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This is a new song I wrote this week and I'm still mixing. I will revisit it next week and probably upload a new mix then but decided to go ahead and present what I have. The lyrics explain it all! Due to the many syncopated parts in the song I used only the RealDrums from BIAB on this one (They are the best sounding ones available IMHO). I played all the other instruments. Thanks for checking it out
BIAB Drums FunkHalfNoteSync Drums FunkSanFran
Me Vocals Keys Bass Guitars Percussion
Last edited by Andrew - PG Music; 08/27/20 08:34 PM.
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Hi Torrey,
Nice composition and - as always - great vocals. I enjoyed listening to it!
Thanks for sharing! Will
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very nice rocking rhythm built around the strong lyrical content. The melody is top quality once again. Great playing and vocals.
Janne
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As usual Torey - you use some BIAB stuff as the basis for cracking performances of your own in a snappy song. reminds me of Joe Jackson between 2nd & third LPs. The vocal reverb makes it sound like it's in another room from the rhythm section but you'll be reworking this so probably already have plans. I look forward to the remix.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
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Nice one, Torrey!
Vocals are top notch.
Love your guitar work! And that little bit after the solo where you doubled the guitar part on the bass, at around 2:50, very cool indeed. Love the bass line, do you record it direct?
Mix sounds pretty close to me. Enjoyed the listen!
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Great lyrics & tune... I especially like your hook lines...
"Why do I do the things I don't want to do Why do I hurt you when I say I love you Why are the days I get it right so few Tell me why oh why" Nice writing... I'd appreciate a PM reminder when you upload the finished song just in case... I'd hate to miss the hearing where you take it.
Jim †=☮&♥
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Hi Torrey,
With every song you post, the consistency with which you produce works that have a rich, full and professional sound never wavers.
This is a terrific song and you've done a spectacular job playing all those instruments. There's no doubt about it, you really know your stuff when it comes to writing, arranging and presenting!
All the best, Noel
MY SONGS...Audiophile BIAB 2026
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Really enjoyed the guitars in this one! Thanks for sharing!
Cheers, Ember
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Hi Torrey,
With every song you post, the consistency with which you produce works that have a rich, full and professional sound never wavers.
This is a terrific song and you've done a spectacular job playing all those instruments. There's no doubt about it, you really know your stuff when it comes to writing, arranging and presenting!
All the best, Noel Ha! I'm using what Noel said and totally agree I don't like the drums as they are (probably just me) super guitar and bass and vocals Kenny
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Torrey,
You do Pop better than anyone else here. And this is an excellent example.
Original and catchy. Has all the qualities that Joe Jackson put into his best stuff. An interesting, unexpected melody, an interesting cadence to the lyrics/vocals, a driving, melodic bass line, lead-line-rhythm guitars that drive the melody deep into your ears. Very cool
Really enjoyed this.
fj
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Hi Torrey. This reminds me of new wave from the eighties. One slight pick is the cymbals where a touch overpowering in places but I know you are still mixing so not a real problem. Great write my friend. Rob
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Torrey,
There`s lots going on in this very catchy and funky song. Yes, I would also have said you were channeling Joe Jackson with those changes and surprises in the melody... but no mistake, this is Torrey pop classic territory! Your guitars and bass are so fine...I can`t hear much I`d change at all. Very, very good.
Robert
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Really good song Torrey. Excellent blend of music and voice as always.
Loved it.
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Thanks Will! I always appreciate your comments! T
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Really, really, really great.
I was impressed with the intro especially. The listener has little chance to decide on the genre, it just opens up with a sensational delivery.
Lyrically excellent and musically outstanding.
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
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Really nice work, Torrey  It is perfectly catchy, and I love the vocals here. The effects almost remind me of Phil Collins a bit. As others have mentioned - this is a fine piece of songwriting. Very strong and pronounced delivery on all fronts. It is memorable, and hits seriously hard. Some awesome lyrics to boot. Not a thing I'd change - you should be proud of this one. Thanks for sharing!
Cheers, Deryk
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"Why do I do the things I don't want to do Why do I hurt you when I say I love you Why are the days I get it right so few Tell me why oh why"
A nicely told lover's lament.
Your instrumental and vocals performances are so strong...broken record, yeah, but it's the truth.
The guitar is perfect for the song and, man, that bass line particularly doubling your guitar. Wow! Like Dave I'd like to know if it was a direct input?
And syncopation galore...how cool and put together amazing well.
You are very talented and we are all the better for it!
J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! A few of our videos are here on our website: https://www.janiceandbud.com/our-music.html
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You bring out the best in Biab with your sublte use of styles Torrey. As always fantastic listen here. Cliff
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Torrey, you are very diverse and talented musician. There are almost no two songs alike. I enjoyed this. Very masterful use of syncopation and overall from lyrics to mix a solid A+.
Thank you, Misha.
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Thanks Janne! Your comments mean a lot to me! T
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Great song, Torrey. Nice melody and good lyrics, too. Your arrangement is also well done. I wish I could play my guitar as well as you play just one of those instruments. (I know, practice, practice, practice . . . .) No one else mentioned this, but I was sure I heard some horns at the end of the first three lines in both verses. Did you create that sound with your guitars?
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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"Why do I do the things I don't want to do Why do I hurt you when I say I love you Why are the days I get it right so few Tell me why oh why"
Love the tune and the chorus Torrey - can't wait to hear the finished version.
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Dear Torrey,
haven't heard any song of yours that isn't superb. This, again, is a great composition.And I'm always impressed by the fact that you play all the instruments yourself so flawlessly.
Fantastic vocals (as always). Regarding the mix: Although the bass line is awesome I think you could take it a little bit back. But that's, of course, a matter of taste...
All the best,
Stefan
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Thanks for listening and commenting Ray! I don't have any reverb on the lead vocal, just delay. I do have it doubled on the heavy side so that may be part of the reason it's not out front more in the mix I will be playing around with effects and mix this weekend when I get back to my studio . Thanks again, T
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Thanks Dave for the encouraging and supportive comments! It's always appreciated! I am running the bass directly into my interface and then through GR5. It has some bass amp configurations and I use the one called "precise bottom" which seems to sound good with my bass and the style of tunes I do. T
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Thanks Jim! I really appreciate that! I will have a new mix up by Sunday morning 2/3 if you would like to hear it again. T
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Torrey,
This is awesome! I love the timeless feel of this song. Outstanding performance and love the mix of instruments that you played on.
Great stuff!
Bob
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It has a quality that cannot be faked, obviously, because each and every one of us is different. I'm referring to the quality of expression, seldom discussed, that enables an impression on the part of the listener of the personality, for lack of a better term, of the vocalist. Maybe it is soul. Whatever, the voice can convey so much about the artist. (Whether true or not, that's another story.) It is key to the success of a record, that dimension. It goes with out saying, if a vocalist forces it or tries to be something he's not, it will fail.
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Very cool tune Torrey. It grabbed me right from the start. The bass lines were so cool in the background. I really liked the vocal and effects you used. I think the mix is excellent right now. Guitar was super. Very cool tone...
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Thanks Noel for always being supportive and encouraging! I appreciate your comments! T
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Thanks Ember for listening and commenting! I appreciate it! T
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Thanks Kenny! Your comments mean a lot to me! T
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Thanks Jim! I really appreciate that! I will have a new mix up by Sunday morning 2/3 if you would like to hear it again. T I certainly look forward to hearing it...
Jim †=☮&♥
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This sounds like a "professional" track. This probably would have been a hit back in the day (80s). I admire your musicianship. Great song. Great production.
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As Floyd said, nobody does pop better than you!! I can hear the Joe Jackson thing, and also some Todd Rundgren (I'm a big fan of both of you). Wonderful guitar playing!! AWESOME!!! Take care. Greg
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Thanks Floyd for taking the time you do to really listen to the songs and comment! Your input is so valuable to all of us! T
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Thanks Rob for the listen and comment! I agree about the cymbals! It is one of things that I plan to address when continuing my mixing in a day or two! T
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Thanks Robert! I appreciate your comments! T
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Hi, Torrey !:))
This is absolutely super ! I agree with Floyd in that you are the POP master around here ! :))
WHY ?, yes because you are so good !:))
Cheers Dani
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Fantastic song. Enjoyed it from start to finish.
BIAB 2026:RB 2026, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Thanks David for taking time to listen and comment! It means a lot to me! T
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Great sounding song & mix... I really like the chorus lyrics...
Jim †=☮&♥
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Thanks Videotrack for taking the time to listen and comment! I really appreciate that! T
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Torrey, you are in fine voice and your playing and arranging skills are in top form. Good pop song that is engaging at every turn. Pro all the way, Tom
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Thanks so much Deryk! Your positive and encouraging words mean a lot to me! T
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Torrey,
Wow, so 80’s—brings me back to Fat Daddy’s, the local college bar where we shared pitchers of really bad beer and danced our butts off. This holds its own with all of those. Killer stuff!
Kind regards,
Deej
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J&B, Thanks for your ever positive and supportive comments! They always brighten my day! T
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Thanks Cliff! I always appreciate your comments! T
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Thanks Misha! I really appreciate that! T
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Thanks muzikluver for listening and commenting! The only instruments used where guitars, piano and organ. I think the sound you referred to was one of the guitars. T
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Thanks Josie for listening and commenting! I appreciate it! T
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Thanks Stefan for the comments! I also felt the bass was a little heavy and have since pulled it back a bit in the mix. T
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Thank you Bob! Your comments mean a lot to me! T
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Thanks so much Ed! This song has not been understood in the proper context though and its my fault for not elaborating in the description. This one is a take on the Apostle Paul's words in Romans 7 where he pondered why he did the very things he didn't want to do. I can relate so much to that so much of the time! I can see how it can be interpreted as a human relationship song but I didn't intend for it to be that! It's just me trying to understand God's great love for us! Thanks again and I always highly value your comments! T
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Thanks Scott for your ever positive and encouraging feedback! T
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Thanks for the listen and comment! I appreciate it! T
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Thanks Greg! Your comments are always appreciated by me! T
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Thanks Dani! I appreciate it! T
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Thanks Charlie for the listen and comment! It means a lot to me! T
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Thanks for the positive feedback Tom! I appreciate it! T
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Thanks for the listen and comment Deej! I appreciate it! T
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Hi Torrey
Song Great groove particularly in verse section Structure is pretty standard but with some imaginative twists and variations which keep the song interesting throughout Mix / Production nice mix Quite an art. There’s a lot going on here and yet it never sounds cluttered. Instrumentation Some of the drum sounds could perhaps be revisited Vocals very nicely sung – lead and harmonies. What I really liked how you keep everything out the way of the melody in the verses strong melodies in both sections The rthm gtr (if I’m not wrong its the ‘True’ pattern – 2 and then pushed before 4 ) The pause and restart What you might like to return to not sure that the intro section or the gtr solo (2 30 – 2 45) add a great deal Lead gtr a bit busy for my tastes here and there The lyric could perhaps be improved Overall impression very strong composition and production An example of just what is possible!
all the best,
Marc
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Thanks Marc for the listen and comments! I appreciate it! T
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Torrey,
Torrey Sound is in top form. This tune is perfectly catchy. Great vocals and guitar! Very nice melody and chord work. Enjoyed my listen a lot.
Best regards.
Shigeki Adachi
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Thanks Shigeki for taking the time to listen and comment! I appreciate it! T
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Very nice, once again, Torrey. Love the lyrics, the melody, and the production in general.
It's giving me a bit of an old Todd Rundgren pop vibe, and that's a good thing.
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Torrey,
Like this a ton—very 80’s pop. Kinda Howard Jones meets General Public, with a guest appearance by Joe Jackson. Very cool. Enjoyed this!
All the best,
Deej
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I'm a sucker for major 7th chords and 70's sounding pop, so this was great to listen to.
floydjane mentioned that your melody has an interesting direction, and I agree - it makes the song really stand out.
Nice work on all the instruments (and vocals, of course).
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Thanks Phil! I really appreciate that! T
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Deej, thanks for the listen and comment! I appreciate it! T
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Me too David! Those major 7th chord seventies type songs always were a favorite of mine! I appreciate your kind words! T
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Torrey,
Great production. superb performance. Thanks for posting
SD
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Peter Gannon Talks Band-in-a-Box with zplane
zplane recently interviewed Peter Gannon, the founder and creator of Band-in-a-Box, about the software's early days, what sets it apart from AI, how zplane's audio algorithms are used in Band-in-a-Box, and more!
Special thanks to the team at zplane for their continued support.
Check out the full interview here: https://products.zplane.de/blog/peter-gannon-interview-pg-music
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
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Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
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Holiday Weekend Hours
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Saturday, May 16: Closed
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Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
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Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
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