Thanks, RayC. Not sure which set of drums kicked you in the head or how, but I'm glad you're ok.

Thank you, Janne. I've been deeply affected in my life and song-writing by images from Woodstock. I'm not sure what Phil's inspiration was, except he knew I liked things a bit crazy. At the time, he was playing in two "alt-country" bands, so I think "crazy" was on his mind too.

Thanks Janice & Bud. I'm pleased you got some juice out of it.

Thanks, Ember. I know it's not the greatest showcase for the full capabilities of BIAB, but not only was the program essential to establish the important things like key and tempo, I also cut vocals to the BIAB backing. Phil built his parts around those.

Thanks, ScottC. I loved the organ too.

Thanks, Mark K. I had to look to see what I had done. I used more than one EQ setting (on top of doubling) and the last in the chain had a dip in the 700 hz range. I'm not completely sure that's a "notch filter", but it's what I did. Seemed to remove some of the "room and boom" and let the band cut through better.

Thanks, Greg. Yeah, on this one, I was just singing on a Phil Close piece in the end.

Thank you, Shigeki. I'm pleased you enjoyed.

BIAB 2021 Audiophile. Windows 10 64bit. Songwriter, lyricist, composer(?) loving all styles. Some pre-BIAB music from Farfetched Tangmo Band's first CD. https://alonetone.com/tangmo/playlists/close-to-the-ground