Here's a new song and video, after a bit of a dry spell! The lyrics came fairly quickly which is often a good sign I find. I used some old loops that had been sitting around on my hard drive for ten years, plus electric piano from BIAB. I added more guitar parts and the vocal. More technical details can be found here.
1. I thought our love would just grow older. But all I feel now is your cold shoulder. You had my heart in the palm of your hand; There’s just one thing now I need to understand.
2. Why did you turn away? I find it so strange. As far as I know it wasn’t me that changed. I hang around and try to play my part. But you look straight through me; something closed your heart.
Why should I stay? You treat me gone anyway, Like an invisible man. It feels so weird; I simply disappeared, Like an invisible man.
3. The silent treatment, I’m getting it all the time. I’ve serving a sentence and I don’t know my crime. I faded away like a silhouette, A meaningless someone you can just forget.
Why should I stay? You treat me gone anyway, Like an invisible man. A deep blue haze that faded away. I’m an invisible man.
Why should I stay? You treat me gone anyway, Like an invisible man. It’s a mystery, you made me history Like an invisible man.
A fabulous package. Really well done. Excellent, selling vocal too. There're some aggressive sibilant bits that pop way forward that could be addressed to make this "done" but it may just be my ear and my gear. Fab.
Cheers rayc "What's so funny about peace, love & understanding?" - N.Lowe
What a brilliant, brilliant sound you've created here. I thoroughly love what you've done. As always, your writing is strong and what you've done with the arrangement and the presentation is way up in the stratosphere somewhere -- it s-o-o-o-o good!
Fantastic John!! Great song and top notch production....suitable for the forum hall of fame! Vocals are wonderful and guitar sounded like Clapton! Awesome!!! Take care. Greg
Very well done song that I truly enjoyed listening to. The video is a nice touch as well, but it is the great composition, melodic content and production that caught my intention. Outstanding!
The little guitar touches you add are chillingly good. Just right.
Super vocal. The production throughout is INCREDIBLE. The combination of vocal and production are the best I've ever heard on the forum... the way the vocal sits in the production/tracks is mind-blowingly-good. Almost indescribable. Pro level like we have never heard (in my opinion).
Wow! John, everything you do is always just stunning! This is so tastefully done. Your vocals are perfect. Your guitar licks are all just right, in the right spots.
I always look forward to any songs you post, knowing that I am going to be blown away. This is certainly no exception.
My only complaint is that you don't post songs often enough!
Steve
Steve Young Music "In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
Wow - what a tune! It flows magnificently well and is perfectly catchy - especially for the hook. Love the slow, silky groove on this. Some awesome progressions too, and your vocals are top notch here. I wouldn't bat an eyelash if I heard this on the radio.
Very classy production on a fine song.I especially like the chorus melody and your vocals. I hear a lttle Slowhand era Clapton... actually its better than that! Very very well done.
John, what beautifully crafted work this is! To start off it's a GREAT song! Your vocal is so good it deserves more praise than I can give it here! I love those little jazzy/bluesy licks you are playing in the verses, they add that extra special touch that raises this one to another level! Beautiful guitar work throughout and a great job with the video! This one is a special offering in the forum that is in the very top tier of material presented here! I wish you well with this one and hope it gets recognized for the high quality work that it is! Thanks, Torrey
Amazing production. Very ELO sounding with a more modern sound. That electric piano from BIAB complements the song perfectly. Guitar work and driving deep bass is top notch.
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
Band-in-a-Box® 2026 for Mac is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 100 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Mac packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49.
Band-in-a-Box® 2025 for Mac® users: Build 904 now available!
If you're already using Band-in-a-Box® 2025 for Mac®, make sure to grab the latest update! Build 904 is now available for download and includes the newest additions and enhancements from our team.
PowerTracks 2026 is here—bringing powerful new enhancements designed to make your production workflow faster, smoother, and more intuitive than ever.
The enhanced Mixer now shows Track Type and Instrument icons for instant track recognition, while a new grid option simplifies editing views. Non-floating windows adopt a modern title bar style, replacing the legacy blue bar.
The Master Volume is now applied at the end of the audio chain for consistent levels and full-signal master effects.
Tablature now includes a “Save bends when saving XML” option for improved compatibility with PG Music tools. Plus, you can instantly match all track heights with a simple Ctrl-release after resizing, and Add2 chords from MGU/SGU files are now fully supported... and more!
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