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Joined: Apr 2009
Posts: 11,005
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Veteran
Joined: Apr 2009
Posts: 11,005 |
Hi, This is my first post here - the folks on the Cockos (Reaper) forums suggested I post some questions I have about BIAB.
Reasons for Possibly Buying BIAB I write my own stuff (rock songs), and find it a bit laborious to do everything in Reaper from scratch, so I was thinking that I could create quick arrangements/tracks in BIAB, and export the results to Reaper for editing.
Even though I am primarily a guitarist, I am really finicky about drums (and to a lesser extent, keyboards), so my thinking is that I will probably export drum tracks from BIAB as MIDI, but I would imagine that most of my usage for BIAB will involve Real Tracks.
QUESTIONS 1. Is my assumption / hope that creating arrangements quickly, then exporting them to Reaper where I will edit them and overdub guitar and vocals, a realistic assumption/hope?
By this, I mean are there any potential problems with that as a workflow?
2. I will probably be giving myself a new computer for Christmas (to be used exclusively for tracking and video production), but until then will be using my laptop, which does not have a lot of space left on the SSD.
So, I plan to run BIAB from a USB (50 MB)
Are there any problems with running BIAB from a USB? Freezing? Latency? Anything like that? Will I be sacrificing any features if I go the USB route?
3. Is BIAB / Real Band capable of automation for volume, panning and effects - it would be nice to be able to do as much as possible in BIAB before exporting to Reaper, just to save time.
4. What Pak would you all recommend for me?
5. What are the potential pitfalls or disadvantages with using BIAB for the purposes I describe above?
Many thanks for any answers.
All the best,
drutgat I didn't read the other replies so forgive me if this is repeated. 1 Absolutely. No problems at all. 2. If you buy the SSD hard drive version, you can run it right from there. That's how I do it. Freezing and latency are from other causes if they occur. Latency is a product of the sound card and driver you are using. 3, Yes it is HOWEVER..... I personally would not use the automation, panning of FX in BB or RB if you are exporting to do the mixing in Reaper or any other DAW. Do all your mixing, production, and automation in the DAW. Keep your tracks raw so you can change things later if you desire. If you print FX or automation to the track before you put it in the DAW you're kind of locked in or else you have to go back and redo the track from the beginning. This essentially causes you to waste more time than you thought you were saving. When you do it in the DAW..... if you don't like the volume automation or the FX.... you simply delete them and start again with the raw track. Not a lot of lost time this way or redoing things from square one. 4. My advice is to ALWAYS buy as high up the ladder as you can afford. This is one buying decision you will not regret. 5, THe biggest pitfall to using BB/RB in this manner is it's going to spoil you big time. It will cause you to get more work done in less time at a higher level of professionalism than ever before. So, use it with caution, knowing it's going to change your song writing in ways you never imagined. I see no downside to using BB. I've been a BB addict and proponent for a decade now. Several folks in this forum are here because they heard my music and had to investigate it for themselves. And no..... I'm not compensated for recommending it. JUst a brief insight to how I use it. 1. I write the songs in BB. Very quick, easy to edit. I get the song structure exactly how I want it to be at the final recording of the song..... key, tempo, verses, choruses, beginnings and endings, etc... 2. I save it and close it in BB and open it in Real Band (RB) where I render all the tracks to audio and use RB's track generation to add additional tracks that might not be in the BB style. I use rock styles and I can add steel guitar and fiddle easily in RB 3. I export each file to a folder that I have created for this song project. 4. I import the tracks into Sonar. 5. I add my live guitars and vocals in Sonar as well as my FX, volume and panning envelope automation and get the mix sounding like I want. 6. I export the finished file from Sonar and do the finalizing and trimming in my Wave editor. The song is essentially finished at this point and I will render an MP3 and post it. that;s my 2 cents on this
Last edited by Guitarhacker; 10/10/18 03:44 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Peter Gannon Talks Band-in-a-Box with zplane
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
Special thanks to the team at zplane for their continued support.
Check out the full interview here: https://products.zplane.de/blog/peter-gannon-interview-pg-music
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
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Holiday Weekend Hours
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Saturday, May 16: Closed
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Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
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