I’ve been creating an issue on subsequent takes; I am calling it the “Sudden Latency Onset Issue” since I can. Basically, if I record an audio track, save the song to disk, then try to replace this audio track, there is an incredible latency between the new audio and the rhythm/beat. Does that make sense? Has anyone else noticed this or is it just me? My work around is to basically to not save the song to disk once I have added an audio track until I am completely satisfied with the take. I am now doing the following steps: 1. Make song 100% except audio track 2. Save to disk 3. Record Audio 4. Review WITHOUT SAVING 5. Accept or reject a. If rejected, record again b. If accepted, save to disk, 6. Clean up extraneous files.
Am I nuts, is this what has to happen? I sure hope I’m wrong and seek advice.
Thanks in advance.
PS, I thought I figured it out but was following my steps and recreated the issue so I've edited the steps and I'm trying again....oh well.
There must be some wrong setting. I use the Behringer Uphoria UMC404HD (which is similar to your Uphoria). I have had Windows updates reset the device to 48kbps; I always set it back to 16-bit 44.1kbps and I use 256 samples for recording to avoid MIDI latency (and sometimes increase it for playback of a lot of tracks), but never had the problem of audio being off. This is in both BIAB and RealBand.
You should launch the "Sound" settings in Control Panel and make sure everything is set consistently on the interface on both the playback and record tabs. Also, launch the UMC control panel (which gets installed with the driver) to set you sample rate. That's what I would try first.
John
Laptop-HP Omen I7 Win11Pro 32GB 12TB SSD Desktop-ASUS-I7 Win10Pro 32GB 12TB SATA
I always fear that I'm gonna make things worse when I try to do things like this...oh well. But, I have tried.
The settings were different, the speakers were 24 bit, 44100Hz and the microphone was 1 channel, 16 bit, 44100.
I changed them to match, 16 bit, 44100 and I'm hoping the thing doesn't explode on me.
To be honest, the fact that the initial recording seems to work find and only subsequent re-recording causes the problem confuses me but here I go to try and test it. I'll let you know my results soon. If I'm way off base, laugh and let me know so I can try to get back on track.....Into the valley...
I've been playing around with recreating the issue and I have found something interesting. I believe there is a temporary file somewhere that isn't getting deleted. Here's why... Once I create the latency issue, I then created a new song with nothing, no changes, and just counted out the beats...latency issue occurs. I then closed BIAB and reopened it, created a new song with nothing, no changes, and just counted out the beats....NO LATENCY ISSUE OCCURS.
I am now hunting for temp files in the /bb directory. Oh well.
///// AFTER PLAYING AROUND...
I found three files that are created upon saving/re-recording but manipulation of those files didn't resolve the issue....
I deleted/renamed these files and was able to recreate the latency, and when I create a new song without closing BIAB,I get latency. If I close BIAB, new song, no latency. Oh well. I used to do this sort of stuff on mainframes back in the day, decades ago, but I'm sure it's a temp file issue somewhere. I plan to seek PG help tomorrow....
////////another interesting tidbit...
I created a new song and counted the beats...123422343234 etc. I then recorded ABCDABCD over part of it...The letters have latency but the numbers do not...
Hi It is my understanding that the latency adjustments in BIAB are just concerned with the screen display staying in sync with what you hear.
The actual latency the time taken to play a note on you keyboard and hear it, depend on the time it takes the computer and the software to make the sound, this round trip time is your heard latency. This can only be affected by playing with buffer times. The smaller the buffer the less delay but the more stutter from buffer overflow. Note, even Asio drivers normally have a buffer setting. Finding the sweet spot for your set up can be a bit pains taking. Buffer size is often set high to prevent audio stuttering particularly if your pc is doing a lot of stuff in the back ground like internet , anti virus programs, pretty screen effects, so keep all background task to a min and make an exception for BIAB in your AV this should allow you to lower your buffers for less latency. Just my thoughts Mike
I don’t think it will fix this particular problem, but every user of digital audio should periodically run the free DPC Latency Checker. Read the web instructions thoroughly. It works fine in Windows 10; it just reads one second too high.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
Which drivers are you using; ASIO, WAS, or MME? BIAB 2019 defaults to wanting to use WAS drivers, but my experience has been it causes problems with the Behringer. I run the latest ASIO drivers from Behringer at 16bit, 44.1kbps,256 samples. I have rock solid recording and playback with no perceptible latency
John
Laptop-HP Omen I7 Win11Pro 32GB 12TB SSD Desktop-ASUS-I7 Win10Pro 32GB 12TB SATA
You didn't say which application you are doing this in (BIAB? RealBand? PowerTracks? Something else?).
I am using BIAB2019 Pro 64bit
Is your audio interface set to 44.1kbps or 48kbps? All the PGMusic content is 44.1, but if you process it as 48, your audio is going to drift.
I don't know the answer but believe I'm good since it works find unless I save to disk and then try to change it.
This actually DOES matter. Band in a Box has only one track for you to use to record audio. Real Band allows more. A third party DAW also allows multiple tracks.
Both audio and midi are able to be used in all 3.
When people say they have horrible latency on recorded stuff on playback, it's generally caused by just a few things. The most common is the use of a less than optimal driver, the hardware, or settings.
Some interfaces use wrappers and codecs and proprietary drivers. That can cause serious latency unless set up correctly, and can still be a pin when set up correctly. ASIO is the preferred driver mode if the interface hardware supports it. Generally, if the project is 100% true audio, there are little to no issues in recording or playback. Even MME seems to be able to handle 100% audio projects fairly well. It's where you either have existing midi and synths or introduce soft-synths to the mix with audio, that you encounter issues with latency and the cheaper drivers.
My old laptop would run BB perfectly. No issues, no latency. However, when I tried to run the project in Real Band and added audio tracks, the latency was off the charts bad when I ran it using the default laptop audio driver MME. I could connect my Focusrite interface and use ASIO and the sync was perfect no matter what kind of tracks I used.
Also, variations in the audio track sample rate WILL cause audio tracks to drift of of sync. THis can happen but is not a common issue unless you are getting tracks from outside sources. Everything recorded in your software will have the same settings by default. 44.1 and 16 or 24 bits is standard. 16 or 24 bits are generally 100% compatible and even in the same project will play flawlessly. It's the 44.1khz sampling rate that needs to be the same. I record all my tracks at 24 bits and the software converts them instantly to 16 where needed. 44.1/16 is CD quality and is good for 99.9% of everything you need to do.
First determine the program you are using when you experience this latency. Check the settings to see what driver is in use with the interface you are using. If it supports ASIO, by all means, use it. You will need to experiment to find the problem.
EDIT: I researched this interface and like I suspected, I could not find a single place, including Behringer's website where they stated that this interface used true ASIO drivers. On one, (not the Behringer site) reference was made about ASIO4ALL as a driver but.... A4A is simply a wrapper to use MME and try to fool the hardware into thinking it's running ASIO rather than MME. I would never use any interface that did not support true ASIO. IN other music forums sites, the folks who had the most difficulty with latency were the ones who were often using interfaces that only ran codecs and proprietary drivers and A4A. The solution is to get an interface that runs ASIO. Perhaps you can get the UMC22 working... you can try. And we will help if we can. Settings and check the things mentioned. Good Luck.
Last edited by Guitarhacker; 05/22/1904:10 AM.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
You may already know this, but you can go +++ here +++ to get the UMC22 ASIO driver, if you don't already have it.
You still configure the audio device using Windows first; then configure the ASIO driver using the UMC interface you get after installing the driver. Then configure BIAB to use that driver (which will also provide a link to the UMC ASIO control panel).
John
Laptop-HP Omen I7 Win11Pro 32GB 12TB SSD Desktop-ASUS-I7 Win10Pro 32GB 12TB SATA
You've received lots of guidance and suggestions. I'll add my suggestion as I have not seen anyone else suggest it.
Use the Windows search feature (Ctrl + F) to make sure you don't have an audio file file the same name as your song project. If you do, rename or delete the audio file.
In the example below my song project file is named, "Not_My_Song.SGU" so I am looking for an audio file named "Not_My_Song.wav". If I saved or exported anything as a MP3 or WMA file I would search under "Not_My_Song.MP3" and "Not_My_Song.WMA" also.
I must admit that some of the things folks have suggested are stretching my technical expertise...or lack there of. But, I do know how to search for files as was suggested and... I am able to recreate the problem before a .WAV file is generated. Those TEMPMAIN. files are not duplicated.
I'm working with PG support on this as well.
Thanks for your help, I'm gonna try some of the other suggestions now....
First, let me thank you for your suggestions and research.
I worked on Mainframes back in the day but know very little about PCs. Anyway, if I understand you correctly, you're saying I should not use the ASIO4ALL from Behringer. The post after this suggest I do so I'm not doing anything until I hear from PG support.
Thanks again.
Luck, well, now, so far it's been all bad but I have confidence that this issue is close to being resolved.
...... Anyway, if I understand you correctly, you're saying I should not use the ASIO4ALL from Behringer. The post after this suggest I do so I'm not doing anything until I hear from PG support.
Thanks again.
Luck, well, now, so far it's been all bad but I have confidence that this issue is close to being resolved.
You can try anything you want. You won't break the machine by trying things. I've tried ASIO4ALL... it didn't work, not even close. Just remove the things that don't work. Leaving unworkable things in the computer can cause issues so be sure to get them out. I went in after and totally removed A4A and loaded the native ASIO drivers. Suddenly, the sun came out and the birds started to sing.....
Currently, ASIO is a one trick pony. If you use it on a DAW that DAW will run nicely.... however.... everything else that you load, BB & RB for example, will have to use some other driver...and you will have the issues with those drivers that are inherent in and with them.
If it's any comfort.... it took me several weeks working on getting things set up until I was able to get sound out of the computer, and a few more days working to get things running smoothly. This was back when I was first getting started. SO I've been in your position and I know many others have been too. It was with the assistance of other users that I finally stumbled on the fix. So, keep working on it. There is a solution.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
if I understand you correctly, you're saying I should not use the ASIO4ALL from Behringer. The post after this suggest I do so I'm not doing anything until I hear from PG support.
Just to be clear. ASIO4ALL is not a Behringer driver. It is a multi-interface ASIO wrapper that is designed to give you ASIO capabilities when your interface doesn't have its own native driver. I was suggesting you download and install the native Behringer driver for your audio interface.
John
Laptop-HP Omen I7 Win11Pro 32GB 12TB SSD Desktop-ASUS-I7 Win10Pro 32GB 12TB SATA
It took a lot of help and a support expert to log onto my computer remotely to resolve the issue. I don't know why really but the BIAB support staff started off my telling me to run only the 32 bit version and not the 64 bit version. After that, he manipulated the various audio driver settings until it worked. Oh well....
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.