> So if you have the audiophile version, the RealTracks should actually be BETTER than the demos.

Matt,
Yes, exactly.

On a similar point, I’ve read online discussions from audio experts on distribution of sound content, and the consensus is that 44.1 Khz/16 is the best distribution format (which is the audiophile). The point is that distributing in higher audio format than that was not considered beneficial (e.g. 48khz, 24 bit). The point being a 44.1/16 bit file imported into a 48KHz/24 bit DAW project sounds the same as if it was 48/24bit to begin with.

This “distribution format” is not to be confused with mixing and recording a project, which benefits from higher rates (48, 96KHz) and 24 bit. And of course we record and mix the RealTracks at these higher rates (typically 48KHz/24 bit) , and only the final mix is to 44.1/16 for distribution.



Have Fun!
Peter Gannon
PG Music Inc.