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Joined: Aug 2009
Posts: 3,186
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Joined: Aug 2009
Posts: 3,186 |
I'm a little late to the party, and I have an early gig today, so I didn't have time to read all the responses. Please excuse any redundancy. Yes, we are play for about what we did 20 years ago, while inflation eats away at our buying power. <...snip...>
Who's to blame? The clubs for exploiting the bands? The musicians themselves for undercutting each other and undervaluing their music? The perception of the people for thinking music is supposed to be cheap or free and not being willing to pay to see live bands? Solo guys with backing tracks on a computer who will work cheaper than a 4 piece band?
or.... all of the above? Add to the above:1) Taxes and smaller mark-up for bar/food prices. Back when the MADD Mothers crusaded against drunk drivers, the State of Florida (and others) used it as an excuse to raise the tax on drinks $0.50 per drink. The bar I was playing in raised their price $0.25 and ate the rest. Food and other services have raised prices to the clubs as well and they are in the same spot as the musicians. 2) Karaoke Jocks. Not Karaoke clubs where the audience gets up and sings (although that hurts some) but people who don't play instruments, buy Karaoke software and go out and play clubs as if they were musicians. This increases the supply of entertainers and supply and demand rules. Plus since they have no investment in instruments and gear or the time to learn, they tend to undercut their prices to get in the door. And since the clubs are working with reduced profits, they tend to think these entertainers are a good bargain even if the product turns out to be inferior.
3) Open mic nights. Musicians will play for free and bring a group of customers with them. Too good for the club to pass up even if the music turns out inferior. 4a) Cable TV. In my parent's generation, TV was black and white, with reduced bandwith for audio, tiny speaker, and tinny sound. Later color TV with bigger speakers but the same thin bandwidth for audio so tinny sound. TV was free, but you had to go out to listen to live entertainment if you wanted to hear good music. 4b) Cable TV continued: Now we have "Home Theater" with giant super HD screens, 7.1 surround sound, and you can have The Stones, Adele, Ga Ga, Chesney, or whatever famous artist/group you like in your living room, like you have a front row seat, and just about whenever you want to stream them. 4c) Cable TV continued: TV used to be free, now it's easy to pay $300/month for TV subscriptions. That money used to be spent in night clubs for live entertainment. Multiply that by millions of Cable TV subscribers, and you can see why attendance is down in clubs. People just don't go out like they used to. 5) The music industry killed itself. It used to be that the music was an expression of an entire generation. From Al Jolson through Frank Sinatra through Elvis Presley through The Beatles everybody of that generation knew the words to their songs. Then came disco which split the market followed by (in no particular order) Metal, Rap, EDO, Pop, R&B (not to be confused with traditional R&B), Alt Rock etc. Not everyone listened and knew the words to Metallica, Dave Matthews, or even Michael Jackson. Instead of a youth radio station, most markets had several different formats for the same generation. So music no longer became the glue that held an entire generation together, therefore it lost its importance. 6) DJ clubs. The youth market and the wedding market that used to be predominantly live bands are now predominantly DJ run. Again, more supply for the same demand. And now DJs have even replaced bands in the adult market. --------- Subtract from the above (OP). 1) Singles playing with backing tracks. I've never seen a single replace a 4 piece band around here. They play in rooms that always hired a single. They just sound fuller than they used to. A big club with a big stage and a single with backing tracks replacing a 4 piece band with a real drummer? Ain't gonna happen. --------- I'm glad I grew up when I did. I've managed to make a decent living all my life playing music (with the exception of two jobs when I was investigating what it would be to be 'normal'. I found that for me normal is over rated). I've paid off a house in a very nice neighborhood, bought brand new cars (although they were Dodge price point instead of BMW price point), a couple of sailboats, and a nice yearly vacation to 5 continents. I could have made more with the electronics engineering I took in college, and even tried that for a couple of years (playing music on the weekends). But I'm living my life on my own terms, I'm not a wage-slave to some inhuman corporation, I don't take orders by some Dilbert type boss, and instead of saying "I have to go to work today", I say "I GET to go to work today" and I mean it because playing music is my second favorite thing to do. In addition I've been treated as a peer by the top musicians of the day, I got to jam with many of them, record with others, I almost made 'the big time', and I've had the opportunity to be intimate with dozens of beautiful women culminating with the best one of all who I married. And for these experiences I actually got paid. How lucky is that!!!  Do I regret choosing Music over Engineering? Not one bit. I feel sorry for the younger musicians who don't have the opportunity that I had.
Insights and incites by Notes Point 2 Karoke Jocks as you describe them, I would rather listen to one who is using backing tracks and can sing, rather than a whole group of musicians where they don't have a decent singer. As regards feeling sorry for young musicians are you really serious! there is no better time than now for any aspiring musician to learn his craft with all the online tutorials on places such as youtube and others and all the best software around not to mention biab. The best ones will always come through as they have always done, and will make a living from it. I always find it interesting when you mention (as you always do) musicians put out of work when no doubt there are countless throughout the world using biab backing tracks with your styles, which are excellent by the way. Musiclover
Last edited by musiclover; 03/17/17 10:47 AM.
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Peter Gannon Talks Band-in-a-Box with zplane
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
Special thanks to the team at zplane for their continued support.
Check out the full interview here: https://products.zplane.de/blog/peter-gannon-interview-pg-music
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
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