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I really am not sure where to start. I know for a FACT, I am going to leave something out.
1st off-This is my favorite song from you. That's been said a lot, but I have a specific reason for it. I absolutely love your songs that are built with a story. You are a master of that; and have done it more times than I can count. This song is not that style of writing.
To me pretty much everything about this song is you going in a direction that is different. The entire song sounds new. That being said, it also sounds like you've been writing this way for years.
I like hearing that a song is a "favorite". That generally means they are getting better - or at least staying consistent. New? Maybe not "everything" - or else it certainly wouldn't sound like I'd been doing it this way for years 
With this style, trying to say a lot without the lyrics doing it can be a challenge. Then it turns more to interplay of phrasing with every element. It relies MUCH more heavily on orchestration and arrangement in a way that really builds. That argument could be made for many genres of music; but to this is essential. It's not only building instrumentation for the sake of adding emotion to a song. It focuses much more on keeping the ear interested as well. However, you don't want it to be distracting. It shouldn't take you out of the song.
Over the last several years, I've focused as much on production as I have on song writing. So, this means a lot to me.
All of that being covered (like you didn't know it) brings me to the finer points :
Your vocal fits this perfectly. There's some great emotion to your singing. It's haunting, which I love.
Thanks!
The interplay between the vocal melody and guitar parts are fantastic! There is a groove that's established that compliments and supports the vocal as though it were written specifically for this song.
The picked the perfect real band styles to make it sound real. By no means does this sound like it's out of the box.
Those drums are placed and chosen so well that I sat here thinking "Yeah. That's how it's done." Looking forward to every fill. The entire time thinking it was just a really well played part. Great choice. The sound of the drums was excellent as well.
The shaker, the organ, every part building to keep interest and bring the song forward until the final few measures. What a great way to bring it back down to the essence without it just having a blunt ending. The release was a truly great choice in my book.
Again...it is nice to have the subtlies of production appreciated (and noted).
Man, I could go on and on;
Ah...please do! HA! but at the heart of it I am really drawn to this song. I love the mood. I love the groove. I wouldn't change a thing. Ok, I would maybe lower the shaker slightly when it first comes in. That would change nothing; but at least it's not all compliments all the time.  Thanks!! Yes, the shaker could have been more subtle...
Thank you for not only sharing this; but writing this. Is a new direction that I'm really liking. The cool thing is; there's room for the new creations along with the others. I hope you had fun with it!
Thank you! for listening and for all the great comments. It's nice when someone "goes a little deeper" than normal....
(Spoken into my phone, so I'm positive there will be errors. Just had to post something about this great song.)
Well, that is just impressive. I need to figure out a way to "speak" comments... would sure save a lot of time...
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Floyd,
This is an awesome song man! Another winner dude.
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Very nice track! The music and lyrics just works very well together.
Enjoyed listening to this!
Thanks for sharing!
Will Will - thanks for coming again Impressive track - well written! Thanks, Jim...
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Joined: Aug 2012
Posts: 12,987
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OP
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Posts: 12,987 |
I'm late to the party and everything I wanted to say already has been said. IMHO this is one of if not your best to date. But it seams I say that after hearing every song you sing!
I do have one question for you, how in hell can you keep coming up with winners after winners? Your songwriting, instrumentation, and processing skills are second to none.
Mario - always glad to have you come to the party regardless what time it is... Thanks for the very kind words... Floyd,
This song is truly awesome! I love the country-rock feel...
Your vocals are always superb and your lyrics put the listener right in the scene.
Loved it all!
Bob Thanks, Bob. Glad you came by to catch this one... Pro work, as usual. Love this line: our final moments coming back to me
so jim beam didn't do his jobBut I'm disappointed you didn't use this rhyme: take it any way you choose
all I know is I need some booze... When I saw the title of the song, I thought How do you write a song about a hangover?Of course, I'm asking the wrong question. Because it's about why there's a hangover, and the answer is a broken heart, of course. Thanks for showing me how it's done! choose...booze... missed that one... Thanks for raising a glass to this one, David
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Joined: Aug 2012
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OP
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Posts: 12,987 |
Floyd,
This is an awesome song man! Another winner dude.
Mr. Snyder - nice to see you drop by!!... New year coming - and a new BIAB version... that ought to get some music juices flowin' for ya... Thanks to everyone who stopped by for a listen and a comment or two. I do appreciate it... fj
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
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Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
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- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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