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I'll let you know if I hear anything.
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As I said yesterday that I was going to do today, I called Tech Support to follow up on the two reply emails I sent them in response to the single email I received from them last Tuesday regarding this issue in RB (which I originally contacted them about two days prior), but I still haven't spoken to anyone (except for the receptionist) because I've been on hold for nearly an hour. To make sure that my call didn't somehow go into "no man's land," I called the same number on a different line but didn't even get to speak to the receptionist. Instead, I got a recording that said "All technicians are busy, etc." I can't keep sitting here on hold waiting for someone to take my call, so I may just have to try again tomorrow at 10 AM when they open. I definitely wasn't expecting this to happen, that's for sure.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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<<< I can understand all of that. However, if I want to use RB to work on a new song with more than 255 bars that doesn't have the kinks worked out of it yet as I've done numerous time with BiaB for songs with less than 255 bars, then I would prefer to not dive into your workflow recommendations until after I've worked out most or all of those kinks and finished or mostly finished developing my song. But I can't do that with my full length song in RB currently because of the problems that occur at the 240/241 bar boundary. So, I have to either go through extra steps to deal with those problems or cut out one or more sections in my song to reduce the bar count to less than 255 (in which case, I would just go back to using BiaB for this shorter version of my song instead of using RB). In such a scenario, your workflow recommendations is not a fix but rather is a workaround that makes the early stages of working out the kinks in a song that is being developed more complicated and time consuming than is desirable and necessary. >>>
"I can understand all of that." I don't think you have a handle on the process yet based on the four points of your response. I will address each point individually below.
1. "if I want to use RB to work on a new song with more than 255 bars...I would prefer to not dive into your workflow recommendations until after I've worked out most or all of those kinks and finished or mostly finished developing my song." You can't work out kinks in the RB program. Only PGMusic programmers can do that. Anything you or I can do is a workaround. Fortunately, there are multiple ways to work around the 255 bar and excessive length issues in both BIAB and RB.
2. "I can't do that with my full length song in RB currently because of the problems that occur at the 240/241 bar boundary." That's true because you continue to use the same concepts of your current workflow. "Don't be so sure of what you want that you won't take something better." (Chris Voss) is a saying I've adopted and apply very often. You can apply that principal with your recording techniques and it will help you sort out the difference between how you understand and apply BIAB/RB techniques today compared to the more advanced techniques available. You don't have to understand the theory at this point but simply apply the steps to get the benefits.
3. "I would just go back to using BiaB for this shorter version of my song instead of using RB)." Yes. You can do that and you should do that. Either BIAB or RB can be used but BIAB has more features available, faster auditioning of Styles and RealTracks, Faster rendering of audio and generally in the first stage, is more efficient and intuitive than doing it in RB. Start your project in BIAB and once your song is structured, move it to RB. Many forum members follow this sequence.
4. "In such a scenario, your workflow recommendations is not a fix but rather is a workaround that makes the early stages of working out the kinks in a song that is being developed more complicated and time consuming than is desirable and necessary." No. The reality is just the opposite because you're only thinking in terms of your present workflow, your present song, your present relation and procedures between you and your producer and how those circumstances interact at your level of understanding of BIAB/RB. Your workflow is a relatively elementary process you've implemented and it has worked well for you other than the interference of the glitch and erroneous chord change. You, nor anyone else, regarding any of the techniques I've discussed and described, have actually posted you've tried or tested them. I'm not surprised or concerned by this because I've described and recommended some of these techniques in other discussions here on the forum and most do not even elicit a response. I feel I'm partially to blame for this as I've been told in the past by my wife, my brother Jim, at least 4 close musician friends that I'm bad for explaining processes and thinking they're easy when in these folks minds particularly, they don't see the process as simple or clear. That seems to be somewhat of the case here. I apologize if I've been unclear to this point.
One thing I've thought of doing is placing a request in the 'I want a video that shows me how to ....' forum thread to create a video of this step by step process. I'd be glad to discuss and provide the steps so that a clear and concise quality video could be produced by PGMusic.
Reviewing the RealBand Forum main page, this article at only two weeks old has by far generated the most comments and views of any RB discussion over the past year (7 Pages). Surely that fact alone should give PGMusic staff cause to consider producing a video. They do a great job in the one's they've done so far.
Last edited by Charlie Fogle; 06/20/19 05:24 AM.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Charlie, I think you hit the nail on the head. Not really so much of a workaround, more of a workflow.
BIAB – 2025, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud (Tip: No need to create a SC account to hear music - just hit ESC ).
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1. "if I want to use RB to work on a new song with more than 255 bars...I would prefer to not dive into your workflow recommendations until after I've worked out most or all of those kinks and finished or mostly finished developing my song." You can't work out kinks in the RB program. Only PGMusic programmers can do that. Anything you or I can do is a workaround. Fortunately, there are multiple ways to work around the 255 bar and excessive length issues in both BIAB and RB. I'm sorry, but you misunderstood my point. I wasn't referring to the kinks in the RB program. I was referring to the kinks in my song. Such kinks always exist in my songs when I'm writing and developing them, and I'm sure they do in yours, too. (Perhaps "kinks" is the wrong term, but I don't know what other term to use.) Even when I think I've got all the kinks worked out of my songs (after I've figured out all the chords and have played through it enough times to feel confident that they're gone), my producer usually finds a few that I either missed or couldn't see/hear because of deficiencies in my songwriting knowledge and experience. Of course, this is only true for those songs that I've given to him to produce but not true of songs that I haven't given him yet or that I won't be giving him to produce. But getting back to what I meant by my point, the reason I prefer to bring my entire song into BiaB rather than into RB during the early stages of my songwriting and development process is so that I can quickly generate an suitable arrangement for that song that I can then listen to for any problems or issues that may still exist without me having to play it on my guitar because BiaB's arrangement makes it easier for me to identify potential issues and problems in my songs than when I play them myself and to make "on the fly" changes to those songs in order to address those issues and/or problems (unlike RB). But after all of those problems and/or issues are eliminated, then I would be able to dive into your workflow recommendations for that song---especially if it's a song that I don't plan to take to my producer for him to arrange and produce for me. Though I had mentioned this in a previous comment, I'll mention it again. If RB took advantage of Windows' multi-threading capabilities for PCs with more than one processor during its track generation process, it would make RB fast enough for me to consider using it instead of BiaB during the early stages of my songwriting/development process. This is especially true of my songs that exceed the 255 bar limit in BiaB. Do you or does anyone else know why RB doesn't multitask it's track generation procedure? Also, I really like your idea of creating a video to demonstrate your workflow recommendations and would definitely be interested in seeing it if it ever becomes reality. And I fully agree with your comment about the length of this thread being an indication that the need for such a video definitely exists. But the length of this thread is also an indication that my workflow for the early stages of my songwriting process (opening XML files that I exported from MuseScore) is probably quite different from that of most users of BiaB and RB.
Last edited by muzikluver; 06/20/19 07:14 AM. Reason: Added another sentence at the end.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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I have the fixed version that let's the XML file load properly in RB.There is now, soon, no need to try and work around 255 limit of BIAB. RB now does the whole shooting match. No glitch, no new chords no nothing. Just the song and cxhords. This issue is solved!
Last edited by silvertones; 06/20/19 09:15 AM.
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Here is a link to the .seq file of Tom's 332 bar song with the version of RB I have. Just his file, 2 RT and 1 RD all properly sewn together.Took me 5 min. https://drive.google.com/open?id=1yJORSWlytKjfegIdN-e2XHbjHh17xzXK
Last edited by silvertones; 06/20/19 09:38 AM.
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I have the fixed version that let's the XML file load properly in RB.There is now, soon, no need to try and work around 255 limit of BIAB. RB now does the whole shooting match. No glitch, no new chords no nothing. Just the song and cxhords. This issue is solved! To followup on and repeat what I said to you in my PM, neither BiaB nor RB can handle XML files of a lead sheet that has a repeating section---for example, a verse section that is repeated twice: once for the first verse and once for the second verse. Both programs will simply drop the second verse and treat the lead sheet as if there is only one verse in the song (or two verses if there is a third verse later in the song). I don't know if this issue is in the way MuseScore creates the XML file (perhaps it isn't encoding it properly) or if BiaB/RB aren't interpreting the XML file properly. The reason I haven't brought this issue up before is that it wasn't enough of an issue previously for me to take the time to present it and discuss it here and in the BiaB forum. Besides, I had gotten used to a workaround that I came up with when I first encountered this issue several months ago, which was for me to simply create a separate lead sheet file within MuseScore that didn't have any repeating sections but which had all of the sections exist consecutively in a series. But now that Tech Support is working on the code for RB that opens the XML file, I decided I may as well bring this issue to everyone's attention, too. If necessary and desirable, I can start a new topic with this issue instead of mixing it with the topic of this discussion.
Last edited by muzikluver; 06/20/19 10:09 AM. Reason: Added one more sentence at the end.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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I don't know what's going on with this file, but it couldn't have been created from the song I sent you. My song has 327 bars, including a 2-bar lead in before the chords start. Also, my song is in the key of G. This song begins on a D/E chord in bar 0 and ends on a C chord in bar 241. When I opened this file, I got an "exception error" message in RB that suggested I shut down the program and restart it. Also, there are no tracks in the Tracks window. My version of RB appears to be (2). So, should I update mine to V4 (the same as yours) to be able to properly open your file?
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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Actually, the latest available version of RB is V3 from January of this year. So, I'm just gonna sit tight and do nothing until I hear from you, Silvertones.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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You always, always want to use the latest version. It should have been the first thing you did before starting this thread. AND that info should be included in your sig so anybody trying to help you knows you're on the latest version. I see you don't even have RB listed. AND, you also want to include the details of your computer, other software, audio/midi interfaces, all that stuff like what's in my sig.
Does Support know you're not running the latest version?
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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Bob, I didn't even know that I wasn't running the latest version until Silvertones mentioned yesterday that he has V4 and that I have V3. But then I checked mine and discovered that I have V2, but Silvertones said that V3 didn't work as well with XML files as V2 did and that V4 was even worse. So, what would be the point of me updating mine to V3 or even V4 (which isn't even available on the Support page) until Tech Support fixes this issue?
Also, Tech Support has never asked me which version I'm using. I've only heard from them once. But I'll add the info you suggested to my sig.
Last edited by muzikluver; 06/20/19 01:09 PM. Reason: Added second paragraph.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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Okay, after updating RB to V3, I was able to open your file without any problems. All the chords seem correct beginning with the G Am Dm Em progression starting in bar 1 with two lead in bars. I also scrolled to the last bar (bar 337) and saw that the last chord is a C in bar 322 (which is actually the same as bar 324 counting the two lead in bars) with 17 empty bars after that, three of which were from the XML file from MuseScore. So, RB added 14 more bars at the end. No big deal. So, then I checked and saw that there were indeed four tracks to play, the first a blue (midi) track of the melody and three more RealTracks. When I clicked on Play, the tracks played fine. Then I jumped ahead to bar 240 in the Chords window to check those chords, and they all looked correct with a Dm chord in bar 238, no chords in bars 239-243, and an Am chord in bar 244. Next, I decided to play this section beginning at bar 238. When I did, bars 241-243 sounded a little strange. So, I turned off the drums and bass guitar and played only the piano and melody. Bars 241-243 still sounded strange. So, I switched over to MuseScore and brought up the piano keyboard so that I could figure out which note the piano was playing in RB for bar 241. After some experimentation, I was able to determine that RB had changed the chord at bar 241 to a C chord and didn't change the chord again until it reached the Am chord in bar 244. To summarize, the erroneous chord change has still occurred in the file you created, Silvertones. For me to test if a glitch would exist at the 240/241 bar boundary, I would have to insert a Dm chord into bar 241 and regenerate the tracks. But this issue is secondary to the erroneous chord change at bar 241. If RB would remember that there was a Dm chord in bar 238, there wouldn't be any need for me to insert a Dm chord into bar 241 and run the risk of a possible glitch occurring there. Besides, I shouldn't have to do this. RB's algorithm should be smart enough to do this for me without actually showing a Dm chord in that bar.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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Weird I missed that adding the Dm@241 & regenerate all works.
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Weird I missed that adding the Dm@241 & regenerate all works. But you shouldn't have to do that, and neither should I. After 173 posts, here we are at the exact same place we were when I started this thread nearly three weeks ago. So, where do we go from here? I already emailed Tech Support three times without getting anywhere and even called them once yesterday but hung up after being on hold for an hour. I would have called them again, but you privately told me not to because you claimed that the issue had been fixed. This old horse just keeps going around in circles. 
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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where do we go from here? https://www.youtube.com/watch?v=7XdAQpq_1XwAt least you had fun... 
BIAB – 2025, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud (Tip: No need to create a SC account to hear music - just hit ESC ).
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I figured my last post would get a response from you, MusicStudent!  However, it was primarily directed at Silvertones because of his "inside connections" at Tech Support. Just so you know, my patience hasn't run out yet, but I am getting a little frustrated by the lack of progress that's being made with this issue. I can always switch to another related thread for a while and take a partial break from this one if need be. This will give the old horse a much needed break, too. 
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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<<< My song has 327 bars, including a 2-bar lead in before the chords start. Also, my song is in the key of G. >>>
If this song is one you intend for your producer, what do you send him and what file format or formats do you use to share work between the two of you? I understand you also send him a video of the chords.
Do you send him the XML file or just audio files? Do you send him a single audio file or does he get all of the multiple tracks to drop into a DAW?
Last edited by Charlie Fogle; 06/20/19 06:39 PM.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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<<< My song has 327 bars, including a 2-bar lead in before the chords start. Also, my song is in the key of G. >>>
If this song is one you intend for your producer, what do you send him and what file format or formats do you use to share work between the two of you? I understand you also send him a video of the chords.
Do you send him the XML file or just audio files? Do you send him a single audio file or does he get all of the multiple tracks to drop into a DAW? I doubt that I will be giving this song to my producer because it's not the same genre as the genre of my album that he's working on. Plus, I don't think it's the type of song that would appeal to enough people to make it worth the time, effort, and expense to have it professionally produced. I could be wrong about this, of course, but the feedback I've already gotten suggests otherwise. So, my plan is to use BiaB and/or RB to create a decent instrumental demo and then eventually have someone (possibly a female) create a vocal track for me that I could add to the other tracks to finish the demo. Ultimately, I would use the finished demo for various purposes and may even release it as a single or possibly put it on a different album. However, depending on the circumstances, the last two options could justify having it professionally produced, but who I would choose to do that is currently an unknown. So, I can't really use this song as a basis for answering your other questions. Instead, I'll use the last song that I recently gave to my producer because it's nearly the same length as this one (317 bars vs. 322 bars). In the past (before I had purchased BiaB), the only file I gave to my producer was a midi file of the melody to my song. Besides the midi file, I also gave him a printout of the lead sheet with all the chords and lyrics along with another printout of a one-page lyric sheet that included the chords. My producer used the lead sheet to perform, arrange, and produce my song, and he used the lyric sheet when he recorded the vocals. For the most recent song with 317 bars that I gave to my producer, I still gave him a midi file, a lead sheet, and a lyric sheet. But I also gave him a single .MP3 file of the audio from BiaB that included drums, a bass guitar, a finger picking acoustic 12-string guitar (left channel), and a 12-string strumming guitar (right channel). In addition, I gave him a .MP4 file of the lead sheet video from MuseScore that had this same audio output from BiaB synced to the melody in the MuseScore video. I used ActivePresenter to create this video and added the audio output from BiaB as a separate track. He imported all three of these files into his DAW, which is Sonar by Cakewalk. A few weeks after I had given all of the above to my producer, he called me and asked for a new midi file because we had made some last minute changes to the one I had given him that somehow got messed up during his subsequent recording sessions. He also asked me to give him a .MP3 file of just the bass guitar and the finger-picking guitar together and another .MP3 file of the strumming guitar by itself. He didn't need the drums in either of those files because he had already finished recording them. That's the first track he always starts with in his production process. When I gave him these files, he imported them into his DAW to replace the .MP3 file and midi file that I had given him before. However, the three tracks that these audio files occupied in his DAW were only there for him to use as a reference until he had finished recording his own tracks of those same instruments in their place.
Tom Levan (pronounced La-VAN) BiaB 2024 Win UltraPAK Build 1109, Xtra Style PAKs 1-11, RB 2024, Windows 10 Pro 64-bit, Intel Q9650 3 GHz, 16 GB RAM, 500 GB SSD & 2 TB HDD, Tracktion 6 & 7 (freebies), Cakewalk, Audacity, MuseScore 2.1 & 3.4, Synthesizer V
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Add the chord. Wait for the next release.ill help more when I'm off vacation in October. Glad I could help.
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XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!
Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!
Mac 2025 Special Upgrade Offers Extended Until August 15th!
It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!
We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!
Check out all the new features in Band-in-a-Box® 2025 for Mac® here:
Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!
Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!
New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!
Bonus PAKs for Band-in-a-Box 2025 for Mac!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
- RealDrums Stems Set 7: Jazz with Mike Clark
- SynthMaster Sounds and Styles (with audio demos)
- 128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- Look Ma! More MIDI 14: SynthMaster,
- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
- MIDI SuperTracks Set 45: More SynthMaster
- Artist Performance Set 18: Songs with Vocals 8
- RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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