Many thanks J&B.

I used the 'Sweet Lead' effect from my 8-Track Boss BR-864 Digital Studio for the guitar solo, which was played on my Strat Plus DX. I chose that effect because I wanted it to really stand out, and I think the reason that worked so well was because it has a completely different reverb setting to the Realtracks. I also added a slight echo effect to the Strat solo using Audacity to add an extra dimension to the sound.
I used a Boss VE-20 for the main vocal and the harmony with a modest amount of echo for the majority of the song, but I then added more echo using Audacity for certain words or phrases (eg. "Now he's gone" and "Now she's gone" at the end of each verse).
The Boss VE-20 is a pretty low end piece of kit, and I don't always use it, but I guess it's okay for certain songs.

It's funny that you should mention the apparent overdrive on the fiddle because I wondered where that had come from myself at first. I found it particularly noticeable in the section between the end of the 2nd verse and the guitar solo, but then I realised that it is because I had increased the volume of it ever so slightly to cut through the Realtracks gritty rhythm guitar which comes in during the build up to the solo. At first I thought that I'd exceeded peak amplitude, but the volume meters didn't go into the red so I decided to leave it as it is.

I was also very happy with the transition from the relatively powerful solo section and the last verse which begins softly with just piano and bouzouki, but the most satisfying part is the point where the acoustic bass and percussion are re-introduced during the second line of the last verse.
When I tried it, I was pleasantly surprised how something that seemed so insignificant could have such a dramatic effect.
The ability to get good results by being creative and experimenting with different styles and Realtracks is a constant source of inspiration for me using BIAB.


Last edited by Andyman; 06/28/20 02:07 PM.
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