp, and leave the stage and head up the center aisle to the exit doors. The music stops, and I hear the MM say, over his mic... "Herb, you think you're too good to play this music don't you?" There was about 15 people on stage and about 25 church members in the auditorium getting ready for the next class in there, and he says that.
I turned around and said... "Call me tomorrow and we'll talk".... at which point he actually repeated it again. I kid you not. I simply said "Call me tomorrow" and walked out the door.
Next day, no call but an email telling me NOT to come to play on Sunday until "we can talk". A meeting was set up and I was surprised to find out that it was in the senior pastor's office. He had been the MM when I first started playing as the only guitarist. Long story short.... the MM slides a piece of paper across the table and says these are the conditions you must agree to in order to remain with the music program. He had them numbered. There were about a dozen conditions. I read them , placed the paper back on the table and asked him one question. I asked, Have you given these requirements and conditions to everyone else in the music program as well? Deer in the headlights look from both of them. MM finally says, uhhh, no I haven't. I replied as I slid the paper back across the table to him, "If you haven't given these to the other members with the understanding that they are also to follow these condition, why do you expect me to follow these conditions? That is blatantly unfair, is it not?" The senior pastor said, he has a point.
I pointed out that all the musicians and singers were 100% volunteers. We would play and sing when we could. I would be willing to play as I had been doing. Was there any problems with my performance levels? no... then what seemed to be the problem with me continuing to do as I had been doing? no answer.
Needless to say, the meeting didn't end well since the MM refused to back off of the conditions. Funny things was I was at all the rehearsals ...98% of the time. The same thing could not be said of the drummer or the bass player.... so they had no clue about what happened until others told them why I wasn't there on Sunday.
And so ended my time with that church orchestra.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Introducing XPro Styles PAK 10 – Now Available for Windows Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Windows Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Band-in-a-Box 2026 for Windows is Here!
Band-in-a-Box® 2026 for Windows is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 60 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Special Offers
Upgrade to Band-in-a-Box® 2026 for Windows and save up to 50% on most upgrade packages during our special offer—available until December 31, 2025. Visit our Band-in-a-Box® packages page to explore all available upgrade options.
2026 Free Bonus PAK & 49-PAK Add-ons
Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Windows packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49. Browse the full contents of each package and listen to demos here.
XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
The XPro Styles PAKs and Xtra Styles PAKs special offers are now available until August 31st at 11:59pm PDT!
Ready to take your Band-in-a-Box® 2025 experience to the next level? Now’s the perfect time! Expand your style library with XPro and Xtra Styles PAKs—packed with a wide variety of genres to inspire your next musical creation.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!
Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!
Mac 2025 Special Upgrade Offers Extended Until August 15th!
It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!
We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!
Check out all the new features in Band-in-a-Box® 2025 for Mac® here:
Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!
Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics85,235
Posts789,898
Members39,842
| |
Most Online25,754
Jan 24th, 2025
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean