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Band-in-a-Box for Windows
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Joined: Dec 2017
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Hey all,
I'm reminded today of posting my demo on a forum sometime back: the listener said my bass sounded weak. { working with standard biab real tracks, mainly, to my DAW. }
,
I'd forgotten about that till recently, when I started
doubling the bass tracks exported from biab to my DAW.
I even boosted the EQ on these duplicated tracks. Why? weak bass. Result, better but still - ho hum.
today I recorded on some external budget recorders, and
was shocked: the bass tracks sounded FULL - like real
electric bass! Something my ears have not been hearing.
I'm not talking about speaker/ headphone issues - these signals are coming 100 percent direct from biab to my DAW.
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Band-in-a-Box for Windows
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Are you using the exact same Bass as you did in your previous demo?
Were they both MIDI, RealTracks or a mixture of both.
Definitely not all Bass instruments are played the same across all RealTracks, even MIDI.
BIAB & RB2026 Win.(Audiophile), Windows 10 Professional & Windows 11, Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors
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Band-in-a-Box for Windows
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[quote=Definitely not all Bass instruments are played the same across all RealTracks, even MIDI.
[/quote]
Not just Bass, I find there is a lot of variation of volume across most intruments.
Very irritating at times!
Vintage
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Band-in-a-Box for Windows
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Yes, these are reasonable comments.
We need to know how to compare apples with apples in this case. As you correctly state, results do vary, so lets try to find the baseline to use for the comparison.
BIAB & RB2026 Win.(Audiophile), Windows 10 Professional & Windows 11, Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors
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Problems with stacking audiofiles like real tracks is that frequencies over lap. Especially basses and acouctic guitars end up in the same bandwith at times.
A good mixing job is not just a piece of cake. Get a set of better plugins than PG offers; i never use them since they are quite mediocre.
Especially basses and bassdrums sometimes can really stand out by using some specializing EQ.
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Bass guitar sims that allow custom sound tailoring. Make sure that panning is used properly so that as mentioned above the frequencies don’t step on each other. A good starting place is to mix the instruments as if they were standing on stage before an audience. Picture in your mind bass player to one side lead guitar on the other drums in the middle etc. help mentally to pan instruments off each other.
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB 2025, Realband, Reaper 7, Harrison Mixbus 9 32c , Melodyne 5 editor, Presonus Audiobox 1818VSL, Presonus control app.
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Band-in-a-Box for Windows
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Hey all,
I'm reminded today of posting my demo on a forum sometime back: the listener said my bass sounded weak. { working with standard biab real tracks, mainly, to my DAW. }
, For VideoTrack - he stated RT's, not MIDI
I'd forgotten about that till recently, when I started
doubling the bass tracks exported from biab to my DAW.
I even boosted the EQ on these duplicated tracks. Why? weak bass. Result, better but still - ho hum.
Sometimes it is better to cut certain frequencies than continue to boost, but that doesn't appear to be your true issue hear. (spelling not intentional but I decided to leave it <grin>)
today I recorded on some external budget recorders, and
was shocked: the bass tracks sounded FULL - like real
electric bass! Something my ears have not been hearing.
I'm not talking about speaker/ headphone issues - these signals are coming 100 percent direct from biab to my DAW.
Now we're getting to the crux. What DAW did you use initially? It occurs to me going from BB to DAW is a digital conversion. Did the external recorder involve transforming digital to audio before getting recorded? Just wondering if how your particular DAW is converting the WMA files may be part of the issue. FWIW, (and this may sound weird) sometimes cutting around 100HZ and boosting 2 kHZ can make a bass stand out. One of my favorite sayings from our long absent friend Mac was that, when solo'd, 'a bass track should sound like someone is working on an old Buick'. The higher frequencies a bass produces adds a lot to how we perceive it and also adds character. As for differences in the recordings; I'm pretty sure PGMusic isn't present when a lot of these RTs are created, so individual artists' recordings are what they have to work with. They do the magical slicing/dicing, but that actual recordings, as far as I know, are pretty much something they receive from elsewhere. Example - somewhere around here is video of Bret Mason recording some RTs. Something in that video explanation implied the above to me. Add to that each RT is created for a given style; some styles are more bass heavy than others, and handled to work well with the other RTs in that original style..
Last edited by rharv; 05/20/20 04:37 AM.
I do not work here, but the benefits are still awesome
Make your sound your own!
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Band-in-a-Box for Windows
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thanks guys for replies. A lot of these tips I've tried already. Good to see others have noticed the volume issues, as well.
videotrack
Are you using the exact same Bass as you did in your previous demo?
Were they both MIDI, RealTracks or a mixture of both.
Definitely not all Bass instruments are played the same across all RealTracks, even MIDI.
I generally use realtracks, but sometimes I guess I'll
accept the midi. No cant say I was using the exact track.
rharv t occurs to me going from BB to DAW is a digital conversion. Did the external recorder involve transforming digital to audio before getting recorded?
Just wondering if how your particular DAW is converting the WMA files may be part of the issue.
I don't think I explained well. The recorder had an onboard bass vst. I played through that. The recording
was played back to head phones direct from the recorder { not going to my DAW{} I was struck by the excellent tone and clarity of the bass notes.
these issues and ones responses to sounds, are all subjective of course.
I listened to some of my other past projects today.
Not all the bass tracks are too low. BUT the ones where I can hear it at seemingly good mix level --- the bass seems muddy. It's like I hear a pressure of low end bass notes, but can't really distinguish the individual notes. Does that make sense?
That may me a larger problem I think.
thanks
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Band-in-a-Box for Windows
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Joined: May 2000
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That does make sense, and sounds like the low end EQ needs to be cleaned up.
Guitars can muddy up a low end pretty easily for one. Maybe cut some low end out of the guitar(s) .. get surgical with the drum EQ too, give the bass some room.
I do not work here, but the benefits are still awesome
Make your sound your own!
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Band-in-a-Box for Windows
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Posts: 868
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Panning can be a useful tool, to a point.
For me, channel strip EQ is the real scalpel (continuing with rharv's surgical metaphor)for this job
Using eq on each Channel strip I try to carve out little pockets in the frequency spectrum that each instrument can "own".
I will boost the eq curve for the particular instrument in its sweet spot range.
I don't exclude an instrument from other frequencies, I just try to find a solid voice for an instrument focused within a limited frequency range. I can visually inspect all separations by comparing the eq curves simultaneously on the channel strips.
Its not brick-walled, but you can see it. Adjust as necessary. Lather, Rinse, repeat.
This approach really seems to get some separation on the band.
It got rid of a lot of mud in my mixes, especially at the lower end.
I may add a little panning. especially where I have two chording instruments, usually no more than 20-25 points left or right.
I also use volume automation to deal with oddball notes.
I'm far from an expert at doing this. There may be better ways
For my work (instrumental backing tracks) its been an improvement
biab2025(Mac) Latest Build
Mac OS (Latest)
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Logic Pro 11.2.2
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Band-in-a-Box for Windows
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Joined: May 2000
Posts: 22,386
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Yes, your described method is much the same, except that I do not just boost the desired freq for a given track, I cut all un-needed frequencies also.
There is no sense letting 60 hZ or 30 HZ add mess on a guitar track. Simply put, none of the valuable data is in that range and all it can do is add noise/mud, which sometimes gets exaggerated by FX. Try cutting below 60 hZ with EQ; you'll likely see no noticeable difference in the guitar, but now it is in its own space and the bass can breath. You may find the EQ cut adjustment on the guitar track didn't affect the guitar so much, but may indeed affect the drums and bass. <grin>
What you cut is just as valuable (and many pros will say it is MORE valuable) than what you boost.
I think what makes this hard for some to understand is while you are working on a guitar track, your mind is thinking 'how do I make it stand out'?
But the other view is 'how do I make it not intrude, and add mud or noise to the end result'?
By simply boosting suddenly your guitar can stand out but the drums and bass are still muddy, and maybe muddier .. all you gained was frustration.
That's why I used the term surgical EQ.
It's not just adding more of what's good, it is also removing what is bad (surgery).
Every track is different, but you start learning some basics quickly (cymbals do not need anything below 100hZ, guitar below 60 hZ is only adding to the problem, bass above 5kHz is expendable and often somewhere else in a bass frequency range it is battling with guitar and/or bass drum, etc,)
As an example, too much bass in the 30hZ area can kill the thud of a bass drum .. and too much in 100hZ can fight with the guitar low end (you have to decide which is more important and whether cutting 100hZ on guitar or bass is the better solution to give the other more room) .. luckily these tests are easy once you start trying them. Look for a clean mix first, boosting the whole mix later is easy once it is clean to start with. Trying to boost a song that already has conflicts is a nightmare and at best a concession (accepting trade offs). ie mastering
EQ can clean a lot of this up and add definition to each instrument, but again, cutting works well for many purposes. Don't always look for what to boost, also look for what you can cut. EQ adjustments go up AND down for a reason. <grin>
Last edited by rharv; 05/21/20 01:22 PM.
I do not work here, but the benefits are still awesome
Make your sound your own!
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Band-in-a-Box for Windows
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Thanks mrgeeze and rharv!
Great tips to get me back on the right track { pun not intended ? } with biab!
thanks all!
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
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Learn more about the Bonus PAKs for Band-in-a-Box® 2026 for Windows®!
Video: New User Interface (GUI)
Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
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We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
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Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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