I’ve been using it here ever for quite some time now, it is great for adding just the right bit of polish.

The “mastered for iTunes” setting is fantastic, not sure why Ozone hasn’t done that, maybe V9.

I’ve used it standalone and got great results, but most of the time I drop it in as the last module in an Ozone 8 session.
Not too many other things happening in Ozone, mostly just the stereo imager. But having it within the Ozone session allows me to use the tonal balance control, and also I can A-B the LMC output with the raw input with the volume remaining constant.