How hard is it to work with a group when "Go to the 4th there" means nothing?
How much harder is it to say, “Play an ‘F’ there” than to say “Go to the 4th”? If I’m the guy in the room with the largest music vocabulary, hopefully I know more than one way to quickly communicate an idea to a musician with less formal training. If a person has no musical,talent at all, then there is no reason for me to waste my time making a song work; but If I’m collaborating with a talented amateur, I’ll find some way to communicate on their level to make it work. I don’t want to sound like Barney Fife.
Barney Fife: “I’m surprised at you, Andy. They want people who have had musical training. Why, suppose they ask Rafe to do something he don't know? Rafe, if they asked you to sing a cappella, could you do it?”