3, 1, 2 for me, because 1 would actually be almost the same as 3, how to program things I don't know how to do. THEN worry about my studio sound. Since everything I do (did) in my studio was line level anyway, my room didn't matter 99% of the time. Managing effects and such, well, I had an engineer for that. I just needed to make raw tracks and send them off to him. So I would buy 3 and 1 but probably not 2.

Would there be a #4 titled "How Eddie Can Finally Code In Half Note Triplets", because I have not been able to make them play without trying to do things that give me a headache thinking about, like "Put in a measure of 2 and change the tempo for just that measure to the square root of your original tempo multiplied by 6 and then stand on your head and pat your tummy while saying 'Nobody wanted to be in Kansas in the first place' and then it will magically work?" I have tried every combination of anticipating beats that I can think of and I CAN NOT make the music put the accent on 1, the + after 2, and 4, and I have literally spent HOURS on it and not been successful. I have a song waiting because the intro needs half note triplets.

Book 2 would have mattered before I sold off most of my studio equipment. "Studio" now is all done inside the box.

Last edited by eddie1261; 10/15/17 12:06 PM.