No, you're still not getting it Frank. The "normal" RT's are recorded using mic's on amps plus some EQ and reverb. A DI track takes the audio cable directly from your guitar into the console and writes it to a stereo track. No amp, no EQ, no nothing. Hence the term "dry". If you're asking about the performance itself then yes it could be the same track. They would run the guitar cable to a splitter, one output goes to the amp and effects and gets recorded the the other output goes directly into the board with no effects of amps.

In my case I'm a keyboard player who focuses on a Hammond B3 and piano. The B3 console by itself does not sound anything like most recordings you hear with organ because the Leslie is literally half the sound of the organ. No Leslie it sounds flat and lifeless. Jon Lord is the one who pioneered the use of taking an audio tap out of the B3 preamp and running it to Marshall stacks to get his powerful and gritty organ sound. Therefor if I wanted to duplicate the Jon Lord sound with an organ RT I would request PGM record some B3 tracks in the exact same manner. Dry output directly from the organs preamp and that's it. No Leslie cabinet sim, no Leslie rotating effect. With no Marshall stack emulation it would be a pretty crappy organ sound believe me.

It's exactly the same thing with guitar DI tracks. Flat and lifeless until you apply some amp sims, EQ, phasers, whatever.

To expand this even more, in order to get a really good studio sound live on stage some very big name players will use DI boxes on stage to do the same thing. The DI goes to the soundman who applies all the effects there and feeds the sound back to the individual IEM's for each player. I've read interviews with bass players and guitarists who love that. They don't have to have their favorite bass amp and an effects rack on stage with them. The dry bass goes right to the console and all that gets applies there. All he has to do is plug in, that's it.

Bob

Last edited by jazzmammal; 02/16/19 07:41 AM.
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