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Joined: Nov 2009
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Newbie
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Newbie
Joined: Nov 2009
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I've been using Ableton Live, Sonar and Audacity. I also use a Boss BR-864, but transfer to software to edit, mix and master. Ableton Live seems to have the hardest learning curve (for me). Audacity is a piece of cake, and works well for what it is. I've also found this web-based app that's kind of fun : www.aviary.comGood luck!
Being able to play and enjoy music is a gift that's often taken for granted.
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Joined: Mar 2007
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I started digital recording with PowerTracks ProAudio. It is a great sequencer, pretty powerfull and nicely equiped with a set of fine VST's you can use to improve your production. Don't let the (sorry to say this) poor GUI fool you: this is a good recording software.
I currently use Cubase 5. It works great with my digital mixer/DAW controller. The VST's that come with it are fantastic. Cubase works intuitive to me, more than PTPA. But that ofcourse is just personal.
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RickeG i think frankly us ourselves are the limitation rather than any of the recording software on the market. most of the well known recordin software these days will do the job. one reason ive always like powertraks (and now another daw software i also like.) is no silly dongles. i refuse to buy anything with a dongle intrusive approach. or custom technology smt which cant be fixed easily like control surfaces. in summary theres a lot to be said to keeping it simple. you can do a heck of a load of songs with just ptw and an inexpensive refurbed used dual core 150 buk pc. but frankly i hate the current round of el cheapo laptops with their slow hard drives n fw chipsets that often pose problems. often tweaking is needed/upgradeing to get them performing optimally.
larry. zzounds.com has a slew of inexpensive sound devices. you must test however with your particular pc, and ensure that you get your money back if your particular pc poses a problem. for example with firewire some sound devices prefer TI chipsets.
Last edited by manning1; 11/01/09 05:37 PM.
retired puter engr....powertracks on amd......NICE ! "what is the black art of audio engineering ?" my silly songs...motagator.com/bmanning see my tips in the tips section.
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Quote:
RickeG i think frankly us ourselves are the limitation rather than any of the recording software on the market.
Boy, is that the truth. The power I have in my spare bedroom blows the doors off what my favorite regional studio had fifteen years ago. It's still up to you to give a solid performance. The software, (whatever you use), along with good mics, preamps and mic placement technique, should capture it just fine.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Hi J Larry, I had just finished my quest for an audio interface for my home studio. After having gone through the disappointing experience of being let down by Line 6 and their Tone Port, I came across this product that for a few dollars more that the latest version of the Tone Port gives you more in/outputs, MIDI interface, XLR, and quality processor software for comping and EQs. And what I like most about it is its quality audio output. After reading many of the reviews about the product, I agree that is their greatest feature. The sound is crisp no matter where I land on the volume scale in my system. I had looked at M-Audio, and a few others and settled on this because it appeared to be a solid product for my needs and price range. Check it out: http://pro-audio.musiciansfriend.com/pro...ace-?sku=240407Let me know what you think, RickeG
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Manning, in your comment I was reminded of the outstanding projects by probably the best in Rock recording in my opinion that being the Beatles Sgt Peppers and Magical Mystery Tour. Both were done, I believe, in a four track studio based on information I had heard from their arranger and mentor.
The only setback I can recall myself working with a four track "All those years ago" was after you have bounced the tracks over, if there was something you wanted to fix you were SOL. So, you had to be absolutely sure of not only the dynamics involves in playing the melody, but the volume, panning, and other post production factors before you bounced. Whew! I am so glad we do not have to do that anymore!
However, if you are an artist that can use a four track without the need to bounce, then that is awesome. It's because whenever I hear a song in my head I imagine the instrumental orchestrations of a George Martin with the Beatles, or a vocal arranegment as a Brian Wilsona and the Beach Boys. I cannot conceive how these geniuses did what they did with what little they had comparing to today. Makes you wonder, why is pop music stuck on samples and computerized beats and tones when there is access to do so much more?
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Hey Mike,
I enjoyed the tracks you had posted of your remakes of Billy Joel classics. Were you using CuBase for those?
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I tend to agree with the 'find what you like and will use' idea.
I started with Pro Tools Free back in the Windows 98 days, when I was starting out. I had BIAB, but PTW at that time wasn't up to the deal, and had no audio.
I used Magix for a while.
I switched to Pro Tools LE, but I had such issues with that program that I went back to PTW.
I use RealBand, and I use Sonar. I also have used other programs which I still like for MIDI editing, but there is no audio.
It's a learning curve.
Bang for the buck, hands down is PowerTracks and RealBand, especially if you have Band In A Box. They are great places to learn the basics, and as RHarv has stated earlier, he does multiple tracks live with his Delta 1010lt card. For a program that only costs you $50 and can accomplish that, it's an amazing thing. Coupled with Real Tracks, it really is one of the best deals out there.
Learn the basics first, and then decide what you need.
Gary
I'm blessed watching God do what He does best. I've had a few rough years, and I'm still not back to where I want to be, but I'm on the way and things are looking far better now than what they were!
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Journeyman
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Thanks manning 1 and RickeG for the suggestions and precautions on getting an interface. Since I've never done computer-based recording, it's confusing with all the products out there. Some of the interfaces seem to be made for Pro Tools. But, does the software care what interface is used? I've read lots of reviews of software and the wonderful features each make available for recording. But, none talk about the best ways to get your signal (intruments and vocals) into the software. Maybe they assume that any potential buyer is a recording engineer and already knows this stuff.
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Pro Tools, unless you're using Pro Tools M-Powered, requires Digidesign hardware. Since Avid owns both Digidesign and M-Audio, the M-Powered version of Pro Tools will work with some of the M-Audio cards. That's Pro Tools.
Software such as PowerTracks Pro Audio, Real Band, Sonar, Cubase, N-Tracks and others will all work with any card that Windows (assuming Windows, here) will detect. In fact, in my system, I have the on-board Realtek, an Asus Xonar, and a M-Audio 2496. I can use all three. Admittedly, the timing issues get a little hairy in Sonar, but for Real Band or PTW, it's not an issue.
I think one of the things that you should do is to post your requirements, now and for in the future...your expectations...and from there, we can suggest interfaces and software. However, I still stand by my belief that Band In A Box and Real Track is all you need to get you started.
Gary
I'm blessed watching God do what He does best. I've had a few rough years, and I'm still not back to where I want to be, but I'm on the way and things are looking far better now than what they were!
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Quote:
I tend to agree with the 'find what you like and will use' idea.
I switched to Pro Tools LE, but I had such issues with that program that I went back to PTW.
Gary
Gary, I know your pain. Been there and done that with Pro Tools, but since I happen to part "computer geek" I have been able to continue to live with PT LE all the way up to current version 8.0.1. And I have to say I love it when it is running. It is just that once you have it running, you can't change anything. 
PT LE continues to struggle with compatiblity issues. Most folks build their system specifically for this application and then dedicate the PC to PT. For folks who want to know more, check out:
http://duc.digidesign.com/forumdisplay.php?s=15fc82f342e85a7e0253b8c0f64e0506&f=17
They have a users forum which is ALMOST as nice as this place.
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Gary's immediate post above is almost correct. Up to this point in time, only Digidesign and M-Audio hardware would work with ProTools. However, Mackie have recently announced they've 'Cracked the code' of ProTools hardware exclusivity and offer an alternative to Digidesign only hardware: http://www.mackie.com/products/onyxiseries/drivers/Now, unfortunately for those of us using Mackie Tracktion, it appears that they have concentrated on this compatibility rather than fixing bugs of the Tracktion 3 software. In fact it appears they have basically abandoned the Tracktion product for all intents and purposes. There are many unhappy customers of Tracktion 3. I never bothered with the upgrade to Tracktion 3 from T2, and glad I didn't. Gary's suggestion that you post your requirements - in this case, I would recommend that you think about requirements only in the sense that you try to think about what you would like to do from a recording and editing standpoint functionally and write those things down. For example - I'll give you my functional requirements that I used when I selected my interface: 1. I needed a headphone output so that I could isolate the playback to headphones while I recorded acoustic instruments (this rules out many interfaces right off the bat). 2. I wanted to be able to record up to 2 mics at the same time (stereo mic recording) 3. I wanted to be able to use MIDI recording simultaneous to audio recording. 4. I wanted to be able to play back to speakers using analog outputs 5. I wanted microphone pre-amps with phantom power (rules out many interfaces) because I wanted to record condenser mics without having a separate phantom power source. I also wanted fairly clean headroom on those pre-amps (this was tough to sort out and I don't think I did a good job on this part) 6. I wanted PC/Mac interoperability (I thought I was going to buy a MacBook - but didn't) 7. I wanted low-latency ASIO drivers so that I could play VSTi soft-instruments with real-time feel. 8. I wanted the interface to be portable (cuts out any internal cards right off the bat) 9. I wanted FireWire as the interface bus. 10. I had a budget of $300 max That was basically it for me. I was able to weed through the countless options down to a fairly small sized set of interfaces based on these functional criteria.
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Did you notice that M-Audio has a new mixer? I've got to wonder how Avid and Mackie ended up in bed together. "Hey, make us a mixer, and we'll make Pro Tools M-Powered work with your mixers!" Mackie hasn't 'cracked the code' as much as they've been given the key. You still have to buy stuff from Digi to get it to work, and get the 'Universal Driver' which you don't seem to need for any other program.
I also have to wonder if this is a fundamental shift on Avid/Digi's part to make their software more 'universal?' I'm pretty sure that they've been losing a lot of dollars to Cakewalk and Cubase because people are/were getting fed up with having to buy everything from Digidesign, and still having to have a dedicated computer to run the stuff on.
Gary
I'm blessed watching God do what He does best. I've had a few rough years, and I'm still not back to where I want to be, but I'm on the way and things are looking far better now than what they were!
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Gary,
Are you stating that Mackie is making mixers for M-Audio? When this news broke a couple months back, there was no indication that Mackie was given the key. In fact, the scuttlebutt with existing Mackie customers was that Mackie took a huge risk spending so much development time trying to decipher the entry way into the Avid world; whilst abandoning their loyal Tracktion customers.
Avid has had their own mixers/consoles for quite awhile from the 02 series up to the top-deck ICON consoles - no ties to Mackie whatsoever.
If there is some kind of cooperation, it's certainly a one-way relationship in favor of Avid. Can't find any reference to Mackie products on the Digidesign site nor the M-Audio sites.
Perhaps you've got some inside source of info I haven't seen. The NRV10 mixer from M-Audio seems to be much more feature packed than similar offerings from Mackie, and it's been around since 2007. I don't know, I just don't see Mackie/Loud getting into bed with Avid, but I could be wrong. I never thought Mackie would jack around it's customers like it has with it's Tracktion customers.
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Scott, Admittedly, I hadn't looked at the M-Audio line in a while, and it was indeed the NRV10 that I was speaking of. I just was wondering.
However, from the page that you posted a link to, there was this. They wanted you to download a driver, and an 'Authorization Application?' I mean, come on, if they were GIVING it away, or had cracked a code, they wouldn't be charging you for it. Also, I'm sure the DIgi DUC (which I haven't looked at) would also be full of stuff saying that this was wrong, and that it wasn't supported by Digi/Avid. Now, I havent' looked, so it might, but I find it hard to believe that Digi/Avid would allow Mackie to get away with this under proprietary laws, etc.
As to insider information, no, I have none.
Gary
I'm blessed watching God do what He does best. I've had a few rough years, and I'm still not back to where I want to be, but I'm on the way and things are looking far better now than what they were!
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm
Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
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-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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