This is a classic distorted B3, sounds great to me. This sound is a combination of an old well broken in Hammond console plus an overdriven Leslie. Leslies use tubes so if you know anything about tubes this is what they're used for to get that overdriven gritty sound. What a lot of non organ players don't realize is the distortion is controlled by the expression pedal. The more you push the pedal the more distortion you get. A lot of B3 clones don't do that but my SK1 does. If a player wants a cleaner sound they just turn down the input amp inside the Leslie. I can't get that good of a distortion out of the SK1 so if I want it bad enough I use my Ventilator pedal. It's a near perfect emulation of a Leslie 122 and has a killer overdrive in it.

The only problem with using VST emulators is you have to understand the organ well enough to voice the chords properly, use the Leslie properly and understand how to use an expression pedal. Just dialing in distortion as an effect won't cut it. An organist is working the expression pedal constantly. Mid range it's a touch of distortion, mash it it's almost Jon Lord time. If you can do that then yes these VST's are pretty good but if all you're doing is setting it up to play a midi file it won't sound right because it's unlikely the midi file has the correct expression settings linked to a distortion effect in it. You would need to strip out all the midi events having to do with distortion, the leslie effect, cabinet sims, expression and volume events and do all of those yourself while the the midi file is playing. You would route the audio from the original track to record it with all your input to a new track.

All this is why pro level organists go crazy picking apart B3 clones. Most have some of it right but leave out other bits. It all has to be there and work together properly in order to sound like a real B3 and Leslie. It's not easy.

Bob

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