Wow, that is really painted with a very broad stroke regarding vocals. There are so many variables most of which are relative to the specific voice and the mix. I've miixed a lot of vocals and I invariably tailor eq around what I (and often others) think will sound good for that person's vocal in the context of the genre and then what changes are needed for placing it in the mix. I can't imagine any track for which there are more possible variables in the sound than the human voice. I suppose eq presets, suggestions, templates could be helpful but certainly no substitute for knowing what aspects of that particular voice need eq change beyond flat. And, for me, I can nearly apply the above to electric guitars given the huge range of sounds available with mics, heads, speaker boxes and pedals. I will confess to using FX presets but of all the modules in the presets eq is the one that I always set flat and start from there. All with a huge 2 cents worth and a boatload of FWIW's from an ole phart who's hearing oughta preclude him from making any comments!

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