The first MIDI application I laid hands on was a Roland Keyboard (Pardon me, switching station) connected to a Korg Grand Piano module. Hasn't really been that long ago. All the sound was in the module. The keys were triggers. Now, that little rig could sound convincingly like a Steinway, a B-3, or any of 23 other selected keyboards. So, they knew at that time a system based on yes/no commands to a database would work. That legacy lives on in what we know as non-destructive editing.
I plead ignorance as to really understanding what goes on here. Matt Finley could no doubt shed light on the principles of MIDI.

Last edited by edshaw; 01/13/20 10:23 AM.

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