More reasons - Shots, Rests & Holds:

1. Using holds & shots often will affect the soloist, so that it instead of actually soloing over those bars, it goes along with the rest into shots & holds (which is rarely what you'd want). Solution: Generate the soloist before you enter the Chords Options for the SRH (shots/rests/holds), then freeze Soloist and now adjust SRH for the other tracks (see/hear for instance my "Modern Mozart" in Showcase where I've done precisely this).

2. Rests (generally) work far better artistically when entered via the Chords Options instead of the brute force muting in Bar settings, but there could be cases where you wanted a rest for an instrument at a bar where you also wanted a hold for another instrument. Or in the case of drums, often a hold for drums will sound far more pleasing than the Shot, particularly on slower tempos, even if the Shot is what you wanted for the overall instruments -> Freeze to the rescue!!
First do the 'odd one out' exception, freeze it and deactivate the SRH for that track (once frozen it should still play that way) so that you can then do the SRH that's intended for the majority, and presto!

Last edited by Icelander; 11/21/18 06:01 AM. Reason: Correcting mistakes
Just because you can, doesn't mean you should!
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