+1 I also agree, I would however like to have is so that one can set the level. I see some folk like it at say -3dB. Currently I tend to export the .wav then pull it into Reaper where I have set up a short cut that allows me to select all tracks set them to -10dB or so. This leaves heaps of room to apply Neutron or whatever to the tracks then still have -6dB or so before the “mastering” for which I use Ozone. I also use the Izotope tonal balance tool and run the Youlean LUFS meter at the end to get all my completed files to about the same levels. It all seems to work quite simply and quite well.

Tony


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