Irrespective of the nomenclature I wish I was better at it. That is all.
Bud
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
I think we're arguing writing/composing a song versus the resulting sound.
As I just recently heard, does Dwight Yoakam get songwriting credit for Prince's Purple Rain, because his, errr, effects or instrumentation were different?
John
Laptop-HP Omen I7 Win11Pro 32GB 2x2TB, 1x4TB SSD Desktop-ASUS-I7 Win10Pro 32GB 2x1.5TB, 2x2TB, 1x4TB SATA
What do you call it when studio technician tweak the process and come up with a sound that could be said to carry the day? I think Les Paul and Mary Ford's sound was the same audio track offset a microsecond -- presto, echo. Bob Marley and Peter Tosh on the wah pedal. The Beatles tech sretting up this long hallway in the building and getting it just right. Or even just a way of playing, no effects, like Louis Armstrong or Eric Clpton. All this stuff going on. We mortals find out about it when we open our first Garage Band.
Production/engineering. It can certainly be creative but it's not composing or writing. The producer or engineer is getting paid for his/her work under a producer's contract and nothing they do or create is copyright-able by them, as a result.
I disagree that it is not composing or writing. If an engineer or producer comes up with the signature riff or signature sound or some other significant creative contribution they have most certainly contributed to the writing of the song!
Of course, I understand that the music business world decided long ago that that contribution does not count as a writing credit. But that is just arbitrary. I have always felt songwriting credits should be more fairly defined and shared among the participants. If The Beatles had not spent so much time together perfecting their craft as a group I would venture to guess they might not have achieved what they did. Likewise had they not had major influence from people like Epstein and Martin they almost certainly would have accomplished much less.
When I am king everyone who contributes gets partial credit!
So according to your theory... the guy who brings the coffee to the coffee machine and makes the coffee in the studio while the writers are there composing should be given writing credits too? How far do you want to take that theory that anyone who had any sort of influence in the process, no matter how small, should get writing credits?
It's ludicrous to claim someone who inserted an effect in a recorded track should get writing credits. Very few producers or engineers will come up with a "signature riff". That is usually the domain of the musicians. If the musician is a hired studio gun, guess what????? The guy has signed that away to the artist when he signed the work for hire contract. If however, it is a signature riff such as the sax lick on Baker Street, or the guitar lick on In-a-godda-da-vida, for example.... and the creator of said lick is a studio musician.... the artist owns it. The same rules apply. That is NOT, writing the song. As a studio musician, you know that anything you create is the property of the artist who's paying you.
The music world decided that such contributions are not considered "writing the song" because licks and fills and such are not necessary parts of the song. Even a so called signature lick isn't necessary for the song. The verse, chorus and lyrics are.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
So according to your theory... the guy who brings the coffee to the coffee machine and makes the coffee in the studio while the writers are there composing should be given writing credits too?
Look up George Martin and you prolly won't find "coffee bringer" on his bio!
Originally Posted By: Guitarhacker
If the musician is a hired studio gun, guess what????? The guy has signed that away to the artist when he signed the work for hire contract. If however, it is a signature riff such as the sax lick on Baker Street, or the guitar lick on In-a-godda-da-vida, for example.... and the creator of said lick is a studio musician.... the artist owns it. The same rules apply. That is NOT, writing the song. As a studio musician, you know that anything you create is the property of the artist who's paying you.
Obviously that is how the music business works...I acknowledged as much! But just because it is legal does not mean it is right! I think anyone who would use a significant creative contribution and not share a credit is a POS!
Originally Posted By: Guitarhacker
The music world decided that such contributions are not considered "writing the song" because licks and fills and such are not necessary parts of the song. Even a so called signature lick isn't necessary for the song. The verse, chorus and lyrics are.
Baloney! Where would Smoke on the Water be without its opening riff? Where would Day Tripper be without its opening? What about In-A-Gadda-Da-Vida? And thousands more songs! Of course those melodic hooks are every bit as important as anything written in words! And probably even more important because I know tons of songs that were hits when most people had no idea what the singer was mumbling!
So according to your theory... the guy who brings the coffee to the coffee machine and makes the coffee in the studio while the writers are there composing should be given writing credits too?
Look up George Martin and you prolly won't find "coffee bringer" on his bio!
Originally Posted By: Guitarhacker
If the musician is a hired studio gun, guess what????? The guy has signed that away to the artist when he signed the work for hire contract. If however, it is a signature riff such as the sax lick on Baker Street, or the guitar lick on In-a-godda-da-vida, for example.... and the creator of said lick is a studio musician.... the artist owns it. The same rules apply. That is NOT, writing the song. As a studio musician, you know that anything you create is the property of the artist who's paying you.
Obviously that is how the music business works...I acknowledged as much! But just because it is legal does not mean it is right! I think anyone who would use a significant creative contribution and not share a credit is a POS!
Originally Posted By: Guitarhacker
The music world decided that such contributions are not considered "writing the song" because licks and fills and such are not necessary parts of the song. Even a so called signature lick isn't necessary for the song. The verse, chorus and lyrics are.
Baloney! Where would Smoke on the Water be without its opening riff? Where would Day Tripper be without its opening? What about In-A-Gadda-Da-Vida? And thousands more songs! Of course those melodic hooks are every bit as important as anything written in words! And probably even more important because I know tons of songs that were hits when most people had no idea what the singer was mumbling!
Now you are confusing 2 things.
Riffs created by musicians in the band .......and everything else.
Oh yes, absolutely, the signature riff/lick for the songs mentioned.... are an integral part of the song no doubt. You hear the first few notes of Smoke on the water and immediately know the song. But you're missing a few things here....
All 3 examples were created by band members. These licks are not the product of an engineer with effects, nor were they the product of a hired studio player.
Next... I could do a cover of the song Smoke on the Water, that you would recognize that doesn't contain the signature riff. I could start it with chugging eighth G chords.... That riff, while we all identify the song immediately with it, isn't necessary to the functioning of the song as a song. Grab an acoustic guitar and play the song.... you don't need the signature riff..... start playing a chord and jump into the first verse. We've all heard covers of songs that sounded nothing like the original and we didn't recognize the song until the verse & lyrics started.
So no, signature licks and fills and solos are not necessarily part of the song (from a songwriting POV) especially when they are created by someone not the artist/band. The majority of signature licks are created by the band/artist and are copyrighted material. The non-artist hired guns have signed that copyright away in their contract for hire which means they can not claim ownership of that lick, only that they are playing it and created it..... but not ownership.
Last edited by Guitarhacker; 05/02/1701:23 AM.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
So according to your theory... the guy who brings the coffee to the coffee machine and makes the coffee in the studio while the writers are there composing should be given writing credits too?
Look up George Martin and you prolly won't find "coffee bringer" on his bio!
Originally Posted By: Guitarhacker
If the musician is a hired studio gun, guess what????? The guy has signed that away to the artist when he signed the work for hire contract. If however, it is a signature riff such as the sax lick on Baker Street, or the guitar lick on In-a-godda-da-vida, for example.... and the creator of said lick is a studio musician.... the artist owns it. The same rules apply. That is NOT, writing the song. As a studio musician, you know that anything you create is the property of the artist who's paying you.
Obviously that is how the music business works...I acknowledged as much! But just because it is legal does not mean it is right! I think anyone who would use a significant creative contribution and not share a credit is a POS!
Originally Posted By: Guitarhacker
The music world decided that such contributions are not considered "writing the song" because licks and fills and such are not necessary parts of the song. Even a so called signature lick isn't necessary for the song. The verse, chorus and lyrics are.
Baloney! Where would Smoke on the Water be without its opening riff? Where would Day Tripper be without its opening? What about In-A-Gadda-Da-Vida? And thousands more songs! Of course those melodic hooks are every bit as important as anything written in words! And probably even more important because I know tons of songs that were hits when most people had no idea what the singer was mumbling!
Now you are confusing 2 things.
Riffs created by musicians in the band .......and everything else.
Oh yes, absolutely, the signature riff/lick for the songs mentioned.... are an integral part of the song no doubt. You hear the first few notes of Smoke on the water and immediately know the song. But you're missing a few things here....
All 3 examples were created by band members. These licks are not the product of an engineer with effects, nor were they the product of a hired studio player.
Next... I could do a cover of the song Smoke on the Water, that you would recognize that doesn't contain the signature riff. I could start it with chugging eighth G chords.... That riff, while we all identify the song immediately with it, isn't necessary to the functioning of the song as a song. Grab an acoustic guitar and play the song.... you don't need the signature riff..... start playing a chord and jump into the first verse. We've all heard covers of songs that sounded nothing like the original and we didn't recognize the song until the verse & lyrics started.
So no, signature licks and fills and solos are not necessarily part of the song (from a songwriting POV) especially when they are created by someone not the artist/band. The majority of signature licks are created by the band/artist and are copyrighted material. The non-artist hired guns have signed that copyright away in their contract for hire which means they can not claim ownership of that lick, only that they are playing it and created it..... but not ownership.
Yeah, I know how the music biz works! It is all about the money most of the time. If a writer can cut another writer out of the credits they know they can pocket more. Likewise, a big artist may get a songwriting credit even when they did not write the song. And then there is the whole history of guys like Jimmy Page stealing music and only giving credit/money when sued later on.
It is kind of a sleazy business in many ways! My point is it should NOT be like that! Everyone who makes a significant contribution to the song should get a credit! And yes, a signature riff is part of the song. If it can be copyrighted, or deemed an infringement were it to be reused, it is obviously part of the song!
JohnJohnJohn Quote: "Everyone who makes a significant contribution to the song should get a credit!"
I found this to be an interesting statement when a person may make an 'accidental' significant contribution to writing a song.
For instance, we know that PGMusic waives any and all rights of contribution of songs written with BIAB/RB and their other products. But, what of the person here on the forum who may provide you specific instructions how to achieve a particular BIAB technique, chord progression or the exact BIAB style that may be critical to your song? A person who, without their significant contribution to you, you could not have written the song as you imagined, intended and completed.
What is the significant contribution difference between a guitar player developing a riff and a forum member providing a style and technique allowing you to create a riff with BIAB?
Yeah, I know how the music biz works! It is all about the money ALL of the time. If a writer can cut another writer out of the credits they know they can pocket more. Likewise, a big artist may get a songwriting credit even when they did not write the song. And then there is the whole history of guys like Jimmy Page stealing music and only giving credit/money when sued later on.
It is kind of a sleazy business in many ways! My point is it should NOT be like that! Everyone who makes a significant contribution to the song should get a credit! And yes, a signature riff is part of the song. If it can be copyrighted, or deemed an infringement were it to be reused, it is obviously part of the song!
There.... I fixed it for you with bold above^^^^^^^^^
One of the trends has been for an artist to demand writing credits to get a song on their new project CD. Even though they aren't really a writer of the song..... so..as a writer, do you say "no, you're not getting a writer's credit and share" or do you include the artist as a co-writer to get on the CD? Money talks and everything else walks.... Of course you include the writer..... the other option is your song never gets cut and YOU don't make any money. Let's see.... keep driving that $500 beater car or pay cash for a new Lexus???? decisions, decisions.
Your point or opinion is what it is and while it's noble to think this is how the world should be, the simple fact of the matter is, it never will be the way you envision it. Yes, the music business is a rough tough place and from all appearances, it always has been and always will be. CCR, T.O.P and many other bands played grueling schedules to packed houses and made peanuts while the managers got rich. They made bad business deals when they signed. Happens all the time in every business. You just hear about it more in the music biz due to the nature of the biz.
There are many bands and artists who have listed the contributing studio musicians on the jackets giving them credit for playing in a particular song on the CD. I used to read the album covers to see who played what on which song. So according to your comment....
Quote:
Everyone who makes a significant contribution to the song should get a credit!
Let's see..... they got their name on the jacket as the player on a song.... and .... they got at least union scale and possibly more for their time in the studio..... does that qualify as getting their due credit and pay? And.... there's a pretty good chance they were hired to go on the tour to promote the new album as well. So, not only do they get paid for studio time and get their name on the record/CD, they also get the fun and glory and get paid again to play that song live on tour.
As far as sleazy..... well that's in the eyes of the beholder. Personally, I've always thought the music business was a cool business to be in. It's competitive as hell in many cases and you need to get things in writing, but aside from the fact that we play music as the product of our business, it's really no different or less "sleazy" than any other kind of business.
Last edited by Guitarhacker; 05/03/1701:26 AM.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
Introducing XPro Styles PAK 10 – Now Available for Windows Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Windows Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Band-in-a-Box® 2026 for Windows is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 60 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Special Offers
Upgrade to Band-in-a-Box® 2026 for Windows and save up to 50% on most upgrade packages during our special offer—available until December 31, 2025. Visit our Band-in-a-Box® packages page to explore all available upgrade options.
2026 Free Bonus PAK & 49-PAK Add-ons
Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Windows packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49. Browse the full contents of each package and listen to demos here.
XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
The XPro Styles PAKs and Xtra Styles PAKs special offers are now available until August 31st at 11:59pm PDT!
Ready to take your Band-in-a-Box® 2025 experience to the next level? Now’s the perfect time! Expand your style library with XPro and Xtra Styles PAKs—packed with a wide variety of genres to inspire your next musical creation.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!
Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!
Mac 2025 Special Upgrade Offers Extended Until August 15th!
It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!
We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!
Check out all the new features in Band-in-a-Box® 2025 for Mac® here:
Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!
Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean