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The Band-in-a-Box program and its accessories can be used many different ways to accomplish widely divergent musical tasks. The program is a musical Swiss knife type of tool that lets a user practice playing, compose instrumentals, produce instrument tracks, learn song arrangement, print lead, chord and karaoke sheets, record audio and use midi. That is a short list of things one can do with it but I'm sure there are more.
But, I'm more interested in how users use it, not what can the program do. I'm most interested in how people that work in the music business use it as a tool in their business.
To give an unrelated example. When I worked (for a living) I used Microsoft Office all the time. I used Word to prepare class outlines, product service bulletins and trip reports. I used Excel to prepare trip expense reports, department expenses and the department budget. I used Access to maintain class and student records. Finally, I used PowerPoint for class, sales and department presentations. I considered the program to be an essential tool; just as important as the hand tools, data loggers and electronic equipment I used daily. I paid good money to learn how to use Microsoft Office efficiently. The money for the program, program updates and training was an investment that helped me to make the best use of the tool and department resources.
Jim Fogle - 2025 BiaB (Build 1128) RB (Build 5) - Ultra+ PAK DAWs: Cakewalk Sonar - Standalone: Zoom MRS-8 Laptop: i3 Win 10, 8GB ram 500GB HDD Desktop: i7 Win 11, 12GB ram 256GB SSD, 4 TB HDD Music at: https://fogle622.wix.com/fogle622-audio-home
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Interesting question Jim. I will be following along with the responses for sure. I use Band-in-a-Box to 1. Provide inspiration for my songwriting 2. Provide inspiration for my own unique versions of cover songs 3. Provide the backing for the recordings of the above 4. Practice my guitar (soloing) 5. Practice my sight-reading 6. Provide backing tracks for live performance 7. Inspire other people Keeps me busy 
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I use it to take song ideas and hash them into specific BPM, key, chord structure, and instruments before I port it over to a DAW.
 Steve BIAB/RB 2022, Pro Tools 2020, Korg N5, JBL LSR 4328 Powered Monitors, AKG/Shure Mics.
PC: Win11 PRO, 4 TB M2 SSD, 2 TB HD, 128 GB Memory
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That is a good question, Jim.
Like most people, I use it as a starting point for covers and originals.
I also like the notation editing for midi. I wouldn't have piano on my tracks without BB generating them but they wouldn't be good enough without editing.
And like most people, I go to my DAW after that.
2b
i5-3210 laptop. Win 10 Home. 2.5ghz, 64 bit. 6gb RAM. Focusrite Scarlet 2i2.
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Expert
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Joined: Jan 2013
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But, I'm more interested in how users use it, I've had BIAB since 2012 and am far from any power user. The depths of the program far exceed my quite pragmatic needs which is only recording originals. Open BIAB Add the chords Confirm arrangement is accurate Try a couple of regenerations to decide on the one I like Open in RaalBand for further instrument regenerations/selections Export to .wav and continue on in Sonar X3 Carry on....
Last edited by chulaivet1966; 08/13/19 06:47 AM.
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It's a hobby for me. I'm still doing as many live gigs as I want as a keyboardist in several bands, no need for solo backing tracks. Ok, a list:
1. I use it to create fakebook charts for band members. Just last month the girl singer decided to change keys on several of her songs so I did that in Biab and printed new charts.
2. Personal practice and fun. My piano is in the living room in such a position that I can see my 60" screen for the chords. I really like taking a classic cover song and messing with it with a totally different style than the original. Great fun.
3. I love trying out all the new Real Tracks when they come out. Lots of good stuff there and they've grown so much now it's hard to keep up with them all.
4. When folks report certain problems I try to duplicate them and report back. Because of that I do familiarize myself with most of the functions even though I personally don't use a lot of them.
5. I will use it for specific recording of songs with vocals like me doing up an album of 7 classic cover songs for my sister to sing to. No experimenting there, she wanted them like the record. That was mostly with Real Band.
6. One thing I've been wanting to do is to see if I can create some organ User Tracks in certain styles that are missing from the official RT's. My stage setup is a Hammond SK1 with a Ventilator leslie pedal. Very close to a real B3 sound.
That's about it. I've not seen a need to use the plugin with another DAW, RB is fine. I don't even get into really fine tuning a song using all the many Song and Bar controls because all I usually do is jam along with my piano. I can't hear all that kind of detail anyway because I'm concentrating on my playing and working certain things out. A grand piano in a living room is very loud and I have to turn up my sound system in order to also hear the Biab tracks. Combined, I approach the sound levels I hear on a gig. Luckily I don't live in an apartment...
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
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Joined: Jul 2000
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Jim, I am happy to provide a few thoughts. Thanks for an interesting post.
BIAB is my go-to software for composing, arranging and transcribing, and has been since the early 1990s. The ability to change key, tempo and feel at will is simply amazing.
I've released a CD called Brazilian Wish of all originals that were written in BIAB and then recorded by studio players, and I'm on many other CDs where I did arranging by entering the song into BIAB and working on horn parts, background lines, etc. before going into the studio.
I do a lot of transcription work, both for my own band and for clients (including PG Music!). I enter songs into BIAB because I have found no better software (and I have tried almost all of the music notation programs) for mouse-based data entry.
I play in many big-band jazz ensembles, often as a guest artist on the 2nd trumpet part (the jazz soloist chair). I often key the chord changes of a song into BIAB so I can woodshed a solo. It only takes a few minutes. Doing this helps me learn and practice the song, which gives me more confidence in performance.
As I play most horns but not piano or guitar, BIAB has been a life-changer for me to play the chords. I was always able to hear songs in my head but now, instead of going to a keyboard player or guitarist, I can almost immediately hear played by a band whatever I can imagine. BIAB is simply a phenomenal tool and I owe PG Music all the gratitude I can give for improving my life as a professional musician. If I had only had this tool 60 years ago when I was starting out...
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Journeyman
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When I started I had terrible timing issues. Unlike a real band, I can slow down the music to my speed. Plus, the band doesn't complain when I am off time.
Timing is much better now.
...Deb
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Joined: Jul 2019
Posts: 253
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Joined: Jul 2019
Posts: 253 |
I use BIAB in two basic ways, as a songwriting tool, and as what I refer to as "Demo In A Box" - I'll touch on these in reverse order.
So for years & years, when I would write new songs I would get 5 or 6 of them that I felt strongly about and go into one of the studios here in Nashville, hire a bunch of session musicians, and cut demo tracks. (For the sake of clarity, when I refer to a "demo", it's a full-band recording of a song to show an artist, producer, A&R person, etc. how the song could sound if they chose to record it themselves - a guitar/vocal, keyboard/vocal is what we always referred to in Nashville as a "work tape", dating back to the days when we would write them and immediately put them down on cassette so we wouldn't forget the melody or chord progressions).
That was back in the days when money was good and publishers could afford to do that, and would. I was in the studio every two months or so in the 90s. Then the bottom fell out and now the ROI on recording a full band demo just isn't there anymore. BIAB allows me to present a full-band demo of my songs at minimal cost. This is imperative for me, as I'm not a good enough guitar player to record guitar/vocals that are quality enough to use for pitching purposes. This was my reason for buying BIAB in the first place, and me being a born skeptic, I figured if I was able to get at least one usable demo out of it, it would've paid for itself. It has far exceeded my modest expectations, to say the least.
A very welcome and unexpected bonus was the positive effect it has had on my writing. In scrolling through realtrack demos, I've found myself inspired enough by a track to want to write something with that "feel", and have done so on quite a few occasions. In addition, it has helped me greatly in my co-writing settings. Again, I'm an adequate guitar player at best - I was finding that I would sit down to co-write, tell my cowriter that I had an idea for a really rocking song, and then play my idea for them......and it sounded like John Denver playing swing. "Hey, here's a Jason Aldean kind of idea" <I play & sing>, my cowriters hear ... you guessed it, John Denver playing swing.
But now, I can say "here's my idea....and here's the way I hear it being written", push the play button on a BIAB track, and boom. Now they get it.
I'm a huge fan of this program and have come to rely on it heavily. (Note to PG Music....please get the '19 Mac version out soon, my PayPal is dying to be in touch with you :-) )
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I use BiaB to:
A-the MIDI side
1-input different chord progressions to see how they sound in original songs
2-play with styles for original songs
3-drag and drop the above 1+2 into my DAW
4-practicing soloing my guitar or wind controller
5-practice my sight-reading. I will randomly pick a song from a fake book, load the appropriate Norton fake disc, then sight read with either my guitar or wind controller. BiaB, a fake book, and the companion Norton fake disc are a natural combination.
6-try to duplicate problems to help others
7-to make backing tracks to help my students
8-to print out either chord or lead sheets
9-when in a writers block I will use the melodist or soloist for inspiration
B-the RealTrack side
1-to create backing tracks for some of my jams and/or songs
2-to create backing tracks for others, including students
3-to add a track or two for my MIDI songs
I do not use the VSTi version of BiaB.
The fitness trainer asked me, "What kind of a squat are you accustomed to doing?" I said, "Diddly."
64 bit Win 11 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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Here is my contribution. - I bought BiaB back in the Atari/ST computer days to use it to practice improvisation with my saxophone. I was in a jazz band then and the guitar player taught at the University of Miami and played with Ira Sullivan. Real jazz heavyweights would come and jam with us. Without a background band and playing a monophonic instrument, improv is difficult. It's hard to know when you are creating and resolving tensions when there is no background music.
- When PG Music gave us the opportunity to write our own user styles, I wrote about 20 for myself. I gave copies to my friends (U of M guitar teacher included). They all told me they like my styles better than the 24 that came with the original BiaB app (aren't friends great?!?) and encouraged me to sell them. I took out ads in Keyboard and Electronic Musician magazine and before long I started a business selling aftermarket styles. Peter Gannon called one day and offered his support which to this day I am grateful for, and I'm still writing and selling style disks at http://www.nortonmusic.com
- After I decided to leave the one day a week jazz gig, quit the 5 piece band I was gigging the other days with, and go duo with the woman who is now my wife I started using BiaB to help me write backing tracks for that duo. Details on how I do that can be found here http://www.nortonmusic.com/backing_tracks.html
- I'm still using it for practice with my sax, flute and wind synthesizer. It's the best practice tool I've ever found. Virtually any song, any key, any tempo, and any style are a click away, and I can be daring and try new ideas out without other band members hearing the ideas that don't work out well
- I'm still writing style "disks" for BiaB (although they aren't on disk anymore but direct download), plus I'm writing fake "disks" and selling BiaB aftermarket products from Roy Hawkesford, Sherry Mayrent and David Bailey too.
- I'm still married to that gal I met when we were in different bands and then later in the same band together. We started our duo in 1985 when the 5 piece we were in had personnel problems, and we've been working steadily since then. I still use BiaB to help me write backing tracks for new songs.
Personally I think every computer musician should have three basic tools. Other tools can be added per your needs but IMO everybody needs (1) BiaB (2) A DAW with MIDI and Audio capabilities (3) A full-fleged notation app. Insights and incites by Notes
Bob "Notes" Norton Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
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Joined: Mar 2004
Posts: 6,706
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I think it was in 2004 when I 1st purchased BIAB, and since then every upgrade.
I remember like it was yesterday when "Mac" answered this question I had placed on the forum: I am looking for software that will assist me with arranging tunes and then help with a fuller sound as I pursue my quest of being a solo performer? His answer was something to the affect of, "well you just found it". Of course he was correct.
Since then via eConcerts and live gigs, I am happy to have sold 5-10 other musicians on purchasing BIAB. It is a product and a company, PG Music I endorse without a shadow of a doubt.
Later,
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I use it (Realband) for making backing tracks, and playing the finished product with embedded MIDI automation
I start by loading the studio version of a song I want to recreate.
Then I run that through the ACW, mostly to tempo map it.
When the song comes back to RB, I fine-tune the chords.
At that point I may go one of 4 different routes:
1) load a MIDI file of the song and replace the guitar parts with my own playing or real tracks
2) play all the parts myself, if the song is within my ability
3) generate all the parts from real tracks and real drums
4) load a purchased karaoke track and mix it to my liking
in all cases after getting a mix that includes all the parts I'm not playing/singing, next step is to add MIDI codes to the sequence in order to drive my gear. These are used to load the right patch, turn effects off and on, increase the gain when a guitar solo begins, etc. It is a very cool way to make a lot of interesting stuff happen without getting distracted by remembering to stomp on a pedal at exactly the right moment.
Speaking of MIDI controllable gear: I just added a cool new piece of kit: The Digitech Whammy DT is a programmable whammy, harmony and detuning pedal. All of its features can be controlled by MIDI. One of the features I like is its ability to transpose the guitar part... all 6 strings, chords and everything. Its like a virtual capo that lets me play the song the way I learned it, even if I have to transpose the key in order to sing it. And unlike a physical capo, it doesn't make light gauge strings go out of tune. Being able to get the key where I can sing it without having to relearn the chords and solo really helps me fine tune a song a lot faster. I had also been looking for a harmony pedal that was MIDI controllable.
Anyway, that is pretty much exactly how I use RB. I rarely use BIAB except to explore all the new styles.
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Joined: Apr 2013
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My primary use of BIAB/RB as a hobby is to use BIAB as a multi track recorder and create as complex arrangements and as accurate a cover of a commercial release as I can solely within BIAB without using RB or another DAW. I use a mixture of live recording of audio, pre recorded audio, midi recorded live, pre recorded or commercial midi files or individual tracks from a midi file, loops and samples.
On occasion, I'm called to create soundtracks for school or church videos. I use the BIAB Soundtrack feature to accurately get the length correct.
On occasion, I provide specific instruments to someone's demo, recording or live recording as requested. These fall into three categories.
1. Provide an instrument someone cannot play themselves.
2. Provide and instrument someone can play but a BIAB track can play it better.
3. Provide an instrument someone can play proficiently or expertly but finds it more convenient at the moment for me to provide a BIAB instrument track that may be overdubbed at a later date.
As an song analysis tool. I run several songs per day through the ACW getting accurate tempo, key signature and chord information.
To create covers, both my arrangement or creating high quality, accurate versions.
To create demos of my originals.
To take old recordings and remix them adding BIAB tracks that are tempo matched to the original tape.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Joined: Aug 2010
Posts: 2,296
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I use it for both song and jingle production. It's so effective in getting a great sound fast. Add to that the ability to EASILY change key's for different singers and it's hard to beat.
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
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Joined: Nov 2016
Posts: 299
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Joined: Nov 2016
Posts: 299 |
Using Biab
Practice comes first
*comping, scales, arpeggios, triads, hexatonics...
*learning new material (songs, lead sheets)
*practice for gigs (doesn’t sound cool, but hey...)
Experimenting and arranging
*trying different reharmonizations
*using shots, holds and pedal points
*using different styles to find new ways of making the old sound new
Playing out
When not playing with a full band, I occasionally gig on my own w band-in-a-box
Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums. Check out these great contemporary Jazz Styles: www.jazzstylezz.com
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
The XPro Styles PAKs and Xtra Styles PAKs special offers are now available until August 31st at 11:59pm PDT!
Ready to take your Band-in-a-Box® 2025 experience to the next level? Now’s the perfect time! Expand your style library with XPro and Xtra Styles PAKs—packed with a wide variety of genres to inspire your next musical creation.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!
Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!
Mac 2025 Special Upgrade Offers Extended Until August 15th!
It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!
We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!
Check out all the new features in Band-in-a-Box® 2025 for Mac® here:
Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!
Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!
New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!
Bonus PAKs for Band-in-a-Box 2025 for Mac!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
- RealDrums Stems Set 7: Jazz with Mike Clark
- SynthMaster Sounds and Styles (with audio demos)
- 128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- Look Ma! More MIDI 14: SynthMaster,
- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
- MIDI SuperTracks Set 45: More SynthMaster
- Artist Performance Set 18: Songs with Vocals 8
- RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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